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  1. The end of the world
    apocalypse and its aftermath in Western culture
    Erschienen: 2011
    Verlag:  Open Book Publishers, Cambridge, UK

    "Our fear of the world ending, like our fear of the dark, is ancient, deep-seated and perennial. It crosses boundaries of space and time, recurs in all human communities and finds expression in every aspect of cultural production - from pre-historic... mehr

    Universitätsbibliothek Regensburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Our fear of the world ending, like our fear of the dark, is ancient, deep-seated and perennial. It crosses boundaries of space and time, recurs in all human communities and finds expression in every aspect of cultural production - from pre-historic cave paintings to high-tech computer games. This book examines historical and imaginary scenarios of Apocalypse, the depiction of its likely triggers, and imagined landscapesin the aftermath of global destruction. Its discussion moves effortlessly from classic novels including Aldous Huxley's Brave New World, George Orwell's Nineteen Eighty-Four and Margaret Atwood's Oryx and Crake, to blockbuster films such as Blade Runner, Armageddon and The Terminator. The author also takes into account religious doctrine, scientific research and the visual arts to create a penetrating, multi-disciplinary study that provides profound insight into one of Western culture's darkest and most enduring preoccupations."--Publisher's website

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (kostenfrei)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1906924503; 190692452X; 1906924619; 1906924627; 2821817088; 9781906924508; 9781906924522; 9781906924614; 9781906924621; 9782821817081
    RVK Klassifikation: LC 32000
    Schlagworte: Fin du monde au cinéma; Fin du monde dans l'art; Fin du monde dans la littérature; Fin du monde; Apocalypse in literature; Apocalypse in motion pictures; Cultural studies; End of the world in literature; End of the world; Film, TV and radio; LITERARY CRITICISM; Literature and literary studies; Literature: history and criticism; RELIGION; Society and culture: general; Society and social sciences Society and social sciences; The arts; Apocalypse in motion pictures; End of the world in literature; End of the world; Literatur; Weltuntergang <Motiv>; Film
    Weitere Schlagworte: Electronic books
    Umfang: 1 Online-Ressource (xxv, 194 Seiten), illustrations
    Bemerkung(en):

    Prologue -- 1. Apocalypse now and again -- 2. The world gone M.A.D. -- 3. And then there was nothing: is the end ever really the end? -- 4. Falling out with Hal and Hester -- 5. Dying of happiness: Utopia at the end of this world -- Afterword: Libera me, Domine, de vita æterna

  2. The end of the world
    apocalypse and its aftermath in Western culture
    Erschienen: 2011
    Verlag:  Open Book Publishers, Cambridge, UK

    "Our fear of the world ending, like our fear of the dark, is ancient, deep-seated and perennial. It crosses boundaries of space and time, recurs in all human communities and finds expression in every aspect of cultural production - from pre-historic... mehr

    Hochschule der Polizei des Landes Brandenburg, Hochschulbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Potsdam, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Our fear of the world ending, like our fear of the dark, is ancient, deep-seated and perennial. It crosses boundaries of space and time, recurs in all human communities and finds expression in every aspect of cultural production - from pre-historic cave paintings to high-tech computer games. This book examines historical and imaginary scenarios of Apocalypse, the depiction of its likely triggers, and imagined landscapesin the aftermath of global destruction. Its discussion moves effortlessly from classic novels including Aldous Huxley's Brave New World, George Orwell's Nineteen Eighty-Four and Margaret Atwood's Oryx and Crake, to blockbuster films such as Blade Runner, Armageddon and The Terminator. The author also takes into account religious doctrine, scientific research and the visual arts to create a penetrating, multi-disciplinary study that provides profound insight into one of Western culture's darkest and most enduring preoccupations."--Publisher's website

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (kostenfrei)
    Image (Thumbnail cover image)
    Image (Thumbnail cover image)
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1906924503; 190692452X; 1906924619; 1906924627; 2821817088; 9781906924508; 9781906924522; 9781906924614; 9781906924621; 9782821817081
    RVK Klassifikation: LC 32000
    Schlagworte: Fin du monde au cinéma; Fin du monde dans l'art; Fin du monde dans la littérature; Fin du monde; Apocalypse in literature; Apocalypse in motion pictures; Cultural studies; End of the world in literature; End of the world; Film, TV and radio; LITERARY CRITICISM; Literature and literary studies; Literature: history and criticism; RELIGION; Society and culture: general; Society and social sciences Society and social sciences; The arts; Apocalypse in motion pictures; End of the world in literature; End of the world; Literatur; Weltuntergang <Motiv>; Film
    Weitere Schlagworte: Electronic books
    Umfang: 1 Online-Ressource (xxv, 194 Seiten), illustrations
    Bemerkung(en):

    Prologue -- 1. Apocalypse now and again -- 2. The world gone M.A.D. -- 3. And then there was nothing: is the end ever really the end? -- 4. Falling out with Hal and Hester -- 5. Dying of happiness: Utopia at the end of this world -- Afterword: Libera me, Domine, de vita æterna