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  1. The two poets of Paradise lost
    Autor*in: McMahon, Robert
    Erschienen: ©1998
    Verlag:  Louisiana State University Press, Baton Rouge

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0585355975; 9780585355979
    RVK Klassifikation: HK 2575
    Schlagworte: POETRY / English, Irish, Scottish, Welsh; Paradise lost (Milton, John); Bards and bardism in literature; Blind in literature; Christian poetry, English; Epic poetry, English; Persona (Literature); Poets in literature; Christian poetry, English; Epic poetry, English; Bards and bardism in literature; Blind in literature; Poets in literature; Persona (Literature)
    Weitere Schlagworte: Milton, John / 1608-1674; Milton, John / 1608-1674; Milton, John (1608-1674): Paradise lost; Milton, John (1608-1674); Milton, John (1608-1674): Paradise lost
    Umfang: 1 Online-Ressource (210 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 195-205) and index

    Most Miltonists have treated Paradise Lost as a static design, emphasizing its balance, but McMahon stresses its movement. He explores the differences between the poem's earlier and later books, linking them to the Bard's growth as a poet. The first half of Paradise Lost swells with matter and manner of the classical epic, reflecting, McMahon says, the Bard's aspiration to be a visionary poet in the grand style. A shift occurs in Book VII, however, and by Books XI and XII the Bard composes in a simpler fashion, singing a narrative exegesis of the Bible and exhibiting concern for his audience's edification rather than his own glorification. The later books of the poem, therefore, are presented as morally better than the earlier, according to McMahon. Even more, Milton understood them to be aesthetically better. The change that the Bard and his poetry undergo illustrates Milton's attempt to reform the taste of his readers, to lead them from the pleasures of the grand style to a more austere and biblical poetry

    The four poems of Paradise lost -- Satan and the Bard -- God, the Son, and the Bard -- Raphael, Michael, and the Bard -- Milton and the Bard's story -- Song "above heroic": Milton's Bard and Paradise regained
  2. The two poets of Paradise lost
    Autor*in: McMahon, Robert
    Erschienen: 1998
    Verlag:  Louisiana State University Press, Baton Rouge ; EBSCO Industries, Inc., Birmingham, AL, USA

    Most Miltonists have treated Paradise Lost as a static design, emphasizing its balance, but McMahon stresses its movement. He explores the differences between the poem's earlier and later books, linking them to the Bard's growth as a poet. The first... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    Most Miltonists have treated Paradise Lost as a static design, emphasizing its balance, but McMahon stresses its movement. He explores the differences between the poem's earlier and later books, linking them to the Bard's growth as a poet. The first half of Paradise Lost swells with matter and manner of the classical epic, reflecting, McMahon says, the Bard's aspiration to be a visionary poet in the grand style. A shift occurs in Book VII, however, and by Books XI and XII the Bard composes in a simpler fashion, singing a narrative exegesis of the Bible and exhibiting concern for his audience's edification rather than his own glorification. The later books of the poem, therefore, are presented as morally better than the earlier, according to McMahon. Even more, Milton understood them to be aesthetically better. The change that the Bard and his poetry undergo illustrates Milton's attempt to reform the taste of his readers, to lead them from the pleasures of the grand style to a more austere and biblical poetry.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0585355975; 9780585355979
    RVK Klassifikation: HK 2576 ; HK 2575
    Schlagworte: Barde; Erzählperspektive; Erzähler
    Weitere Schlagworte: Milton, John (1608-1674): Paradise lost
    Umfang: 1 Online-Ressource (210 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 195-205) and index