Includes bibliographical references and index
Stephen Melville and Bill Readings: pt. 1. General introduction
Stephen Melville and Bill Readings: pt. 1.General introduction
Stephen Melville: pt. 2. Basic concepts of art history
Griselda Pollock: Beholding art history: vision, place and power
Michael Ann Holly: Past looking
John Tagg: A discourse (with shape of reason missing)
Irit Rogoff: The aesthetics of post-history: a German perspective
Bill Readings: pt. 3. How obvious is art?: Kitsch and the semiotician
Mieke Bal: Reading the gaze: the construction of gender in "Rembrandt"
Norman Bryson: Philostratus and the imaginary museum
Louis Marin -- Armour Fou: Topic and figures of enunciation: is it myself that I paint
Fran(c)ʹoise Luchert: pt. 4. The pen and the eye: the politics of the gazing body
John Bender: Impersonal violence: the penetrating gaze and the field of narration in Caleb Williams
Peter de Bolla: The visibility of visuality: Vauxhall Gardens and the Siting of the viewer
Bennet Schaber: pt. 5. Vision procured
Rosalind Krauss: In the master's bedroom
Martin Jay: Photo-unrealism: the contribution of the camera in the crisis of ocularcentrism
Victor Burgin.: Chance encounters: Fl(c)Øneur and Detraqu(c)♭e in Breton's Nadja
Stephen Melville: pt. 2.Basic concepts of art history
Griselda Pollock: Beholding art history: vision, place and power
Michael Ann Holly: Past looking
John Tagg: A discourse (with shape of reason missing)
Irit Rogoff: The aesthetics of post-history: a German perspective
Bill Readings: pt. 3.How obvious is art?: Kitsch and the semiotician
Mieke Bal: Reading the gaze: the construction of gender in "Rembrandt"
Norman Bryson: Philostratus and the imaginary museum
Louis Marin: Topic and figures of enunciation: is it myself that I paint
Françoise Luchert: pt. 4.The pen and the eye: the politics of the gazing body
John Bender: Impersonal violence: the penetrating gaze and the field of narration in Caleb Williams
Peter de Bolla: The visibility of visuality: Vauxhall Gardens and the Siting of the viewer
Bennet Schaber: pt. 5.Vision procured
Rosalind Krauss: In the master's bedroom
Martin Jay: Photo-unrealism: the contribution of the camera in the crisis of ocularcentrism
Victor Burgin.: Chance encounters: Flâneur and Detraquée in Breton's Nadja
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