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  1. Twentieth-century Russian poetry
    reinventing the canon
    Beteiligt: Hodgson, Katharine (HerausgeberIn); Shelton, Joanne (HerausgeberIn); Smith, Alexandra (HerausgeberIn)
    Erschienen: 2017
    Verlag:  Open Book Publishers, Cambridge, UK

    "The canon of Russian poetry has been reshaped since the fall of the Soviet Union. A multi-authored study of changing cultural memory and identity, this revisionary work charts Russia’s shifting relationship to its own literature in the face of... mehr

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    "The canon of Russian poetry has been reshaped since the fall of the Soviet Union. A multi-authored study of changing cultural memory and identity, this revisionary work charts Russia’s shifting relationship to its own literature in the face of social upheaval. Literary canon and national identity are inextricably tied together, the composition of a canon being the attempt to single out those literary works that best express a nation’s culture. This process is, of course, fluid and subject to significant shifts, particularly at times of epochal change. This volume explores changes in the canon of twentieth-century Russian poetry from the 1991 collapse of the Soviet Union to the end of Putin’s second term as Russian President in 2008. In the wake of major institutional changes, such as the abolition of state censorship and the introduction of a market economy, the way was open for wholesale reinterpretation of twentieth-century poets such as Iosif Brodskii, Anna Akhmatova and Osip Mandel′shtam, their works and their lives. In the last twenty years many critics have discussed the possibility of various coexisting canons rooted in official and non-official literature and suggested replacing the term "Soviet literature" with a new definition – "Russian literature of the Soviet period". Contributions to this volume explore the multiple factors involved in reshaping the canon, understood as a body of literary texts given exemplary or representative status as "classics". Among factors which may influence the composition of the canon are educational institutions, competing views of scholars and critics, including figures outside Russia, and the self-canonising activity of poets themselves. Canon revision further reflects contemporary concerns with the destabilising effects of emigration and the internet, and the desire to reconnect with pre-revolutionary cultural traditions through a narrative of the past which foregrounds continuity. Despite persistent nostalgic yearnings in some quarters for a single canon, the current situation is defiantly diverse, balancing both the Soviet literary tradition and the parallel contemporaneous literary worlds of the emigration and the underground."--Publisher's website Notes on Contributors -- 1. Introduction: Twentieth-Century Russian Poetry and the Post-Soviet Reader: Reinventing the Canon / Katharine Hodgson and Alexandra Smith -- 2. From the Margins to the Mainstream: Iosif Brodskii and the Twentieth-Century Poetic Canon in the Post-Soviet Period / Aaron Hodgson -- 3. ‘Golden-Mouthed Anna of All The Russias’: Canon, Canonisation, and Cult / Alexandra Harrington -- 4. Vladimir Maiakovskii and the National School Curriculum / Natalia Karakulina -- 5. The Symbol of the Symbolists: Aleksandr Blok in the Changing Russian Literary Canon / Olga Sobolev -- 6. Canonical Mandel′shtam / Andrew Kahn -- 7. Revising the Twentieth-Century Poetic Canon: Ivan Bunin in Post-Soviet Russia / Joanne Shelton -- 8. From Underground to Mainstream: The Case of Elena Shvarts / Josephine von Zitzewitz -- 9. Boris Slutskii: A Poet, his Time, and the Canon / Katharine Hodgson -- 10. The Diasporic Canon of Russian Poetry: The Case of the Paris Note / Maria Rubins -- 11. The Thaw Generation Poets in the Post-Soviet Period / Emily Lygo -- 12. The Post-Soviet Homecoming of First-Wave Russian Émigré Poets and its Impact on the Reinvention of the Past / Alexandra Smith -- 13. Creating the Canon of the Present / Stephanie Sandler -- Bibliography -- Index

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Hodgson, Katharine (HerausgeberIn); Shelton, Joanne (HerausgeberIn); Smith, Alexandra (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781783740895; 1783740892; 9781783740901; 1783740906; 9781783740918; 1783740914; 1783740876; 9781783740871
    Weitere Identifier:
    9781783740871
    Schlagworte: Russian poetry; Soviet poetry; Russian poetry; Soviet poetry; Russian poetry; Soviet poetry; Electronic books; Criticism, interpretation, etc; Soviet poetry; Literature and literary studies; Poetry; LITERARY CRITICISM ; Russian & Former Soviet Union; Russian poetry
    Umfang: Online Ressource (x, 499 pages), illustrations (some color)
    Bemerkung(en):

    Includes bibliographical references (pages 425-469) and index. - Print version record

    Includes bibliography (pages [425]-469) and index

  2. Twentieth-century Russian poetry
    reinventing the canon
    Erschienen: 2017
    Verlag:  Open Book Publishers, Cambridge, UK

