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  1. Skin crafts
    affect, violence and materiality in global contemporary art
    Autor*in: Skelly, Julia
    Erschienen: 2022
    Verlag:  Bloomsbury Visual Arts, London

    Narco-violence, Femicide, and Gore Capitalism: Teresa Margolles's Piercing Textile Works -- Facing Slavery and Survival: Lubaina Himid's Overpainted Ceramics -- “A Skin for a Skin”: Sherry Farrell Racette's Textile Paintings -- Festering Wounds and... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2022:5097:
    Fernleihe:
    keine Fernleihe

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Narco-violence, Femicide, and Gore Capitalism: Teresa Margolles's Piercing Textile Works -- Facing Slavery and Survival: Lubaina Himid's Overpainted Ceramics -- “A Skin for a Skin”: Sherry Farrell Racette's Textile Paintings -- Festering Wounds and Stitched Scars in Works by Rebecca Belmore and Nadia Myre -- Concrete and Caresses: The Case of Doris Salcedo. "Skin Crafts discusses multiple artists from global contexts who employ craft materials in works that address historical and contemporary violence. These artists are deliberately embracing the fragility of textiles and ceramics to evoke the vulnerability of human skin and - in so doing - are demanding visceral responses from viewers. Drawing on a range of theories including affect theory, material feminism, skin studies, phenomenology and global art history, the book illuminates the various ways in which artists are harnessing the affective power of craft materials to address and cope with violence. Artists from Mexico, Africa, China, the Netherlands and Indigenous artists based in the unceded territory known as Canada are examined in relation to one another to illuminate the connections and differences across their bodies of work. Skin Crafts interrogates ongoing material violence towards women and marginalized others, and demonstrates the power of contemporary art to force viewers and scholars into facing their ethical responsibilities as human beings."--Publisher description

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1350122955; 9781350122956
    RVK Klassifikation: LH 65020
    Schlagworte: Human beings in art; Art, Modern; Handicraft in art; Violence in art; Skin in art; Art, Modern; Handicraft in art; Human beings in art; Skin in art; Violence in art
    Umfang: x, 211 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references (pages 189-205) and index
  2. Skin crafts
    affect, violence and materiality in global contemporary art
    Autor*in: Skelly, Julia
    Erschienen: 2022
    Verlag:  Bloomsbury Visual Arts, London

    Narco-violence, Femicide, and Gore Capitalism: Teresa Margolles's Piercing Textile Works -- Facing Slavery and Survival: Lubaina Himid's Overpainted Ceramics -- “A Skin for a Skin”: Sherry Farrell Racette's Textile Paintings -- Festering Wounds and... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Narco-violence, Femicide, and Gore Capitalism: Teresa Margolles's Piercing Textile Works -- Facing Slavery and Survival: Lubaina Himid's Overpainted Ceramics -- “A Skin for a Skin”: Sherry Farrell Racette's Textile Paintings -- Festering Wounds and Stitched Scars in Works by Rebecca Belmore and Nadia Myre -- Concrete and Caresses: The Case of Doris Salcedo. "Skin Crafts discusses multiple artists from global contexts who employ craft materials in works that address historical and contemporary violence. These artists are deliberately embracing the fragility of textiles and ceramics to evoke the vulnerability of human skin and - in so doing - are demanding visceral responses from viewers. Drawing on a range of theories including affect theory, material feminism, skin studies, phenomenology and global art history, the book illuminates the various ways in which artists are harnessing the affective power of craft materials to address and cope with violence. Artists from Mexico, Africa, China, the Netherlands and Indigenous artists based in the unceded territory known as Canada are examined in relation to one another to illuminate the connections and differences across their bodies of work. Skin Crafts interrogates ongoing material violence towards women and marginalized others, and demonstrates the power of contemporary art to force viewers and scholars into facing their ethical responsibilities as human beings."--Publisher description

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1350122955; 9781350122956
    RVK Klassifikation: LH 65020
    Schlagworte: Human beings in art; Art, Modern; Handicraft in art; Violence in art; Skin in art; Art, Modern; Handicraft in art; Human beings in art; Skin in art; Violence in art
    Umfang: x, 211 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references (pages 189-205) and index
  3. Skin crafts
    affect, violence and materiality in global contemporary art
    Autor*in: Skelly, Julia
    Erschienen: 2022
    Verlag:  Bloomsbury Visual Arts, London ; New York ; Oxford ; New Delhi ; Sydney

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 1350122955; 9781350122956
    RVK Klassifikation: LH 65020
    Schlagworte: Haut; Künstlerin; Sklaverei <Motiv>; Gewalt <Motiv>; Frauenmord; Kunst; Kunsthandwerk
    Weitere Schlagworte: Myre, Nadia (1974-); Belmore, Rebecca (1960-); Margolles, Teresa (1963-); Himid, Lubaina (1954-); Salcedo, Doris (1958-); Racette, Sherry Farrell (1952-)
    Umfang: x, 211 Seiten, 8 ungezählte Seiten Tafeln, Illustrationen, 24 cm