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  1. Eco's chaosmos
    from the Middle Ages to postmodernity
    Erschienen: 2003
    Verlag:  University of Toronto Press, Toronto, Ont. ; EBSCO Industries, Inc., Birmingham, AL, USA

    "While Umberto Eco's intellectual itinerary was marked by his early studies of post-Crocean aesthetics and his concentration on linguistics, information theory, structuralism, semiotics, cognitive science, and media studies, what distinguishes his... mehr

    Bibliothek der Hochschule Mainz, Untergeschoss
    keine Fernleihe

     

    "While Umberto Eco's intellectual itinerary was marked by his early studies of post-Crocean aesthetics and his concentration on linguistics, information theory, structuralism, semiotics, cognitive science, and media studies, what distinguishes his critical and fictional writing is the tension between a typically medieval search for a code and a hermeneutic representative of deconstructive tendencies. This tension between cosmos and chaos, order and disorder, is reflected in the word chaosmos." "In this assessment of the philosophical basis of Eco's critical and fictional writing, Cristina Farronato explores the other distinctive aspect of Eco's thought - the struggle for a composition of opposites, the outcome deriving from his ability to elicit similar contrasts from the past and replay them in modern terms. Focusing principally on how Eco's scholarly background influenced his study of semiotics, Farronato analyses The Name of the Rose in relation to William of Ockhman's epistemology, C.S. Peirce's work on abduction, and Wittgenstein's theory of language. She also discusses Foucault's Pendulum as an explicit comment on the modern debate on interpretation through a direct reference to early modern hermetic thought, correlates The Island of the Day Before as a postmodern mixture of science and superstition, and reviews Baudolino as a historical/fantastic novel that again situates the Middle Ages in a postmodern context. Demonstrating Eco's use of semiotic theory, Eco's Chaosmos shows how critical models of the past map contemporary literature and culture."--Jacket.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442674257; 1442674253; 1281994561; 9781281994561; 9780802085863; 0802085865
    RVK Klassifikation: IV 25481
    Schriftenreihe: Toronto Italian studies
    Weitere Schlagworte: Eco, Umberto (1932-2016)
    Umfang: 1 Online-Ressource (xiv, 246 pages), Illustrations
    Bemerkung(en):

    Includes bibliographical references (pages 229-239) and index

  2. Eco's chaosmos
    from the Middle Ages to postmodernity
    Erschienen: 2003
    Verlag:  Univ. Toronto Press, Toronto [u.a.]

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    13.302.34
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Gießen, Fachbibliothek Romanistik
    I 19 ECO e 2003
    keine Fernleihe
    Universitätsbibliothek Kassel, Standort Holländischer Platz
    25 Ita UE 5012
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0802085865; 0802087892
    RVK Klassifikation: IV 25481
    Schriftenreihe: Toronto Italian studies
    Weitere Schlagworte: Eco, Umberto (1932-2016)
    Umfang: XIV, 246 S., graph. Darst.
  3. Eco's chaosmos
    from the Middle Ages to postmodernity
    Erschienen: 2003
    Verlag:  Univ. of Toronto Press, Toronto [u.a.]

    "While Umberto Eco's intellectual itinerary was marked by his early studies of post-Crocean aesthetics and his concentration on linguistics, information theory, structuralism, semiotics, cognitive science, and media studies, what distinguishes his... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "While Umberto Eco's intellectual itinerary was marked by his early studies of post-Crocean aesthetics and his concentration on linguistics, information theory, structuralism, semiotics, cognitive science, and media studies, what distinguishes his critical and fictional writing is the tension between a typically medieval search for a code and a hermeneutic representative of deconstructive tendencies. This tension between cosmos and chaos, order and disorder, is reflected in the word chaosmos." "In this assessment of the philosophical basis of Eco's critical and fictional writing, Cristina Farronato explores the other distinctive aspect of Eco's thought - the struggle for a composition of opposites, the outcome deriving from his ability to elicit similar contrasts from the past and replay them in modern terms. Focusing principally on how Eco's scholarly background influenced his study of semiotics, Farronato analyses The Name of the Rose in relation to William of Ockhman's epistemology, C. S. Peirce's work on abduction, and Wittgenstein's theory of language. She also discusses Foucault's Pendulum as an explicit comment on the modern debate on interpretation through a direct reference to early modern hermetic thought, correlates The Island of the Day Before as a postmodern mixture of science and superstition, and reviews Baudolino as a historical/fantastic novel that again situates the Middle Ages in a postmodern context. Demonstrating Eco's use of semiotic theory, Eco's Chaosmos shows how critical models of the past map contemporary literature and culture."--BOOK JACKET.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0802085865; 0802087892
    RVK Klassifikation: IV 25481
    Schriftenreihe: Toronto Italian studies
    Schlagworte: Filosofische aspecten; Italiaans; Letterkunde; Italienisch; Literatur; Philosophie
    Weitere Schlagworte: Eco, Umberto - Critique et interprétation; Eco, Umberto; Eco, Umberto (1932-2016)
    Umfang: XIV, 246 S., Ill., graph. darst.