    "The canon of Russian poetry has been reshaped since the fall of the Soviet Union. A multi-authored study of changing cultural memory and identity, this revisionary work charts Russia's shifting relationship to its own literature in the face of... mehr

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    "The canon of Russian poetry has been reshaped since the fall of the Soviet Union. A multi-authored study of changing cultural memory and identity, this revisionary work charts Russia's shifting relationship to its own literature in the face of social upheaval. Literary canon and national identity are inextricably tied together, the composition of a canon being the attempt to single out those literary works that best express a nation's culture. This process is, of course, fluid and subject to significant shifts, particularly at times of epochal change. This volume explores changes in the canon of twentieth-century Russian poetry from the 1991 collapse of the Soviet Union to the end of Putin's second term as Russian President in 2008.- In the wake of major institutional changes, such as the abolition of state censorship and the introduction of a market economy, the way was open for wholesale reinterpretation of twentieth-century poets such as Iosif Brodskii, Anna Akhmatova and Osip Mandel′shtam, their works and their lives. In the last twenty years many critics have discussed the possibility of various coexisting canons rooted in official and non-official literature and suggested replacing the term "Soviet literature" with a new definition - "Russian literature of the Soviet period". Contributions to this volume explore the multiple factors involved in reshaping the canon, understood as a body of literary texts given exemplary or representative status as "classics". Among factors which may influence the composition of the canon are educational institutions, competing views of scholars and critics, including figures outside Russia, and the self-canonising activity of poets themselves.- Canon revision further reflects contemporary concerns with the destabilising effects of emigration and the internet, and the desire to reconnect with pre-revolutionary cultural traditions through a narrative of the past which foregrounds continuity. Despite persistent nostalgic yearnings in some quarters for a single canon, the current situation is defiantly diverse, balancing both the Soviet literary tradition and the parallel contemporaneous literary worlds of the emigration and the underground."--Publisher's website

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (Kostenfrei)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781783740901; 1783740906; 9781783740918; 1783740914; 9781783740888; 1783740892
    Weitere Identifier:
    Weitere Schlagworte: Soviet poetry; Russian poetry
    Umfang: 1 Online-Ressource (x, 499 pages)
  3. Twentieth-century Russian poetry
    reinventing the canon
    Beteiligt: Hodgson, Katharine (HerausgeberIn); Shelton, Joanne (HerausgeberIn); Smith, Alexandra (HerausgeberIn)
    Erschienen: 2017
    Verlag:  Open Book Publishers, Cambridge, UK

    "The canon of Russian poetry has been reshaped since the fall of the Soviet Union. A multi-authored study of changing cultural memory and identity, this revisionary work charts Russia's shifting relationship to its own literature in the face of... mehr

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    "The canon of Russian poetry has been reshaped since the fall of the Soviet Union. A multi-authored study of changing cultural memory and identity, this revisionary work charts Russia's shifting relationship to its own literature in the face of social upheaval. Literary canon and national identity are inextricably tied together, the composition of a canon being the attempt to single out those literary works that best express a nation's culture. This process is, of course, fluid and subject to significant shifts, particularly at times of epochal change. This volume explores changes in the canon of twentieth-century Russian poetry from the 1991 collapse of the Soviet Union to the end of Putin's second term as Russian President in 2008. In the wake of major institutional changes, such as the abolition of state censorship and the introduction of a market economy, the way was open for wholesale reinterpretation of twentieth-century poets such as Iosif Brodskii, Anna Akhmatova and Osip Mandel′shtam, their works and their lives. In the last twenty years many critics have discussed the possibility of various coexisting canons rooted in official and non-official literature and suggested replacing the term "Soviet literature" with a new definition - "Russian literature of the Soviet period". Contributions to this volume explore the multiple factors involved in reshaping the canon, understood as a body of literary texts given exemplary or representative status as "classics". Among factors which may influence the composition of the canon are educational institutions, competing views of scholars and critics, including figures outside Russia, and the self-canonising activity of poets themselves. Canon revision further reflects contemporary concerns with the destabilising effects of emigration and the internet, and the desire to reconnect with pre-revolutionary cultural traditions through a narrative of the past which foregrounds continuity. Despite persistent nostalgic yearnings in some quarters for a single canon, the current situation is defiantly diverse, balancing both the Soviet literary tradition and the parallel contemporaneous literary worlds of the emigration and the underground."--Publisher's website

