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  1. Artistic ambassadors
    literary and international representation of the new negro era
    Autor*in: Roberts, Brian Russell
    Erschienen: 2013
    Verlag:  University of Virginia Press, Charlottesville

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0813933692; 9780813933696
    RVK Klassifikation: HR 1728 ; HT 1728 ; HU 1728
    Schlagworte: LITERARY CRITICISM / American / General; African American diplomats; African Americans / Intellectual life; American literature / African American authors; Schwarze. USA; American literature; African American diplomats; African Americans; African Americans; Diplomatie; Geistesleben; Literatur; Schwarze
    Umfang: 1 Online-Ressource (245 p.)
    Bemerkung(en):

    Includes bibliographical references and index

    The Negro beat: "distinguished colored men" and their representative characters -- Passing into diplomacy: US Consul James Weldon Johnson and the autobiography of an ex-colored man -- Diplomatic and modern representations: George Washington Ellis, Henry Francis Downing, and the myth of Africa -- Metonymies of absence and presence: Angelina Weld Grimke's Rachel -- Diplomats but ersatz: the hip-to-matic Pan-Africanism of W. E. B. Du Bois and Ida Gibbs Hunt -- The practice of hip-to-macy in the age of public diplomacy: Richard Wright's Indonesian travels -- Epilogue: hipster diplomacy's fall and Barack Obama's forms of things unknown

    During the first generation of black participation in U.S. diplomacy in the late nineteenth and early twentieth centuries, a vibrant community of African American writers and cultural figures worked as U.S. representatives abroad. Through the literary and diplomatic dossiers of figures such as Frederick Douglass, James Weldon Johnson, Archibald and Angelina Grimké, W. E. B. Du Bois, Ida Gibbs Hunt, and Richard Wright, Brian Roberts shows how the intersection of black aesthetic trends and U.S. political culture both Americanized and internationalized the trope of the New Negro. This decades-long relationship began during the days of Reconstruction, and it flourished as U.S. presidents courted and rewarded their black voting constituencies by appointing black men as consuls and ministers to such locales as Liberia, Haiti, Madagascar, and Venezuela. These appointments changed the complexion of U.S. interactions with nations and colonies of color; in turn, state-sponsored black travel gave rise to literary works that imported international representation into New Negro discourse on aesthetics, race, and African American culture. Beyond offering a narrative of the formative dialogue between black transnationalism and U.S. international diplomacy, Artistic Ambassadors also illuminates a broader literary culture that reached both black and white America as well as the black diaspora and the wider world of people of color. In light of the U.S. appointments of its first two black secretaries of state and the election of its first black president, this complex representational legacy has continued relevance to our understanding of current American internationalism
  2. Artistic ambassadors
    literary and international representation of the new negro era
    Erschienen: 2013
    Verlag:  University of Virginia Press, Charlottesville

    During the first generation of black participation in U.S. diplomacy in the late nineteenth and early twentieth centuries, a vibrant community of African American writers and cultural figures worked as U.S. representatives abroad. Through the... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    During the first generation of black participation in U.S. diplomacy in the late nineteenth and early twentieth centuries, a vibrant community of African American writers and cultural figures worked as U.S. representatives abroad. Through the literary and diplomatic dossiers of figures such as Frederick Douglass, James Weldon Johnson, Archibald and Angelina Grimké, W. E. B. Du Bois, Ida Gibbs Hunt, and Richard Wright, Brian Roberts shows how the intersection of black aesthetic trends and U.S. political culture both Americanized and internationalized the trope of the New Negro. This decades-long relationship began during the days of Reconstruction, and it flourished as U.S. presidents courted and rewarded their black voting constituencies by appointing black men as consuls and ministers to such locales as Liberia, Haiti, Madagascar, and Venezuela. These appointments changed the complexion of U.S. interactions with nations and colonies of color; in turn, state-sponsored black travel gave rise to literary works that imported international representation into New Negro discourse on aesthetics, race, and African American culture. Beyond offering a narrative of the formative dialogue between black transnationalism and U.S. international diplomacy, Artistic Ambassadors also illuminates a broader literary culture that reached both black and white America as well as the black diaspora and the wider world of people of color. In light of the U.S. appointments of its first two black secretaries of state and the election of its first black president, this complex representational legacy has continued relevance to our understanding of current American internationalism

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  3. Artistic ambassadors
    literary and international representation of the new negro era
    Autor*in: Roberts, Brian Russell
    Erschienen: 2013
    Verlag:  University of Virginia Press, Charlottesville

    During the first generation of black participation in U.S. diplomacy in the late nineteenth and early twentieth centuries, a vibrant community of African American writers and cultural figures worked as U.S. representatives abroad. Through the... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    During the first generation of black participation in U.S. diplomacy in the late nineteenth and early twentieth centuries, a vibrant community of African American writers and cultural figures worked as U.S. representatives abroad. Through the literary and diplomatic dossiers of figures such as Frederick Douglass, James Weldon Johnson, Archibald and Angelina Grimké, W. E. B. Du Bois, Ida Gibbs Hunt, and Richard Wright, Brian Roberts shows how the intersection of black aesthetic trends and U.S. political culture both Americanized and internationalized the trope of the New Negro. This decades-long relationship began during the days of Reconstruction, and it flourished as U.S. presidents courted and rewarded their black voting constituencies by appointing black men as consuls and ministers to such locales as Liberia, Haiti, Madagascar, and Venezuela. These appointments changed the complexion of U.S. interactions with nations and colonies of color; in turn, state-sponsored black travel gave rise to literary works that imported international representation into New Negro discourse on aesthetics, race, and African American culture. Beyond offering a narrative of the formative dialogue between black transnationalism and U.S. international diplomacy, Artistic Ambassadors also illuminates a broader literary culture that reached both black and white America as well as the black diaspora and the wider world of people of color. In light of the U.S. appointments of its first two black secretaries of state and the election of its first black president, this complex representational legacy has continued relevance to our understanding of current American internationalism

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0813933692; 9780813933696
    Schlagworte: American literature; African Americans; African American diplomats; African Americans
    Umfang: Online-Ressource ( 245 p)
    Bemerkung(en):

    Includes bibliographical references and index

    The Negro beat: "distinguished colored men" and their representative charactersPassing into diplomacy: US Consul James Weldon Johnson and the autobiography of an ex-colored man -- Diplomatic and modern representations: George Washington Ellis, Henry Francis Downing, and the myth of Africa -- Metonymies of absence and presence: Angelina Weld Grimke's Rachel -- Diplomats but ersatz: the hip-to-matic Pan-Africanism of W. E. B. Du Bois and Ida Gibbs Hunt -- The practice of hip-to-macy in the age of public diplomacy: Richard Wright's Indonesian travels -- Epilogue: hipster diplomacy's fall and Barack Obama's forms of things unknown.