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  1. Conrad, language, and narrative
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge, U.K.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511018452; 0511119879; 0511485107; 9780511018459; 9780511119873; 9780511485107
    RVK Klassifikation: HM 2335
    Schlagworte: Roman / Technique; Narration; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Vertelkunst; Literaire taal; Sprache <Motiv>; Fiction / Technique; Language and languages; Narration (Rhetoric); Technique; Sprache; Fiction; Narration (Rhetoric); Erzähltechnik
    Weitere Schlagworte: Conrad, Joseph / 1857-1924 / Criticism and interpretation; Conrad, Joseph / 1857-1924 / Langue; Conrad, Joseph / 1857-1924 / Technique; Conrad, Joseph; Conrad, Joseph / 1857-1924; Conrad, Joseph (1857-1924); Conrad, Joseph (1857-1924); Conrad, Joseph (1857-1924)
    Umfang: 1 Online-Ressource (ix, 194 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 185-192) and index

    pt. I. Speech Communities. 1. 'The realm of living speech': Conrad and oral community. 2. 'Murder by language': 'Falk' and Victory. 3. 'Drawing-room voices': language and space in The Arrow of Gold -- pt. II. Marlow. 4. Modernist storytelling: 'Youth' and 'Heart of Darkness'. 5. The scandals of Lord Jim. 6. The gender of Chance -- pt. III. Political Communities. 7. Nostromo and anecdotal history. 8. Linguistic dystopia: The Secret Agent. 9. 'Gossip tales, suspicions': language and paranoia in Under Western Eyes

    "In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English novel; tensions between speech and writing are the defining obsessions of his career. He sought very early on to develop a 'writing of the voice' based on oral or communal modes of storytelling. Greaney argues that the 'yarns' of his nautical raconteur Marlow are the most challenging expression of this voice-centred aesthetic. But Conrad's suspicion that words are fundamentally untrustworthy is present in everything he wrote

    The political novels of his middle period represent a breakthrough from traditional storytelling into the writerly aesthetic of high modernism. Greaney offers an examination of a wide range of Conrad's work which combines recent critical approaches to language in post-structuralism with an impressive command of linguistic theory."--Jacket

  2. Conrad, language, and narrative
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge, U.K

    "In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English... mehr

    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    keine Fernleihe
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    keine Fernleihe
    Saarländische Universitäts- und Landesbibliothek
    keine Fernleihe
    Universitätsbibliothek der Eberhard Karls Universität
    keine Fernleihe

     

    "In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English novel; tensions between speech and writing are the defining obsessions of his career. He sought very early on to develop a 'writing of the voice' based on oral or communal modes of storytelling. Greaney argues that the 'yarns' of his nautical raconteur Marlow are the most challenging expression of this voice-centred aesthetic. But Conrad's suspicion that words are fundamentally untrustworthy is present in everything he wrote The political novels of his middle period represent a breakthrough from traditional storytelling into the writerly aesthetic of high modernism. Greaney offers an examination of a wide range of Conrad's work which combines recent critical approaches to language in post-structuralism with an impressive command of linguistic theory."--BOOK JACKET

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780521807548; 0521807549; 0511018452; 9780511018459; 0511119879; 9780511119873; 9780511485107; 0511485107
    Schlagworte: Fiction; Roman; Narration; Narration (Rhetoric); Fiction; Fiction; Narration (Rhetoric); LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; Fiction ; Technique; Language and languages; Narration (Rhetoric); Technique; Sprache; Vertelkunst; Literaire taal
    Weitere Schlagworte: Conrad, Joseph 1857-1924; Conrad, Joseph 1857-1924; Conrad, Joseph 1857-1924; Conrad, Joseph 1857-1924; Conrad, Joseph (1857-1924); Conrad, Joseph (1857-1924); Conrad, Joseph (1857-1924); Conrad, Joseph (1857-1924); Conrad, Joseph 1857-1924; Conrad, Joseph; Conrad, Joseph
    Umfang: Online Ressource (ix, 194 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 185-192) and index. - Description based on print version record

    pt. I. Speech Communities. 1. 'The realm of living speech': Conrad and oral community. 2. 'Murder by language': 'Falk' and Victory. 3. 'Drawing-room voices': language and space in The Arrow of Goldpt. II. Marlow. 4. Modernist storytelling: 'Youth' and 'Heart of Darkness'. 5. The scandals of Lord Jim. 6. The gender of Chance -- pt. III. Political Communities. 7. Nostromo and anecdotal history. 8. Linguistic dystopia: The Secret Agent. 9. 'Gossip tales, suspicions': language and paranoia in Under Western Eyes.

  3. Conrad, language, and narrative
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge, U.K. [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    "In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English... mehr

    Bibliothek der Hochschule Mainz, Untergeschoss
    keine Fernleihe

     

    "In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English novel; tensions between speech and writing are the defining obsessions of his career. He sought very early on to develop a 'writing of the voice' based on oral or communal modes of storytelling. Greaney argues that the 'yarns' of his nautical raconteur Marlow are the most challenging expression of this voice-centred aesthetic. But Conrad's suspicion that words are fundamentally untrustworthy is present in everything he wrote. The political novels of his middle period represent a breakthrough from traditional storytelling into the writerly aesthetic of high modernism. Greaney offers an examination of a wide range of Conrad's work which combines recent critical approaches to language in post-structuralism with an impressive command of linguistic theory."--Jacket.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511018452; 9780511018459; 0511119879; 9780511119873; 9780521807548; 0521807549; 9780511485107; 0511485107; 9780511044489; 0511044488
    Umfang: 1 Online-Ressource (ix, 194 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 185-192) and index