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (kostenfrei)
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Hodgson, Katharine (HerausgeberIn); Shelton, Joanne (HerausgeberIn); Smith, Alexandra (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781783740901; 1783740906; 9781783740918; 1783740914; 9781783740888; 1783740892; 1783740884; 1783740876; 9781783740871; 9781783740895
    Weitere Identifier:
    9781783740871
    Schlagworte: Soviet poetry; Russian poetry; Soviet poetry; Russian poetry; Soviet poetry; Criticism, interpretation, etc; Literature and literary studies; LITERARY CRITICISM ; Russian & Former Soviet Union; Poetry; Russian poetry
    Umfang: 1 Online-Ressource (x, 499 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 425-469) and index

    Katharine Hodgson and Alexandra Smith: Introduction : twentieth-century Russian poetry and the post-Soviet reader : reinventing the canon

    Aaron Hodgson: From the margins to the mainstream : Iosif Brodskii and the twentieth-century poetic canon in the post-Soviet period

    Alexandra Harrington: 'Golden-mouthed Anna of all the Russias' : canon, canonisation, and cult

    Natalia Karakulina: Vladimir Maiakovskii and the national school curriculum

    Olga Sobolev: The symbol of the symbolists : Aleksandr Blok in the changing Russian literary canon

    Andrew Kahn: Canonical Mandelʹshtam

    Joanne Shelton: Revising the twentieth-century poetic canon : Ivan Bunin in post-Soviet Russia

    Josephine von Zitzewitz: From underground to mainstream : the case of Elena Shvarts

    Katharine Hodgson: Boris Slutskii : a poet, his time, and the canon

    Maria Rubins: The diasporic canon of Russian poetry : the case of the Paris note

    Emily Lygo: The thaw generation poets in the post-Soviet period

    Alexandra Smith: The post-Soviet homecoming of first-wave Russian émigré poets and its impact on the reinvention of the past

    Stephanie Sandler.: Creating the canon of the present

  4. Twentieth-century Russian poetry
    reinventing the canon
    Erschienen: 2017
    Verlag:  Open Book Publishers, Cambridge, UK ; JSTOR, New York

    "The canon of Russian poetry has been reshaped since the fall of the Soviet Union. A multi-authored study of changing cultural memory and identity, this revisionary work charts Russia's shifting relationship to its own literature in the face of... mehr

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    "The canon of Russian poetry has been reshaped since the fall of the Soviet Union. A multi-authored study of changing cultural memory and identity, this revisionary work charts Russia's shifting relationship to its own literature in the face of social upheaval. Literary canon and national identity are inextricably tied together, the composition of a canon being the attempt to single out those literary works that best express a nation's culture. This process is, of course, fluid and subject to significant shifts, particularly at times of epochal change. This volume explores changes in the canon of twentieth-century Russian poetry from the 1991 collapse of the Soviet Union to the end of Putin's second term as Russian President in 2008. In the wake of major institutional changes, such as the abolition of state censorship and the introduction of a market economy, the way was open for wholesale reinterpretation of twentieth-century poets such as Iosif Brodskii, Anna Akhmatova and Osip Mandel′shtam, their works and their lives. In the last twenty years many critics have discussed the possibility of various coexisting canons rooted in official and non-official literature and suggested replacing the term "Soviet literature" with a new definition - "Russian literature of the Soviet period". Contributions to this volume explore the multiple factors involved in reshaping the canon, understood as a body of literary texts given exemplary or representative status as "classics". Among factors which may influence the composition of the canon are educational institutions, competing views of scholars and critics, including figures outside Russia, and the self-canonising activity of poets themselves. Canon revision further reflects contemporary concerns with the destabilising effects of emigration and the internet, and the desire to reconnect with pre-revolutionary cultural traditions through a narrative of the past which foregrounds continuity. Despite persistent nostalgic yearnings in some quarters for a single canon, the current situation is defiantly diverse, balancing both the Soviet literary tradition and the parallel contemporaneous literary worlds of the emigration and the underground."--Publisher's website.

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Hodgson, Katharine; Shelton, Joanne; Smith, Alexandra
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781783740895; 1783740892; 9781783740901; 1783740906; 9781783740918; 1783740914
    Schlagworte: Russian poetry; Soviet poetry; Russian poetry; Soviet poetry
    Umfang: 1 Online-Ressource (x, 499 Seiten), Illustrations (some color)
    Bemerkung(en):

    Includes bibliographical references (pages 425-469) and index

  5. Twentieth-century Russian poetry :
    reinventing the canon /
    Beteiligt: Hodgson, Katharine, (editor.); Shelton, Joanne, (editor.); Smith, Alexandra, (editor.)
    Erschienen: [2017]; ©2017
    Verlag:  Open Book Publishers,, Cambridge, UK :

