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  1. Mark Twain on the loose
    a comic writer and the American self
    Erschienen: ©1995
    Verlag:  University of Massachusetts Press, Amherst, Mass.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0585083924; 087023966X; 0870239678; 9780585083926
    RVK Klassifikation: HT 4705
    Schlagworte: LITERARY CRITICISM / American / General; Humor (grappigheden); Humor; Art; Comic, The, in literature; Group identity in literature; Humorous stories, American; National characteristics, American, in literature; Self in literature; Kunst; Wissen; National characteristics, American, in literature; Humorous stories, American; Group identity in literature; Comic, The, in literature; Self in literature; Komik; Nationalcharakter; Satire
    Weitere Schlagworte: Twain, Mark; Twain, Mark / 1835-1910; Twain, Mark / 1835-1910; Twain, Mark (1835-1910); Twain, Mark (1835-1910)
    Umfang: 1 Online-Ressource (269 pages)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 257-264) and index

    Can we rediscover the wildness in Mark Twain's humor? Can we understand how that wildness helped make him a national legend and a key figure in the expression of an American self? In Mark Twain on the Loose, Bruce Michelson writes about Twain as a body of literature, as a public personality, and as a myth. Michelson shows that many of Twain's most ambitious and memorable works, from the very beginning to the end of his career, express a drive for absolute liberation from every social, psychological, and artistic limit. The outrageous and anarchic sides of Twain play a vital role in his art. But these traits are undervalued even by his admirers, who often favor clean shapes and steady affirmations in Twain's writing - not the dangerous comic outbreak, or the deep yearning to free the self from every definition and confinement

    Reviewing works from a wide range of Twain's writings, Michelson brings to light those wild dimensions, their literary consequences, and their cultural importance. He reveals this great author as "the best escape artist in the American canon," a reflexive, paradoxical, rule-shattering comic genius