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  1. Zeami, performance notes
    Autor*in: Zeami
    Erschienen: c2008
    Verlag:  Columbia University Press, New York

    Zeami (1363-1443), Japan's most celebrated actor and playwright, composed more than thirty of the finest plays of no drama. He also wrote a variety of texts on theater and performance that have, until now, been only partially available in English. ... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    Zeami (1363-1443), Japan's most celebrated actor and playwright, composed more than thirty of the finest plays of no drama. He also wrote a variety of texts on theater and performance that have, until now, been only partially available in English. Zeami: Performance Notes presents the full range of Zeami's critical thought on this subject, which focused on the aesthetic values of no and its antecedents, the techniques of playwriting, the place of allusion, the training of actors, the importance of patronage, and the relationship between performance and broader intellectual and critical concer

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0231139586; 0231511418; 9780231139588; 9780231511414
    Schriftenreihe: Translations from the Asian classics
    Schlagworte: Nō
    Weitere Schlagworte: Zeami (1363-1443)
    Umfang: Online-Ressource (508 p), ill. (some col.)
    Bemerkung(en):

    Includes bibliographical references and index

    Translated from the Japanese

    Electronic reproduction; Available via World Wide Web

    Contents; Acknowledgments; Abbreviations; Introduction; Transmitting the Flower Through Effects and Attitudes; An Extract from Learning the Flower; Oral Instructions on Singing; A Mirror to the Flower; A Course to Attain the Flower; Figure Drawings of the Two Arts and the Three Modes; The Three Courses; Technical Specifications for Setting a Melody; A Collection of Jewels in Effect; An Effective Vision of Learning the Vocationof Fine Play in Performance; Five Ranks; Nine Ranks; Six Models; Pick Up a Jewel and Take the Flower in Hand; Articles on the Five Sorts of Singing

    Five Sorts of SingingLearning the Profession; Traces of a Dream on a Single Sheet; The Flower in . . . Yet Doubling Back; Two Letters to Master Konparu; APPENDIX 1 Music, Dance, and Performance in Saragaku; APPENDIX 2 On the Manuscripts; APPENDIX 3: Zeami's Languages; GLOSSARY; BIBLIOGRAPHY; INDEX