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  1. Comparative cinema
    late and last things in literature and film
    Autor*in: Coates, Paul
    Erschienen: [2021]; © 2021
    Verlag:  Palgrave Macmillan, Cham, Switzerland

    This book comprises what may be called exercises in comparative cinema. Its focus on endings, near-endings and late style is connected with the authors argument that comparative criticism itself may constitute an endgame of criticism, arising at the... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book comprises what may be called exercises in comparative cinema. Its focus on endings, near-endings and late style is connected with the authors argument that comparative criticism itself may constitute an endgame of criticism, arising at the moment at which societies or individuals relinquish primary adherence to one tradition or medium. The comparisons embrace different works and artistic media and primarily concern works of literature and film, though they also consider issues raised by the interrelationship of language and moving and still images, as well as inter- and intra-textuality. The works probed most fully are ones by Theo Angelopoulos, Ingmar Bergman, Harun Farocki, Theodor Fontane, Henry James, Krzysztof Kieslowski, Chang-dong Lee, Roman Polanski, Thomas Pynchon, and Paul Schrader, while the key recurrent motifs are those of dusk, the horizon, the labyrinth, and the ruin

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783030690434; 3030690431; 9783030690465
    Weitere Identifier:
    Schlagworte: Motion pictures; Literature, Modern; Literature, Modern; Motion pictures; Criticism, interpretation, etc; History
    Umfang: xiv, 243 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

  2. Comparative cinema
    late and last things in literature and film
    Autor*in: Coates, Paul
    Erschienen: [2021]; © 2021
    Verlag:  Palgrave Macmillan, Cham, Switzerland

    This book comprises what may be called exercises in comparative cinema. Its focus on endings, near-endings and late style is connected with the authors argument that comparative criticism itself may constitute an endgame of criticism, arising at the... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 125724
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2022 A 10456
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    AP 53000 C652
    keine Fernleihe
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    VG/500/79
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book comprises what may be called exercises in comparative cinema. Its focus on endings, near-endings and late style is connected with the authors argument that comparative criticism itself may constitute an endgame of criticism, arising at the moment at which societies or individuals relinquish primary adherence to one tradition or medium. The comparisons embrace different works and artistic media and primarily concern works of literature and film, though they also consider issues raised by the interrelationship of language and moving and still images, as well as inter- and intra-textuality. The works probed most fully are ones by Theo Angelopoulos, Ingmar Bergman, Harun Farocki, Theodor Fontane, Henry James, Krzysztof Kieslowski, Chang-dong Lee, Roman Polanski, Thomas Pynchon, and Paul Schrader, while the key recurrent motifs are those of dusk, the horizon, the labyrinth, and the ruin

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783030690434; 3030690431; 9783030690465
    Weitere Identifier:
    RVK Klassifikation: EC 2440
    Schlagworte: Motion pictures; Literature, Modern; Literature, Modern; Motion pictures; Criticism, interpretation, etc; History
    Umfang: xiv, 243 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index