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  1. The gilded page
    the secret lives of medieval manuscripts
    Autor*in: Wellesley, Mary
    Erschienen: Oktober 2021
    Verlag:  Basic Books, New York

    "The Gilded Page is the story of the written word in the pre-Gutenberg age. Ranging from the earliest intact book in Europe, to the only known literary manuscript to be written in Shakespeare's hand, scholar Mary Wellesley reveals the secret lives of... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 138360
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    706203
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Freiburg
    GE 2022/1704
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    A 2021/6626
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    MK 15 8 Gen. Wel. 1
    keine Fernleihe
    Universitätsbibliothek Mannheim
    2022 A 1058
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Herzog August Bibliothek Wolfenbüttel
    72.1607
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "The Gilded Page is the story of the written word in the pre-Gutenberg age. Ranging from the earliest intact book in Europe, to the only known literary manuscript to be written in Shakespeare's hand, scholar Mary Wellesley reveals the secret lives of these literary and artistic treasures. Traipsing through the remarkable history, she recounts fires (the only surviving Beowulf manuscript is singed at its edges, losing a bit of its matter every decade) and threats ("this is Elisabeth Danes's book / he that steals it shall be hanged by the neck," reads the marginalia in one treasured text). Some manuscripts were designed to reinforce power-like the psalter commissioned by Henry VIII, with a bold illustration of David fighting Goliath, the king's likeness as David's and his archnemesis Pope Paul III's face drawn on Goliath. Some survive and remain celebrated because of an author's political connections-we have so much of Chaucer's writings, and thus study and revere them, because he was a government official first, a poet second. And although work identified with men was more likely to survive through time, some of the most beguiling and beautiful texts were created by women. Many have been lost, like Julian of Norwich's Revelations of Divine Love. Yet others are relatively recent discoveries, like the manuscript of illiterate Margery Kempe, found in a country house closet by a family searching for ping pong balls, the book's cover nibbled on by mice. But all these objects have their secrets, and their creation and survival tell us much about power and art, knowledge and beauty. Today we associate illuminated manuscripts with wealthy elites, but they were made by ordinary people: the grinders and binders, the scribes and rubricators. We remember the patrons and the authors, but these objects have been much altered-text embroidered by upstart scribes, mistakes made in copying poems, whole chapters lost to time-and our literary inheritance is one of collective authorship. Rich, dazzling, and passionately told, Untitled is a tribute to some of the most exquisite objects ever made by human hands"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781541675087
    Auflage/Ausgabe: First edition
    Schlagworte: Manuscripts, Medieval; Transmission of texts; English literature; English literature; Illumination of books and manuscripts, Medieval; Marginalia
    Umfang: ix, 340 Seiten, 16 ungezählte Seiten, Illustrationen
  2. Stasis in the Medieval West?
    questioning change and continuity
    Beteiligt: Bintley, Michael D. J. (Hrsg.); Symons, Victoria (Hrsg.); Wellesley, Mary (Hrsg.)
    Erschienen: [2017]
    Verlag:  Palgrave Macmillan, New York, NY

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Beteiligt: Bintley, Michael D. J. (Hrsg.); Symons, Victoria (Hrsg.); Wellesley, Mary (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781349950331
    RVK Klassifikation: EC 5126 ; NM 1300
    DDC Klassifikation: Naturwissenschaften und Mathematik (500)
    Schriftenreihe: The New Middle Ages
    Schlagworte: Mittelalter; Wandel; Kontinuität
    Weitere Schlagworte: YQS ; BIC Subject Heading; Anglo-Saxon; High Medieval; Late Medieval; Medieval history; Medieval literature; Old English; Viking
    Umfang: xi, 283 Seiten, Illustrationen
  3. The gilded page
    the secret lives of medieval manuscripts
    Autor*in: Wellesley, Mary
    Erschienen: Oktober 2021
    Verlag:  Basic Books, New York

