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  1. Making strange
    beauty, sublimity, and the (post)modern 'third aesthetic'
    Erschienen: 2008
    Verlag:  Rodopi, Amsterdam

    This compact, indispensable overview answers a vexed question: Why do so many works of modern and postmodern literature and art seem designed to appear 'strange', and how can they still cause pleasure in the beholder? To help overcome the initial... mehr

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    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    keine Fernleihe
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    keine Fernleihe
    Saarländische Universitäts- und Landesbibliothek
    keine Fernleihe
    Universitätsbibliothek der Eberhard Karls Universität
    keine Fernleihe

     

    This compact, indispensable overview answers a vexed question: Why do so many works of modern and postmodern literature and art seem designed to appear 'strange', and how can they still cause pleasure in the beholder? To help overcome the initial barrier caused by this 'strangeness', the general reader is given an initial, non-technical description of the 'aesthetic of the strange' as it is experienced in the reading or viewing process. There follows a broad survey of modern and postmodern trends, illustrating their staggering variety and making plain the manifold methods and strategies adopte The aesthetic of the strange -- The strange art and literature of modernism -- The strange art and literature of postmodernism -- The aesthetic of the strange as the aesthetic of modernism and postmodernism -- Theoretical foundations of the aesthetic of the strange.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781435670723; 1435670728
    Schriftenreihe: Postmodern studies ; 42
    Schlagworte: Art, Modern; Avant-garde (Aesthetics); Art and literature; Postmodernism; Avant-garde (Aesthetics); Art and literature; Art, Modern; TRAVEL ; Special Interest ; Literary; LITERARY CRITICISM ; General; Art and literature; Art, Modern; Avant-garde (Aesthetics); Postmodernism; History
    Umfang: Online Ressource (xiii, 172 p., 16 p. of plates), ill. (chiefly col.)
    Bemerkung(en):

    "English translation by Marc Colavincenzo from Einführung in die Literatur und Kunst der Moderne und Postmoderne : die Ästhetik des Fremden (Tübingen & Basel: Francke, 2004), with further editing by Gordon Collier"--T.p. verso. - Includes bibliographical references (p. [165]-172). - Description based on print version record

  2. Making strange
    beauty, sublimity, and the (post)modern 'third aesthetic'
    Autor*in: Grabes, Herbert
    Erschienen: 2008
    Verlag:  Rodopi, Amsterdam

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1435670728; 904202433X; 9781435670723; 9789042024335
    Schriftenreihe: Postmodern studies ; 42
    Schlagworte: TRAVEL / Special Interest / Literary; LITERARY CRITICISM / General; Art and literature; Art, Modern; Avant-garde (Aesthetics); Postmodernism; Geschichte; Postmodernism; Art, Modern; Avant-garde (Aesthetics); Art and literature; Postmoderne; Moderne; Fremdheit; Kunst; Literatur; Seltsamkeit; Ästhetik
    Umfang: 1 Online-Ressource (xiii, 172 p., 16 p. of plates)
    Bemerkung(en):

    "English translation by Marc Colavincenzo from Einführung in die Literatur und Kunst der Moderne und Postmoderne : die Ästhetik des Fremden (Tübingen & Basel: Francke, 2004), with further editing by Gordon Collier"--T.p. verso

    Includes bibliographical references (p. [165]-172)

    The aesthetic of the strange -- The strange art and literature of modernism -- The strange art and literature of postmodernism -- The aesthetic of the strange as the aesthetic of modernism and postmodernism -- Theoretical foundations of the aesthetic of the strange

  3. Making strange
    beauty, sublimity, and the (post)modern 'third aesthetic'
    Autor*in: Grabes, Herbert
    Erschienen: 2008
    Verlag:  Rodopi, Amsterdam [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    This compact, indispensable overview answers a vexed question: Why do so many works of modern and postmodern literature and art seem designed to appear 'strange', and how can they still cause pleasure in the beholder? To help overcome the initial... mehr

    Bibliothek der Hochschule Mainz, Untergeschoss
    keine Fernleihe

     

    This compact, indispensable overview answers a vexed question: Why do so many works of modern and postmodern literature and art seem designed to appear 'strange', and how can they still cause pleasure in the beholder? To help overcome the initial barrier caused by this 'strangeness', the general reader is given an initial, non-technical description of the 'aesthetic of the strange' as it is experienced in the reading or viewing process. There follows a broad survey of modern and postmodern trends, illustrating their staggering variety and making plain the manifold methods and strategies adopte.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781435670723; 1435670728; 9789042029118; 9042029110
    RVK Klassifikation: EC 5410
    Schriftenreihe: Postmodern studies ; 42
    Schlagworte: Postmoderne; Literatur; Ästhetik
    Umfang: 1 Online-Ressource (xiii, 172 pages, 16 pages of plates), Illustrations (chiefly color)
    Bemerkung(en):

    "English translation by Marc Colavincenzo from Einführung in die Literatur und Kunst der Moderne und Postmoderne : die Ästhetik des Fremden (Tübingen & Basel: Francke, 2004), with further editing by Gordon Collier"--Title page verso

    Includes bibliographical references (pages 165-172)