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  1. Sculptors and physicians in fifth-century Greece
    a preliminary study
    Erschienen: c1995
    Verlag:  McGill-Queen's University Press, Montreal [Que.]

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0773512314; 0773565000; 9780773512313; 9780773565005
    Schlagworte: Medicine and art / History; Sculpture grecque; Médecine et art / Grèce / Histoire; Anatomie artistique / Histoire; ART / Sculpture & Installation; Médecine dans art; Anatomie artistique / histoire / Grèce; Plastische kunst; Anatomie; Medische aspecten; Sculpture grecque; Médecine et art / Histoire; Médecine et art; Bildhauer; Arzt; MEDICAL / Physicians; Anatomy, Artistic; Medicine and art; Sculpture, Greek; Medicine in Art / Greece; Anatomy, Artistic / History / Greece; Sculpture / History / Greece; Geschichte; Medizin; Sculpture, Greek; Medicine and art; Anatomy, Artistic; Körper; Philosophie; Plastik; Mensch <Motiv>; Medizin; Anatomie
    Umfang: 1 Online-Ressource (xvi, 154 p.)
    Bemerkung(en):

    Includes indexes

    Includes bibliographical references (p. [125]-139)

    Greek Art, Medicine, and Natural Philosophy -- Statues and Texts -- Early Classical Statues -- Motion and Expression

    "During the early classical period Greek sculpture changed radically, becoming much more lifelike. At the same time physicians such as Hippocrates developed new ideas about human life and health, and philosophers rethought their attitudes about nature. Sculptors and Physicians in Fifth-Century Greece is an investigation of the interplay of sculptors, physicians, and philosophers at a time crucial to the development of classical art." "Exploring this interplay, Guy Metraux shows how the depiction of physiological processes gave statues and reliefs their animating force and how many medical and philosophical speculations about the body were derived from depictions in art. He examines works such as the Omphalos Apollo, the relief of the Girl with Doves from Paros, and the two recently discovered bronze warriors from Riace, paying particular attention to developments in the depiction of breathing, blood vessels, and facial expression, to attempts to show actual or potential motion, and to the invention of contrapposto (asymmetry of stance)."--Jacket