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  1. Radical affections
    essays on the poetics of outside
    Autor*in: Nichols, Miriam
    Erschienen: ©2010
    Verlag:  University of Alabama Press, Tuscaloosa

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0817317112; 0817356215; 0817384413; 9780817317119; 9780817356217; 9780817384418
    Schriftenreihe: Modern and contemporary poetics
    Schlagworte: POETRY / American / General; Experimentelle Lyrik; American poetry; American poetry; Experimental poetry; Experimental poetry; Poetics; Versification; Experimentelle Lyrik
    Weitere Schlagworte: Blaser, Robin; Creeley, Robert; Duncan, Robert Edward; Howe, Susan; Olson, Charles; Spicer, Jack; Blaser, Robin; Creeley, Robert; Duncan, Robert Edward; Howe, Susan; Olson, Charles; Spicer, Jack; Blaser, Robin (1925-2009); Olson, Charles (1910-1970); Creeley, Robert (1926-2005); Spicer, Jack (1925-1965); Duncan, Robert Edward (1919-1988); Howe, Susan (1937-)
    Umfang: 1 Online-Ressource (xii, 355 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 307-325) and index

    Introduction : how to walk on the slippery earth -- Charles Olson : architect of place -- Robert Creeley : occasional verse -- Robert Duncan : master of rime -- Jack Spicer : castle of skin and glass -- Robin Blaser : the practice of outside -- Susan Howe : a special view of history

    In 1950 the poet Charles Olson published his influential essay "Projective Verse" in which he proposed a poetry of "open field" composition-to replace traditional closed poetic forms with improvised forms that would reflect exactly the content of the poem. ¡ The poets and poetry that have followed in the wake of the "projectivist" movement-the Black Mountain group, the New York School, the San Francisco Renaissance, and the Language poets-have since been studied at length. But more often than not they have been studied through the lens of continental theory with the effect that these high