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  1. Modernist writing and reactionary politics
    Erschienen: 2001
    Verlag:  Cambridge University Press, Cambridge, UK

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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  2. Modernist writing and reactionary politics
    Erschienen: 2001
    Verlag:  Cambridge University Press, Cambridge, UK

    Cover; Half-title; Title; Copyright; Dedication; Contents; Acknowledgements; Introduction; CHAPTER 1 W.B. Yeats and the family romance of Irish nationalism; CHAPTER 2 Ezra Pound and the poetics of literalism; CHAPTER 3 'Neither Living nor Dead': T.S.... mehr

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    Hochschule Aalen, Bibliothek
    E-Book EBSCO
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    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Cover; Half-title; Title; Copyright; Dedication; Contents; Acknowledgements; Introduction; CHAPTER 1 W.B. Yeats and the family romance of Irish nationalism; CHAPTER 2 Ezra Pound and the poetics of literalism; CHAPTER 3 'Neither Living nor Dead': T.S. Eliot and the uncanny; CHAPTER 4 The homosocial and fascism in D.H. Lawrence; CHAPTER 5 'Always à Deux': Wyndham Lewis and his doubles; Notes; Works cited; Index. Ferrall argues that the politics of Yeats, Pound, Eliot, Lawrence, and Wyndham Lewis were a response to the separation of art from an increasingly industrialised society. Fascism became attractive to these writers because it promised to reintegrate art into society while simultaneously guaranteeing its autonomy

     

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  3. Modernist writing and reactionary politics
    Erschienen: 2001
    Verlag:  Cambridge University Press, Cambridge, UK [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    Ferrall argues that the politics of Yeats, Pound, Eliot, Lawrence, and Wyndham Lewis were a response to the separation of art from an increasingly industrialised society. Fascism became attractive to these writers because it promised to reintegrate... mehr

    Bibliothek der Hochschule Mainz, Untergeschoss
    keine Fernleihe

     

    Ferrall argues that the politics of Yeats, Pound, Eliot, Lawrence, and Wyndham Lewis were a response to the separation of art from an increasingly industrialised society. Fascism became attractive to these writers because it promised to reintegrate art into society while simultaneously guaranteeing its autonomy.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511017758; 9780511017759; 0521793459; 9780521793452; 9780511047312; 0511047312
    RVK Klassifikation: EC 5186 ; HL 4945 ; HM 1134 ; HM 1135 ; HM 1490 ; HM 2455 ; HM 3255 ; HM 3355
    Schlagworte: Englisch; Literatur; Moderne; Reaktion <Politik>
    Umfang: 1 Online-Ressource (viii, 202 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 186-198) and index

  4. Modernist writing and reactionary politics
    Erschienen: 2001
    Verlag:  Cambridge University Press, Cambridge, UK

    Ferrall argues that the politics of Yeats, Pound, Eliot, Lawrence, and Wyndham Lewis were a response to the separation of art from an increasingly industrialised society. Fascism became attractive to these writers because it promised to reintegrate... mehr

    Hochschulbibliothek Friedensau
    Online-Ressource
    keine Fernleihe

     

    Ferrall argues that the politics of Yeats, Pound, Eliot, Lawrence, and Wyndham Lewis were a response to the separation of art from an increasingly industrialised society. Fascism became attractive to these writers because it promised to reintegrate art into society while simultaneously guaranteeing its autonomy

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511017758; 9780511017759
    Schlagworte: Politics and literature; Literature and society; Fascism in literature; English literature; American literature; Modernism (Literature); Politics and literature
    Umfang: Online-Ressource (viii, 202 p)
    Bemerkung(en):

    Includes bibliographical references (p. 186-198) and index

    ""Cover""; ""Half-title""; ""Title""; ""Copyright""; ""Dedication""; ""Contents""; ""Acknowledgements""; ""Introduction""; ""I""; ""II""; ""CHAPTER 1 W. B. Yeats and the family romance of Irish nationalism""; ""CHAPTER 2 Ezra Pound and the poetics of literalism""; ""I""; ""II""; ""III""; ""IV""; ""CHAPTER 3 'Neither Living nor Dead': T. S. Eliot and the uncanny""; ""I""; ""II""; ""CHAPTER 4 The homosocial and fascism in D. H. Lawrence""; ""CHAPTER 5 'Always à Deux': Wyndham Lewis and his doubles""; ""Notes""; ""INTRODUCTION""; ""1. W. B. YEATES AND THE FAMILY ROMANCE OF IRISH NATIONALISM""

    ""2. EZRA POUND AND THE POETICS OF LITERALISM""""3. 'NEITHER LIVING NOR DEAD': T. S. ELIOT AND THE UNCANNY""; ""4. THE HOMOSOCIAL AND FASCISM IN D. H. LAWRENCE""; ""5. �ALWAYS À DEUX�: WYNDHAM LEWIS AND HIS DOUBLES""; ""Works cited""; ""Index""