Filtern nach
Letzte Suchanfragen

Ergebnisse für *

Zeige Ergebnisse 1 bis 1 von 1.

  1. Mediating the world in the novels of Iain Banks
    the paradigms of fiction
    Erschienen: 2013
    Verlag:  Peter Lang, Frankfurt am Main, DE

    ±Katarzyna Pisarska's Mediating the World is a pioneering attempt at a structural-semiotic analysis of Iain Banks's literary fiction considered as a single oeuvre. All Banks's fictions, she argues, are organized around the question of mediation... mehr

     

    ±Katarzyna Pisarska's Mediating the World is a pioneering attempt at a structural-semiotic analysis of Iain Banks's literary fiction considered as a single oeuvre. All Banks's fictions, she argues, are organized around the question of mediation between character and world, whether the mediation be social, impersonal and objective on the one hand, or individual, personal and subjective on the other. This insight gives rise to a typology of four different kinds of 'world modeling'. All four, she argues, derive from The Wasp Factory, but thereafter one or other is dominant in each of the later no

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 130656090X; 9781306560900; 9783653020069; 3653020069; 9783631626146; 3631626142
    Schriftenreihe: Mediated fictions ; volume 1
    Schlagworte: Mediation in literature; Mediation in literature / (OCoLC)fst01013648; LANGUAGE ARTS & DISCIPLINES / Linguistics / General
    Weitere Schlagworte: Banks, Iain / 1954-2013 / Criticism and interpretation; Banks, Iain / 1954-2013 / (OCoLC)fst01897555; Banks, Iain / 1954-2013
    Umfang: 1 online resource (350 pages)
    Bemerkung(en):

    Description based on print version record

    Includes bibliographical references and index

    Cover; Contents; Acknowledgements; Introduction: The Case of Iain (M.) Banks; CHAPTER 1 Ab Ovo. The Wasp Factory as the Blueprint of Fictional Worlds; 1.1. Model ONE: Alternative Worlds; 1.2. Model TWO: Community Worlds; 1.3. Model THREE: Mythical Worlds; 1.4. Model FOUR: Apocalyptic Worlds; CHAPTER 2 Alternative Worlds Walking on Glass, The Bridge, and Transition; 2.1 Language, Literature, and Multiple Reality in Walking on Glass; 2.2. Into the Subconscious: The Dream Worlds of The Bridge; 2.3. Across the Multiverse: The Many Worlds of Transition

    CHAPTER 3 Community Worlds The Crow Road, The Steep Approach to Garbadale, Espedair Street, and Stonemouth3.1. The Wor(l)ds of Magic, Memory, and Truth in The Crow Road; 3.2. Gardens of Love and Communities of the Heart in The Steep Approach to Garbadale; 3.3. The Land of Music and the Music of Homeland in Espedair Street; 3.4. Big Movies and Private Narratives in Stonemouth; CHAPTER 4 Mythical Worlds. Whit, Canal Dreams, and The Business; 4.1. Into the Unholy Lands: the Pilgrimage of a Goddess in Whit; 4.2. A Female Samurai's Journey to the Centre in Canal Dreams

    4.3. The Virgin, the Mother, the Crone: the Return of a Mythical Woman in The Business. CHAPTER 5 Apocalyptic Worlds. A Song of Stone, Complicity, and Dead Air; 5.1. King Arthur in Distress: Post-apocalyptic Transgressions in A Song of Stone; 5.2. From Virtual Reality to the Waste Land: Public Apocalypse and Post-traumatic Syndrome in Complicity; 5.3. On-Screen Catastrophes and Post-apocalyptic Romances in Dead Air; CHAPTER 6 Coda: The Quarry; CONCLUSION; Bibliography; Index