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  1. "Bound hand and foot and yet dancing as if free"
    satires II 1, II 2, and I 1 from Alexander Pope's "Imitations of Horace"
    Erschienen: 2004
    Verlag:  Ibidem-Verl., Stuttgart

    Embedded in a discussion of the 18th century literary practice of imitation, this study offers an in-depth analysis of the three full-length satires from Alexander Pope's Imitations of Horace. Taking into account aspects such as content, metre,... mehr

     

    Embedded in a discussion of the 18th century literary practice of imitation, this study offers an in-depth analysis of the three full-length satires from Alexander Pope's Imitations of Horace. Taking into account aspects such as content, metre, message, personal references, and language, the three satires are compared to their Latin originals, shedding light on how Pope succeeds in transferring the texts into his contemporary world and idiom whilst sticking very closely to the original framework on a larger scale. Thus, they "show the poet bound hand and foot and yet dancing as if free."

     

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  2. "Bound hand and foot and yet dancing as if free"
    satires II 1, II 2, and I 1 from Alexander Pope's "Imitations of Horace"
    Erschienen: 2004
    Verlag:  Ibidem-Verl., Stuttgart

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2005 A 799
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Württembergische Landesbibliothek
    54C/2791
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 3898213412
    Weitere Identifier:
    9783898213417
    Schlagworte: Horatius Flaccus, Quintus; Rezeption; Pope, Alexander; ; Horatius Flaccus, Quintus; Rezeption; Pope, Alexander; ; Horatius Flaccus, Quintus; Rezeption; Pope, Alexander;
    Umfang: 103 S, 210 mm x 150 mm
    Bemerkung(en):

    Literaturverz. S. 95 - 103