    "The Gilded Page is the story of the written word in the pre-Gutenberg age. Ranging from the earliest intact book in Europe, to the only known literary manuscript to be written in Shakespeare's hand, scholar Mary Wellesley reveals the secret lives of... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "The Gilded Page is the story of the written word in the pre-Gutenberg age. Ranging from the earliest intact book in Europe, to the only known literary manuscript to be written in Shakespeare's hand, scholar Mary Wellesley reveals the secret lives of these literary and artistic treasures. Traipsing through the remarkable history, she recounts fires (the only surviving Beowulf manuscript is singed at its edges, losing a bit of its matter every decade) and threats ("this is Elisabeth Danes's book / he that steals it shall be hanged by the neck," reads the marginalia in one treasured text). Some manuscripts were designed to reinforce power-like the psalter commissioned by Henry VIII, with a bold illustration of David fighting Goliath, the king's likeness as David's and his archnemesis Pope Paul III's face drawn on Goliath. Some survive and remain celebrated because of an author's political connections-we have so much of Chaucer's writings, and thus study and revere them, because he was a government official first, a poet second. And although work identified with men was more likely to survive through time, some of the most beguiling and beautiful texts were created by women. Many have been lost, like Julian of Norwich's Revelations of Divine Love. Yet others are relatively recent discoveries, like the manuscript of illiterate Margery Kempe, found in a country house closet by a family searching for ping pong balls, the book's cover nibbled on by mice. But all these objects have their secrets, and their creation and survival tell us much about power and art, knowledge and beauty. Today we associate illuminated manuscripts with wealthy elites, but they were made by ordinary people: the grinders and binders, the scribes and rubricators. We remember the patrons and the authors, but these objects have been much altered-text embroidered by upstart scribes, mistakes made in copying poems, whole chapters lost to time-and our literary inheritance is one of collective authorship. Rich, dazzling, and passionately told, Untitled is a tribute to some of the most exquisite objects ever made by human hands"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781541675087
    Auflage/Ausgabe: First edition
    Schlagworte: Manuscripts, Medieval; Transmission of texts; English literature; English literature; Illumination of books and manuscripts, Medieval; Marginalia
    Umfang: ix, 340 Seiten, 16 ungezählte Seiten, Illustrationen
  4. Stasis in the Medieval West?
    questioning change and continuity
    Beteiligt: Bintley, Michael D. J. (HerausgeberIn); Locker, Martin (HerausgeberIn); Symons, Victoria (HerausgeberIn); Wellesley, Mary (HerausgeberIn)
    Erschienen: [2017]; © 2017
    Verlag:  Palgrave Macmillan, New York

    Beacons of belief: seasonal change and sacred trees in Britain from prehistory to the later Middle Ages / Michael D.J. Bintley -- The more things change, the more they stay the same: decorative continuity in early Anglo-Saxon England / Melissa Herman... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 1505
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Freiburg
    GE 2018/2039
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    A 2017/6400
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    2018/3056
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Heidelberg
    2017 A 3363
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Kiel, Zentralbibliothek
    By 1328
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Herzog August Bibliothek Wolfenbüttel
    68.3562
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Beacons of belief: seasonal change and sacred trees in Britain from prehistory to the later Middle Ages / Michael D.J. Bintley -- The more things change, the more they stay the same: decorative continuity in early Anglo-Saxon England / Melissa Herman -- Art history in the Dark Ages: (re)considering space, stasis, and modern viewing practices in relation to Anglo-Saxon imagery / Meg Boulton -- Set in stone or food for worms: the statis of writing in the Exeter Book riddles / Victoria Symons -- Stitched up?: Cynewulf, authorial attribution and textual stasis in Anglo-Saxon England / Tom Birkett -- The house that stilled time: stasis and eternity in Anglo-Saxon churches / Michael Shapland -- There and back again: creating the pilgrimage experience in text / Martin Locker -- "But that will not be the end of the calamity": why emphasize Viking disruption? / Katherine Cross -- Configuring stasis: the appeal to tradition in the English reign of Cnut the Great / Simon C. Thomson -- Sleeping dogs and stasis in The franklin's tale / Richard North -- Static "menyng and transitory "melodye" in Lydgate's Seying of the nightingale / Mary Wellesley -- Dress, fashion, and anti-fashion in the medieval imagination / Louise Sylvester

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Bintley, Michael D. J. (HerausgeberIn); Locker, Martin (HerausgeberIn); Symons, Victoria (HerausgeberIn); Wellesley, Mary (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Konferenzschrift
    Format: Druck
    ISBN: 1349950335; 9781349950331
    Weitere Identifier:
    9781349950331
    RVK Klassifikation: NM 1300 ; EC 5126
    Körperschaften/Kongresse: Early Medieval Interdisciplinary Conference Series (2013, London)
    Schriftenreihe: The new Middle Ages
    Schlagworte: Middle Ages; Progress
    Umfang: xi, 283 Seiten, Illustrationen, 21 cm x 14.8 cm
    Bemerkung(en):

    "This volume grew out of papers presented at the Early Medieval Interdisciplinary Conference Series held at the UCL Institute of Archaeology in April 2013. That conference was, itself, a response to a series of events held a year earlier at the University of York under the title 'Transition in the Medieval World.'" (Einleitung)