Machine generated contents note: pt. 1 Beginnings -- 1.The Compatibility of Art and Religion for Willa Cather: From the Beginning / Steven B. Shively -- 2.Thea in Wonderland: Willa Cather's Revision of the Alice Novels and the Gender Codes of the...
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Universitätsbibliothek der Eberhard Karls Universität
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Machine generated contents note: pt. 1 Beginnings -- 1.The Compatibility of Art and Religion for Willa Cather: From the Beginning / Steven B. Shively -- 2.Thea in Wonderland: Willa Cather's Revision of the Alice Novels and the Gender Codes of the Western Frontier / Michelle E. Moore -- 3.Antonia and Hiawatha: Spectacles of the Nation / Joseph C. Murphy -- pt. 2 Presences -- 4.Willa Cather, Howard Pyle, and "The Precious Message of Romance" / Richard C. Harris -- 5."Then a Great Man in American Art": Willa Cather's Frederic Remington / Robert Thacker -- 6.Willa Cather, Ernest L. Blumenschein, and "The Painting of Tomorrow" / James A. Jaap -- 7.From The Song of the Lark to Lucy Gayheart, and Die Walkure to Die Winterreise / David Porter -- 8.The Trafficking of Mrs. Forrester: Prostitution and Willa Cather's A Lost Lady / Charmion Gustke -- 9.The Outlandish Hands of Fred Demmler: Pittsburgh Prototypes in The Professor's House / Timothy W. Bintrim Note continued: 10.Translating the Southwest: The 1940 French Edition of Death Comes for the Archbishop / Mark J. Madigan -- pt. 3 Articulation: The Song of the Lark -- 11.Elements of Modernism in The Song of the Lark / Ann Moseley -- 12."The Earliest Sources of Gladness": Reading the Deep Map of Cather's Southwest / Diane Prenatt -- 13.Re(con)ceiving Experience: Cognitive Science and Creativity in The Song of the Lark / Joshua Dolezal -- 14.Women and Vessels in The Song of the Lark and Shadows on the Rock / Angela Conrad.