    The canon of Russian poetry has been reshaped since the fall of the Soviet Union. A multi-authored study of changing cultural memory and identity, this revisionary work charts Russia's shifting relationship to its own literature in the face of social... mehr

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    The canon of Russian poetry has been reshaped since the fall of the Soviet Union. A multi-authored study of changing cultural memory and identity, this revisionary work charts Russia's shifting relationship to its own literature in the face of social upheaval. Literary canon and national identity are inextricably tied together, the composition of a canon being the attempt to single out those literary works that best express a nation's culture. This process is, of course, fluid and subject to significant shifts, particularly at times of epochal change. This volume explores changes in the canon of twentieth-century Russian poetry from the 1991 collapse of the Soviet Union to the end of Putin's second term as Russian President in 2008. In the wake of major institutional changes, such as the abolition of state censorship and the introduction of a market economy, the way was open for wholesale reinterpretation of twentieth-century poets such as Iosif Brodskii, Anna Akhmatova and Osip Mandel'shtam, their works and their lives. In the last twenty years many critics have discussed the possibility of various coexisting canons rooted in official and non-official literature and suggested replacing the term "Soviet literature" with a new definition - "Russian literature of the Soviet period". Contributions to this volume explore the multiple factors involved in reshaping the canon, understood as a body of literary texts given exemplary or representative status as "classics". Among factors which may influence the composition of the canon are educational institutions, competing views of scholars and critics, including figures outside Russia, and the self-canonising activity of poets themselves. Canon revision further reflects contemporary concerns with the destabilising effects of emigration and the internet, and the desire to reconnect with pre-revolutionary cultural traditions through a narrative of the past which foregrounds continuity. Despite persistent nostalgic ...

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Hodgson, Katharine, (editor.); Shelton, Joanne, (editor.); Smith, Alexandra, (editor.)
    Medientyp: Ebook
    Format: Online
    ISBN: 9781783740895; 1783740892; 9781783740901; 1783740906; 9781783740918; 1783740914; 1783740876; 9781783740871; 2821897286; 9782821897281
    Weitere Identifier:
    9781783740871
    Schlagworte: Russian poetry; Soviet poetry; Literature and literary studies.; Poetry.; LITERARY CRITICISM; Russian poetry.; Soviet poetry.
    Umfang: 1 online resource (x, 499 pages) :, color illustrations
    Bemerkung(en):

    Includes bibliographical references (pages 425-469) and index.

    Array: Array

  6. Twentieth-century Russian poetry
    reinventing the canon
    Erschienen: 2017
    Verlag:  Open Book Publishers, Cambridge, UK

    "The canon of Russian poetry has been reshaped since the fall of the Soviet Union. A multi-authored study of changing cultural memory and identity, this revisionary work charts Russia's shifting relationship to its own literature in the face of... mehr

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    "The canon of Russian poetry has been reshaped since the fall of the Soviet Union. A multi-authored study of changing cultural memory and identity, this revisionary work charts Russia's shifting relationship to its own literature in the face of social upheaval. Literary canon and national identity are inextricably tied together, the composition of a canon being the attempt to single out those literary works that best express a nation's culture. This process is, of course, fluid and subject to significant shifts, particularly at times of epochal change. This volume explores changes in the canon of twentieth-century Russian poetry from the 1991 collapse of the Soviet Union to the end of Putin's second term as Russian President in 2008.- In the wake of major institutional changes, such as the abolition of state censorship and the introduction of a market economy, the way was open for wholesale reinterpretation of twentieth-century poets such as Iosif Brodskii, Anna Akhmatova and Osip Mandel′shtam, their works and their lives. In the last twenty years many critics have discussed the possibility of various coexisting canons rooted in official and non-official literature and suggested replacing the term "Soviet literature" with a new definition - "Russian literature of the Soviet period". Contributions to this volume explore the multiple factors involved in reshaping the canon, understood as a body of literary texts given exemplary or representative status as "classics". Among factors which may influence the composition of the canon are educational institutions, competing views of scholars and critics, including figures outside Russia, and the self-canonising activity of poets themselves.- Canon revision further reflects contemporary concerns with the destabilising effects of emigration and the internet, and the desire to reconnect with pre-revolutionary cultural traditions through a narrative of the past which foregrounds continuity. Despite persistent nostalgic yearnings in some quarters for a single canon, the current situation is defiantly diverse, balancing both the Soviet literary tradition and the parallel contemporaneous literary worlds of the emigration and the underground."--Publisher's website

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (Kostenfrei)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781783740901; 1783740906; 9781783740918; 1783740914; 9781783740888; 1783740892
    Weitere Identifier:
    Schlagworte: Soviet poetry; Russian poetry
    Umfang: 1 Online-Ressource (x, 499 pages)