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  1. Domination and the arts of resistance
    hidden transcripts
    Autor*in: Scott, James C.
    Erschienen: 1990
    Verlag:  Yale University Press, New Haven [u.a.]

    Confrontations between the powerless and the powerful are laden with deception - the powerless feign deference and the powerful subtly assert their mastery. Peasants, serfs, untouchables, slaves, labourers, and prisoners are not free to speak their... mehr

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hertie School, Library and Information Services
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Brandenburgisches Landeshauptarchiv, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Potsdam, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Confrontations between the powerless and the powerful are laden with deception - the powerless feign deference and the powerful subtly assert their mastery. Peasants, serfs, untouchables, slaves, labourers, and prisoners are not free to speak their minds in the presence of power. These subordinate groups instead create a secret discourse that represents a critique of power spoken behind the backs of the dominant. At the same time, the powerful also develop a private dialogue about practices and goals of their rule that cannot be openly avowed. In this book, the author, a social scientist, offers a discussion both of the public roles played by the powerful and powerless and the mocking, vengeful tone they display off stage - what he terms their public and hidden transcripts. Using examples from the literature, history, and politics of cultures around the world, the author examines the many guises this interaction has taken throughout history and the tensions and contradictions it reflects. The author describes the ideological resistance of subordinate groups - their gossip, folktales, songs, jokes, and theater - their use of anonymity and ambiguity. He also analyzes how ruling elites attempt to convey an impression of hegemony through such devices as parades, state ceremony, and rituals of subordination and apology. Finally he identifies - with quotations that range from the recollections of American slaves to those of Russian citizens during the beginnings of Gorbachev's glasnost campaign - the political electricity generated among oppressed groups when, for the first time, the hidden transcript is spoken directly and publicly in the face of power.

     

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    Hinweise zum Inhalt
    Quelle: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0300047053; 0300056699
    RVK Klassifikation: EC 5410 ; MS 1450 ; MS 4450
    Schlagworte: Dominance (Psychologie); Dominantie; Groupes sociaux; Macht; Movimientos sociales; Pouvoir (Sciences sociales); Relations humaines; Résistance passive; Verzet; Passive resistance; Power (Social sciences); Dominance (Psychology); Interpersonal relations; Social groups; Widerstand; Gewalt; Gewaltloser Widerstand; Politik
    Umfang: xviii, 251 Seiten
    Bemerkung(en):

    Contents: Frontmatter -- Contents -- Preface -- Acknowledgments -- Chapter One: Behind the Official Story -- Chapter Two: Domination, Acting, and Fantasy -- Chapter Three: The Public Transcript as a Respectable Performance -- Chapter Four: False Consciousness or Laying It on Thick? -- Chapter Five: Making Social Space for a Dissident Subculture -- Chapter Six: Voice under Domination: The Arts of Political Disguise -- Chapter Seven: The Infrapolitics of Subordinate Groups -- Chapter Eight: A Saturnalia of Power: The First Public Declaration of the Hidden Transcript -- Bibliography -- Index

  2. Domination and the arts of resistance
    hidden transcripts
    Autor*in: Scott, James C.
    Erschienen: 1990
    Verlag:  Yale University Press, New Haven [u.a.]

    Confrontations between the powerless and the powerful are laden with deception - the powerless feign deference and the powerful subtly assert their mastery. Peasants, serfs, untouchables, slaves, labourers, and prisoners are not free to speak their... mehr

    Universitätsbibliothek Bayreuth
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Regensburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Confrontations between the powerless and the powerful are laden with deception - the powerless feign deference and the powerful subtly assert their mastery. Peasants, serfs, untouchables, slaves, labourers, and prisoners are not free to speak their minds in the presence of power. These subordinate groups instead create a secret discourse that represents a critique of power spoken behind the backs of the dominant. At the same time, the powerful also develop a private dialogue about practices and goals of their rule that cannot be openly avowed. In this book, the author, a social scientist, offers a discussion both of the public roles played by the powerful and powerless and the mocking, vengeful tone they display off stage - what he terms their public and hidden transcripts. Using examples from the literature, history, and politics of cultures around the world, the author examines the many guises this interaction has taken throughout history and the tensions and contradictions it reflects. The author describes the ideological resistance of subordinate groups - their gossip, folktales, songs, jokes, and theater - their use of anonymity and ambiguity. He also analyzes how ruling elites attempt to convey an impression of hegemony through such devices as parades, state ceremony, and rituals of subordination and apology. Finally he identifies - with quotations that range from the recollections of American slaves to those of Russian citizens during the beginnings of Gorbachev's glasnost campaign - the political electricity generated among oppressed groups when, for the first time, the hidden transcript is spoken directly and publicly in the face of power.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0300047053; 0300056699
    RVK Klassifikation: EC 5410 ; MS 1450 ; MS 4450
    Schlagworte: Dominance (Psychologie); Dominantie; Groupes sociaux; Macht; Movimientos sociales; Pouvoir (Sciences sociales); Relations humaines; Résistance passive; Verzet; Passive resistance; Power (Social sciences); Dominance (Psychology); Interpersonal relations; Social groups; Widerstand; Gewalt; Gewaltloser Widerstand; Politik
    Umfang: xviii, 251 Seiten
    Bemerkung(en):

    Contents: Frontmatter -- Contents -- Preface -- Acknowledgments -- Chapter One: Behind the Official Story -- Chapter Two: Domination, Acting, and Fantasy -- Chapter Three: The Public Transcript as a Respectable Performance -- Chapter Four: False Consciousness or Laying It on Thick? -- Chapter Five: Making Social Space for a Dissident Subculture -- Chapter Six: Voice under Domination: The Arts of Political Disguise -- Chapter Seven: The Infrapolitics of Subordinate Groups -- Chapter Eight: A Saturnalia of Power: The First Public Declaration of the Hidden Transcript -- Bibliography -- Index