Acknowledgments vii; Jenny Chamarette and Jennifer Higgins Introduction 1; Bill Burgwinkle Guilt, Shame and Masculine Insufficiency: The Case of La Fille du Comte de Pontieu 15; Irène Fabry 'Si en i ot de teus qui i conterent plus lor honte que leur honour': Enadain et Gauvain, les chevaliers transformés en nains dans la Suite Vulgate du Merlin 31; Mary Flannery The Shame of the Rose : A Paradox 51
Emilia Wilton-Godberfforde Guilt's Reconfiguration of Time and Relational Ties in Seventeenth-Century French Theatre: A Study of Molière's Dom Juan, Rotrou's Cosroès, Tristan L'Hermite's La Mariane and Racine's Phèdre 71Frédéric Miquel Quand le langage spirituel plaide coupable: linguistique et péché au XVIIe siècle 87; Natasha Grigorian Guilt and Desire in the Dream World: Gustave Moreau and Jean Moréas 101; Najate Zouggari L'Impardonnable, l'imprescriptible et l'exigence éthique de pardon 113; Eszter HorvÁth Psyché: le péché originel 125
Ruth Kitchen Guilt and Shame in Occupation Narrative: Reading the Open Secret and Cultural Amnesia in Blanchot's L'Instant de ma mort and Grimbert's Un secret 141Timothy Mathews Trauma, Witness, Form: Thinking Walter Benjamin with Alberto Giacometti 161; Davina Quinlivan 'Whispering on the threshold of the flesh': The Breathing Body, Silence and Embodied Shame in Marina de Van's Dans ma peau (2002) 177; Lucy Bolton Remembering Flesh: Morvern Callar as an Irigarayan Alice 189
Charlotte Baker 'For a minute, their sense of the ways of the world was ruptured. J ust by looking': The Black African Albino in the Novels of Didier Destremau, Patrick Grainville and Williams Sassine 201Notes on Contributors 215; Index 219