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  1. Reading at the social limit
    affect, mass culture, and Edgar Allan Poe
    Autor*in: Elmer, Jonathan
    Erschienen: 1995
    Verlag:  Stanford Univ. Press, Stanford, Calif.

    Edgar Allan Poe's mobility with respect to apparently exclusive sets of values - those of high and mass culture - has long troubled curators of the cultural order. Many critics have been puzzled, sometimes to the point of vituperation, about how Poe... mehr

    Standort:
    Universitätsbibliothek Eichstätt-Ingolstadt
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Edgar Allan Poe's mobility with respect to apparently exclusive sets of values - those of high and mass culture - has long troubled curators of the cultural order. Many critics have been puzzled, sometimes to the point of vituperation, about how Poe can stand simultaneously as the germinal figure of a central modernist trajectory (leading via Baudelaire to French Symbolism and thence to the high modernism of Eliot and others) and as the acknowledged pioneer of several durable mass-cultural genres, including detective and science fiction and certain modes of sensational or Gothic horror Arguing that Poe is not exceptional but exemplary in this ambivalent relationship to mass culture, the author offers a new theorization of mass culture and ideology through extended analysis of four motifs in Poe's works: the notion of the uncanny and its link to anxieties about originality; Gothic horror and identification; the confessional psychopath; and the figure of the dupe and the "logic of the hoax.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0804725411; 0804725438
    RVK Klassifikation: HT 6555
    Schlagworte: Geschichte; Authors and readers; Books and reading; Canon (Literature); Literature and society; Popular culture; Affekt; Leser; Massenkultur; Rezeptionsästhetik
    Weitere Schlagworte: Poe, Edgar Allan <1809-1849>; Poe, Edgar Allan (1809-1849)
    Umfang: VIII, 259 S.
  2. Reading at the social limit
    affect, mass culture, and Edgar Allan Poe
    Autor*in: Elmer, Jonathan
    Erschienen: 1995
    Verlag:  Stanford Univ. Press, Stanford, Calif.

    Edgar Allan Poe's mobility with respect to apparently exclusive sets of values - those of high and mass culture - has long troubled curators of the cultural order. Many critics have been puzzled, sometimes to the point of vituperation, about how Poe... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Edgar Allan Poe's mobility with respect to apparently exclusive sets of values - those of high and mass culture - has long troubled curators of the cultural order. Many critics have been puzzled, sometimes to the point of vituperation, about how Poe can stand simultaneously as the germinal figure of a central modernist trajectory (leading via Baudelaire to French Symbolism and thence to the high modernism of Eliot and others) and as the acknowledged pioneer of several durable mass-cultural genres, including detective and science fiction and certain modes of sensational or Gothic horror Arguing that Poe is not exceptional but exemplary in this ambivalent relationship to mass culture, the author offers a new theorization of mass culture and ideology through extended analysis of four motifs in Poe's works: the notion of the uncanny and its link to anxieties about originality; Gothic horror and identification; the confessional psychopath; and the figure of the dupe and the "logic of the hoax.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0804725411; 0804725438
    RVK Klassifikation: HT 6555
    Auflage/Ausgabe: Orig. print.
    Schlagworte: Geschichte; Authors and readers; Books and reading; Canon (Literature); Literature and society; Popular culture; Affekt; Rezeptionsästhetik; Massenkultur; Leser
    Weitere Schlagworte: Poe, Edgar Allan <1809-1849>; Poe, Edgar Allan (1809-1849)
    Umfang: VIII, 259 S.
  3. Reading at the social limit
    affect, mass culture, and Edgar Allan Poe
    Autor*in: Elmer, Jonathan
    Erschienen: 1995
    Verlag:  Stanford Univ. Press, Stanford, Calif.

    Edgar Allan Poe's mobility with respect to apparently exclusive sets of values - those of high and mass culture - has long troubled curators of the cultural order. Many critics have been puzzled, sometimes to the point of vituperation, about how Poe... mehr

    Standort:
    Universitätsbibliothek Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Eichstätt-Ingolstadt
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Edgar Allan Poe's mobility with respect to apparently exclusive sets of values - those of high and mass culture - has long troubled curators of the cultural order. Many critics have been puzzled, sometimes to the point of vituperation, about how Poe can stand simultaneously as the germinal figure of a central modernist trajectory (leading via Baudelaire to French Symbolism and thence to the high modernism of Eliot and others) and as the acknowledged pioneer of several durable mass-cultural genres, including detective and science fiction and certain modes of sensational or Gothic horror Arguing that Poe is not exceptional but exemplary in this ambivalent relationship to mass culture, the author offers a new theorization of mass culture and ideology through extended analysis of four motifs in Poe's works: the notion of the uncanny and its link to anxieties about originality; Gothic horror and identification; the confessional psychopath; and the figure of the dupe and the "logic of the hoax.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0804725411; 0804725438
    RVK Klassifikation: HT 6555
    Auflage/Ausgabe: Orig. print.
    Schlagworte: Geschichte; Authors and readers; Books and reading; Canon (Literature); Literature and society; Popular culture; Affekt; Rezeptionsästhetik; Massenkultur; Leser
    Weitere Schlagworte: Poe, Edgar Allan <1809-1849>; Poe, Edgar Allan (1809-1849)
    Umfang: VIII, 259 S.