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  1. Writing and filming the painting
    ekphrasis in liturature and film
    Erschienen: ©2008
    Verlag:  Rodopi, Amsterdam

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1435695305; 9042024577; 9401206279; 9781435695306; 9789042024571; 9789401206273
    Schriftenreihe: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; 117
    Schlagworte: Literature; TRAVEL / Special Interest / Literary; LITERARY CRITICISM / General; Art in literature; Art in motion pictures; Ekphrasis; Painting and motion pictures; Literatur; Film; Ästhetik; Malerei; Motiv (Film); Motiv (Literatur); Malerei (Motiv); Literatur; Film; Vergleichende Literaturwissenschaft; Malerei; Literatur; Ekphrasis; Art in literature; Art in motion pictures; Painting and motion pictures; Film; Literatur; Ekphrasis
    Weitere Schlagworte: Goya, Francisco / 1746-1828; Rembrandt Harmenszoon van Rijn / 1606-1669; Vermeer, Johannes / 1632-1675; Goya, Francisco (1746-1828); Rembrandt Harmenszoon van Rijn (1606-1669); Vermeer, Johannes (1632-1675)
    Umfang: 1 Online-Ressource (243 pages)
    Bemerkung(en):

    Works of art by Goya, Rembrandt and Vermeer are analyzed. - Originally presented as the author's thesis, University of Texas in Austin

    Includes bibliographical references (pages 221-234) and Filmography (p. 235)

    Toward a definition of ekphrasis in literature and film -- Methodology -- Goya's Sleep of reason in poetry, drama and film : dramatizing the artist's battle with his creatures -- Goya's Sleep of reason in Lion Feuchtwanger's novel and Konrad Wolf's film adaptation : private or social demons? -- From screenplay to film : Rembrandt's self-portraits and social identity construction through ekphrasis -- Vermeer's women in film and fiction : ekphrasis and gendered structures of vision -- Conclusion : the cerebral and the affective function of ekphrasis

    This innovative interdisciplinary study compares the uses of painting in literary texts and films. In developing a framework of four types of ekphrasis, the author argues for the expansion of the concept of ekphrasis by demonstrating its applicability as interpretive tool to films about the visual arts and artists. Analyzing selected works of art by Goya, Rembrandt, and Vermeer and their ekphrastic treatment in various texts and films, this book examines how the medium of ekphrasis affects the representation of the visual arts in order to show what the differences imply about issues such as ge

  2. Writing and filming the painting
    ekphrasis in literature and film
    Erschienen: 2008
    Verlag:  Rodopi, Amsterdam

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9042024577; 9789042024571
    Schriftenreihe: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; 117
    Schlagworte: Art in literature; Art in motion pictures; Ekphrasis; Painting and motion pictures; Ekphrasis; Film; Literatur
    Weitere Schlagworte: Rembrandt Harmenszoon van Rijn (1606-1669); Goya, Francisco (1746-1828); Vermeer, Johannes (1632-1675)
    Umfang: 243 p.
    Bemerkung(en):

    Originally written as author's dissertation, University of Texas in Austin. - Works of art by Goya, Rembrandt and Vermeer are analyzed

    Filmography (p. [235])

    Includes bibliographical references (p. [221]-234)

  3. Writing and filming the painting
    ekphrasis in literature and film
    Erschienen: 2008
    Verlag:  Rodopi, Amsterdam

    This innovative interdisciplinary study compares the uses of painting in literary texts and films. In developing a framework of four types of ekphrasis, the author argues for the expansion of the concept of ekphrasis by demonstrating its... mehr

    Hochschulbibliothek Friedensau
    Online-Ressource
    keine Fernleihe

     

    This innovative interdisciplinary study compares the uses of painting in literary texts and films. In developing a framework of four types of ekphrasis, the author argues for the expansion of the concept of ekphrasis by demonstrating its applicability as interpretive tool to films about the visual arts and artists. Analyzing selected works of art by Goya, Rembrandt, and Vermeer and their ekphrastic treatment in various texts and films, this book examines how the medium of ekphrasis affects the representation of the visual arts in order to show what the differences imply about issues such as ge

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9042024577; 9789042024571
    Schriftenreihe: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; 117
    Schlagworte: Ekphrasis; Painting and motion pictures; Art in motion pictures; Art in literature
    Weitere Schlagworte: Vermeer, Johannes (1632-1675); Rembrandt Harmenszoon van Rijn (1606-1669); Goya, Francisco (1746-1828)
    Umfang: Online-Ressource (243 p), ill. (some col.)
    Bemerkung(en):

    Filmography (p. [235]) -- Includes bibliographical references (p. [221]-234)

    Works of art by Goya, Rembrandt and Vermeer are analyzed

    Originally written as author's dissertation, University of Texas in Austin

    Electronic reproduction; Available via World Wide Web

    Table of Contents; Chapter 1 Toward a Definition of Ekphrasis in Literature and Film; Chapter 2 Methodology; Chapter 3 Goya's Sleep of Reason in Poetry, Drama, and Film: Dramatizing the Artist's Battle with his Creatures; Chapter 4 Goya's Sleep of Reason in Lion Feuchtwanger's Novel and Konrad Wolf's Film Adaptation: Private or Social Demons?; Chapter 5 From Screenplay to Film: Rembrandt's Self-Portraits and Social Identity Construction through Ekphrasis; Chapter 6 Vermeer's Women in Film and Fiction: Ekphrasis and Gendered Structures of Vision

    Chapter 7 Conclusion: The Cerebral and the Affective Function of EkphrasisWorks Cited; Filmography; List of Illustrations/Image Credits