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  1. After Dickens
    reading, adaptation, and performance
    Autor*in: Glavin, John
    Erschienen: 1999
    Verlag:  Cambridge University Press, Cambridge [England]

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511003706; 0511035985; 0511051212; 0511117132; 051148481X; 0521633222; 9780511003707; 9780511035982; 9780511051210; 9780511117138; 9780511484810; 9780521633222
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 20
    Schlagworte: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Performing arts; Performing arts in literature; Stage adaptations; Toneelbewerkingen; Toneel; Theater; Aufführung; Roman; Geschichte; Theater; Wissen; Performing arts; Performing arts in literature; Stage adaptations; Theater; Rezeption; Drama
    Weitere Schlagworte: Dickens, Charles / 1812-1870; Dickens, Charles / 1812-1870; Dickens, Charles / (1812-1870) / Adaptations / Histoire et critique; Dickens, Charles / (1812-1870) / Critique et interprétation; Dickens, Charles; Dickens, Charles (1812-1870); Dickens, Charles (1812-1870); Dickens, Charles (1812-1870)
    Umfang: 1 Online-Ressource (xiii, 226 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 216-222) and index

    After Dickens is both a performative reading of Dickens the novelist and an exploration of the potential for adaptive performance of the novels themselves. John Glavin conducts a historical inquiry into Dickens's relation to the theatre and theatricality of his own time, and uncovers a much more ambivalent, often hostile, relationship than has hitherto been noticed. In this context, Dickens's novels can be seen as a form of counter-performance, one which would allow the author to perform without being seen or scrutinized. But Glavin also explores the paradoxically rich performative potential in Dickens's fiction, and describes new ways to stage that fiction in emotionally powerful, critically acute adaptations

    pt. I. Set up. Dickens, adaptation and Grotowski. ... as upon a theatre -- pt. II. Flashback. ... to be a Shakespeare. Exit: "the sanguine mirage" -- pt. III. Resolution. How to do it. Coda
  2. After Dickens
    reading, adaptation, and performance
    Erschienen: 1999
    Verlag:  Cambridge University Press, Cambridge [England]

    After Dickens is both a performative reading of Dickens the novelist and an exploration of the potential for adaptive performance of the novels themselves. John Glavin conducts a historical inquiry into Dickens's relation to the theatre and... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    After Dickens is both a performative reading of Dickens the novelist and an exploration of the potential for adaptive performance of the novels themselves. John Glavin conducts a historical inquiry into Dickens's relation to the theatre and theatricality of his own time, and uncovers a much more ambivalent, often hostile, relationship than has hitherto been noticed. In this context, Dickens's novels can be seen as a form of counter-performance, one which would allow the author to perform without being seen or scrutinized. But Glavin also explores the paradoxically rich performative potential in Dickens's fiction, and describes new ways to stage that fiction in emotionally powerful, critically acute adaptations

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511051212; 9780511051210; 0511003706; 051148481X; 9780511003707; 0511035985; 9780511035982; 0511117132; 9780511117138; 9780511484810
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 20
    Schlagworte: Performing arts; Performing arts in literature; Stage adaptations; Performing arts; Performing arts; Performing arts in literature; Stage adaptations; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; Performing arts; Performing arts in literature; Stage adaptations; Toneelbewerkingen; Toneel; Aufführung; Theater; Roman; Theatrical adaptations; Adaptations; History; Theatrical adaptations
    Weitere Schlagworte: Dickens, Charles 1812-1870; Dickens, Charles 1812-1870; Dickens, Charles (1812-1870); Dickens, Charles (1812-1870); Dickens, Charles (1812-1870); Dickens, Charles (1812-1870); Dickens, Charles 1812-1870; Dickens, Charles ; Critique et interprétation; Dickens, Charles; Dickens, Charles; Dickens, Charles ; Adaptations ; Histoire et critique
    Umfang: Online Ressource (xiii, 226 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 216-222) and index. - Description based on print version record

    Preliminaries; Contents; Acknowledgments; Note on the text; Introduction; I Set Up; Chapter 1 Dickens, adaptation and Grotowski; Chapter 2 ... as upon a theatre; II Flashback; Chapter 3 ... to be a Shakespeare; Chapter 4 Exit: ''the sanguine mirage''; III Resolution; Chapter 5 How To Do It; Chapter 6 Coda; Notes; References; Index; Cambridge Studies in Nineteenth-Century Literature and Culture.
  3. After Dickens
    reading, adaptation, and performance
    Autor*in: Glavin, John
    Erschienen: 1999
    Verlag:  Cambridge University Press, Cambridge [England] [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    After Dickens is both a performative reading of Dickens the novelist and an exploration of the potential for adaptive performance of the novels themselves. John Glavin conducts a historical inquiry into Dickens's relation to the theatre and... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    After Dickens is both a performative reading of Dickens the novelist and an exploration of the potential for adaptive performance of the novels themselves. John Glavin conducts a historical inquiry into Dickens's relation to the theatre and theatricality of his own time, and uncovers a much more ambivalent, often hostile, relationship than has hitherto been noticed. In this context, Dickens's novels can be seen as a form of counter-performance, one which would allow the author to perform without being seen or scrutinized. But Glavin also explores the paradoxically rich performative potential in Dickens's fiction, and describes new ways to stage that fiction in emotionally powerful, critically acute adaptations.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511003706; 9780511003707; 0511035985; 9780511035982; 0511051212; 9780511051210; 0511117132; 9780511117138; 9780511484810; 051148481X
    RVK Klassifikation: HL 2589 ; HL 2585
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 20
    Schlagworte: Roman; Theater; Aufführung
    Weitere Schlagworte: Dickens, Charles (1812-1870)
    Umfang: 1 Online-Ressource (xiii, 226 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 216-222) and index