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  1. Cézanne and modernism
    the poetics of painting
    Autor*in: Medina, Joyce
    Erschienen: c1995
    Verlag:  State University of New York Press, Albany, NY

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0585045429; 0791422313; 0791422321; 9780585045429
    RVK Klassifikation: LI 21805 ; LI 21810
    Schriftenreihe: SUNY series, the margins of literature
    Schlagworte: ART / History / General; Aesthetics, Modern; Art / Psychology; Impressionism (Art); Modernism (Art); Painting, French; Geschichte; Kunst; Impressionism (Art); Modernism (Art); Painting, French; Aesthetics, Modern; Art; Moderne; Ästhetik
    Weitere Schlagworte: Cézanne, Paul / 1839-1906; Cézanne, Paul / 1839-1906; Cézanne, Paul (1839-1906); Cézanne, Paul (1839-1906)
    Umfang: 1 Online-Ressource (x, 250 p.)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. 237-243) and index

    I. Cezanne and the Unity of Modernism. Modernism: Technique vs. Content. Cezanne: The Late Work -- II. From Impressionism to Cezanne: Psychological Theories. The Impression as Medium. The Redefinition of Sensation: Psychology and Epistemology. Psychological Positivism: Taine. Psychological Eclecticism: Psychophysics. Empathetic and Abstract Psychologism. The Bergsonian Synthesis. The Blending of Horizons: Bergson, Cezanne, Modernism -- III. From Impressionism to Cezanne: Aesthetic Theories. The Impressionists: From Sensations to Signs. From Truth to Symbol: Optics and Color Science. The Symbolists: From Signs to Images. In Conclusion: Cezanne, the Potential Synthesis -- IV. The Path into Modernism: Four Modalities of Imagery in Cezanne. The "Legendary" Cezanne. "Realization" in Nineteenth-Century Aesthetics. Cezanne's Early Period (1863-95). Symbolic Images: Realisation des Sensations. Cezanne's Experimental Period (1880-95). Plastic Images: Realisation sur Nature. Modulation. Condensation. The Motif. The Period of Serialization (1890-1906). Contemplative Images: Realisation du Motif. Visionary Images: Realisation du Motif -- V. Death and Non-Figuration: Cezanne's Ultimate Synthesis. The Pictorial Materials of the Imagination: Analytic Components and Antecedents of the Shifting Motif of The Cardplayers. The Narrative Materials of the Imagination: Scenes of Cardplaying and Card Fables as Sources of Emplotment. The Affective Materials: The Ugolino Drawing and Other Biographical Images as Indistinct Elements of Motif in The Cardplayers. Excursus: On the Mythology of Modern Death. Conclusion: The Trump Card/Players

  2. Cézanne and modernism
    the poetics of painting
    Autor*in: Medina, Joyce
    Erschienen: 1995
    Verlag:  State University of New York Press, Albany, NY ; EBSCO Industries, Inc., Birmingham, AL, USA

    Bibliothek der Hochschule Mainz, Untergeschoss
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0585045429; 9780585045429
    RVK Klassifikation: LI 21805 ; LI 21810
    Schriftenreihe: SUNY series, the margins of literature
    Schlagworte: Ästhetik; Moderne; Impressionismus
    Weitere Schlagworte: Cézanne, Paul (1839-1906)
    Umfang: 1 Online-Ressource (x, 250 pages), Illustrations
    Bemerkung(en):

    Includes bibliographical references (pages 237-243) and index