Verlag:
University of Massachusetts Press, Amherst
Although current theory has discredited the idea of a coherent, transcendent self, Shakespeare's characters still make themselves felt as a presence for readers and viewers alike. Confronting this paradox, Christy Desmet explores the role played by...
mehr
Universitätsbibliothek der Eberhard Karls Universität
Fernleihe:
keine Fernleihe
Although current theory has discredited the idea of a coherent, transcendent self, Shakespeare's characters still make themselves felt as a presence for readers and viewers alike. Confronting this paradox, Christy Desmet explores the role played by rhetoric in fashioning and representing Shakespearean character. She draws on classical and Renaissance texts, as well as on the work of such twentieth-century critics as Kenneth Burke and Paul de Man, bringing classical, Renaissance, and contemporary rhetoric into fruitful collision. Desmet redefines the nature of character by analyzing the function of character criticism and by developing a new perspective on Shakespearean character. She shows how rhetoric shapes character within the plays and the way characters are "read." She also examines the relationship between technique and theme by considering the connections between rhetorical representation and dramatic illusion and by discussing the relevance of rhetorical criticism to issues of gender. Works analyzed include Hamlet, Cymbeline, King John, Othello, The Winter's Tale, King Lear, Venus and Adonis, Measure for Measure, and All's Well That Ends Well
Includes bibliographical references (pages 169-203) and index. - Description based on print version record
Description based on print version record
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002
