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  1. Samuel Taylor Coleridge and the fine arts
    Autor*in: Paley, Morton D.
    Erschienen: 2008
    Verlag:  Oxford University Press, Oxford, UK

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0191552720; 9780191552724; 9780199233052
    RVK Klassifikation: HL 2465
    Schlagworte: POETRY / English, Irish, Scottish, Welsh; Aesthetics; Art; Art and literature; Art appreciation; Relations with artists; Travel; Geschichte; Kunst; Wissen; Ästhetik; Art and literature; Art appreciation; Künste
    Weitere Schlagworte: Coleridge, Samuel Taylor / 1772-1834 / Art / Knowledge; Allston, Washington / 1779-1843; Beaumont, George Howland / Sir / 1753-1827; Coleridge, Samuel Taylor / 1772-1834; Allston, Washington (1779-1843); Beaumont, George Howland Sir (1753-1827); Coleridge, Samuel Taylor (1772-1834); Coleridge, Samuel Taylor (1772-1834); Coleridge, Samuel Taylor (1772-1834); Coleridge, Samuel Taylor (1772-1834); Coleridge, Samuel Taylor (1772-1834)
    Umfang: 1 Online-Ressource (xiv, 276 p.)
    Bemerkung(en):

    Includes bibliographical references and index

    Initiation -- Italy -- What Coleridge saw -- Allston redux -- Coleridge on the fine arts -- The principles common to the fine arts

    In a fascinating account of picture collections in the early 19th century through the eyes of a great English poet, Morton Paley tells the story of Coleridge's initiation into art in England, and his further exploration in Rome. He describes the collections Coleridge saw and his thoughts about the arts and about specific works. - ;Although Coleridge's thinking and writing about the fine arts was both considerable and interesting, this has not been the subject of a book before. Coleridge owed his initiation into art to Sir George Beaumont. In 1803-4 he had frequent opportunities to learn from B.
  2. Samuel Taylor Coleridge and the fine arts
    Erschienen: 2008
    Verlag:  Oxford University Press, Oxford, UK

    In a fascinating account of picture collections in the early 19th century through the eyes of a great English poet, Morton Paley tells the story of Coleridge's initiation into art in England, and his further exploration in Rome. He describes the... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    In a fascinating account of picture collections in the early 19th century through the eyes of a great English poet, Morton Paley tells the story of Coleridge's initiation into art in England, and his further exploration in Rome. He describes the collections Coleridge saw and his thoughts about the arts and about specific works. - ;Although Coleridge's thinking and writing about the fine arts was both considerable and interesting, this has not been the subject of a book before. Coleridge owed his initiation into art to Sir George Beaumont. In 1803-4 he had frequent opportunities to learn from B

     
    Export in Literaturverwaltung   RIS-Format
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  3. Samuel Taylor Coleridge and the fine arts
    Autor*in: Paley, Morton D.
    Erschienen: 2008
    Verlag:  Oxford University Press, Oxford, UK ; EBSCO Industries, Inc., Birmingham, AL, USA

    In a fascinating account of picture collections in the early 19th century through the eyes of a great English poet, Morton Paley tells the story of Coleridge's initiation into art in England, and his further exploration in Rome. He describes the... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    In a fascinating account of picture collections in the early 19th century through the eyes of a great English poet, Morton Paley tells the story of Coleridge's initiation into art in England, and his further exploration in Rome. He describes the collections Coleridge saw and his thoughts about the arts and about specific works. - ;Although Coleridge's thinking and writing about the fine arts was both considerable and interesting, this has not been the subject of a book before. Coleridge owed his initiation into art to Sir George Beaumont. In 1803-4 he had frequent opportunities to learn from B.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0191552720; 9780191552724; 1281825565; 9781281825568
    Umfang: 1 Online-Ressource (xiv, 276 pages), Illustrations
    Bemerkung(en):

    Includes bibliographical references and index