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  1. Human, Non-Human, and Beyond : Cochlear Implants in Socio-Technological Environments
    Autor*in: Ochsner, Beate; Spöhrer, Markus; Stock, Robert
    Erschienen: 2015

    The paper focuses on processes of normalization through which dis/ability is simultaneously produced in specific collectives, networks, and socio-technological systems that enable the construction of such demarcations. Our point of departure is the... mehr

     

    The paper focuses on processes of normalization through which dis/ability is simultaneously produced in specific collectives, networks, and socio-technological systems that enable the construction of such demarcations. Our point of departure is the cochlear implant (CI), a neuroprosthetic device intended to replace and/or augment the function of the damaged inner ear. Unlike hearing aids, which amplify sounds, the CI does the work of damaged hair cells in the inner ear by providing sound signals to the brain. We examine the processes of the CI’s genesis as well as its specific uses by and interrelations to the different and divergent actors that the CI assembles. We argue that the technological device and the implicated normalization process mobilize complex effects in varying socio-technical arrangements. The CI is conceived as a “boundary object” [89] or a “quasi-object” [49, 83], i.e., a metastabilized medium of translation that coordinates social, cultural, and technological (inter)action. Although intended to transform non-hearing or hard of hearing people into competent and “normal” hearing subjects, the CI system reproduces the asymmetrical structures of the disability discourse [14] through its function of “developing and maintaining coherence between intersecting social worlds” [89, 393]. Additionally, it initiates controversial discourses that have resulted in new forms of biosocial collectivities ranging from cochlear implantees with (restored) normal human hearing to (trans)human configurations who have passed through (post)human enhancement. Our approach is thus situated at the intersection of disability and media studies and tackles the particular conditions technological media configurations impose upon the (re-)production of dis/ability. ; published ; published

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    Übergeordneter Titel: NanoEthics. 2015, 9(3), pp. 237-250. ISSN 1871-4757. eISSN 1871-4765. Available under: doi:10.1007/s11569-015-0242-1
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Cochlear implant; Disability Biosociality; Media studies; Socio-technological environments; YouTube activation videos; Humaneness; Human enhancement; Cyborg
    Lizenz:

    rightsstatements.org/page/InC/1.0/
  2. Cinema and Conflict in Postcolonial Mozambique : Archival Images as Illustration and Evidence in Estas São as Armas (1978)
    Autor*in: Stock, Robert
    Erschienen: 2016

    The essay analyses Estas são as armas (1978), the first full-length documentary produced by the Instituto Nacional de Cinema (INC) in Mozambique. In a first step, the text provides background information regarding film productions in and about... mehr

     

    The essay analyses Estas são as armas (1978), the first full-length documentary produced by the Instituto Nacional de Cinema (INC) in Mozambique. In a first step, the text provides background information regarding film productions in and about Mozambique as well as its historical frame considering both the colonial and postcolonial period. Then, the essay discusses the interplay between voice and image with regard to documentary films. The contextualization and theoretical reflection is followed by an in-depth study of Estas são as armas. By scrutinizing the different ways of dealing with archival material it becomes possible to reflect upon filmic memory politics and their relation to a historical master narrative developed by Frelimo as well as to shed light on the cultural dimensions of decolonization. ; published

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einem Sammelband
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Mozambique; documentary film; post-conflict cinema; decolonisation
    Lizenz:

    rightsstatements.org/page/InC/1.0/
  3. Körper im/als Schaltkreis : DIY-Apparaturen und audiovisuelle Praktiken sinnlicher Wahrnehmung
    Autor*in: Stock, Robert
    Erschienen: 2016

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    Quelle: BASE Fachausschnitt AVL
    Sprache: Deutsch
    Medientyp: Aufsatz aus einem Sammelband
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: DIY; Körper; mediale Praktiken; Hören; Sehen
    Lizenz:

    rightsstatements.org/page/InC/1.0/
  4. Singing Altogether Now : Unsettling Images of Disability and Experimental Filmic Practices
    Autor*in: Stock, Robert
    Erschienen: 2017

    Conventional representations of disability on television and in documentary films often emphasise ‘pity’ or stage their characters as ‘supercrips’. Only a few productions provide alternative framings of disability. Such films can be conceived as a... mehr

     

    Conventional representations of disability on television and in documentary films often emphasise ‘pity’ or stage their characters as ‘supercrips’. Only a few productions provide alternative framings of disability. Such films can be conceived as a kind of experimental system through which established knowledge about disability can be unsettled. To demonstrate this, this chapter analyses the Singing Lesson by Artur Żmijewski, a video installation interlacing experimentally deaf singing and religious choirs, and Freakstars 3000 by Christoph Schlingensief, a TV docusoap that modifies conceptions of intellectual disability by mocking television casting and reality formats. Both productions open up a space for media participation that creates ambiguity while refusing to give a simple answer to the question of how to model a concept of ‘inclusive art’ or media. ; published

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einem Sammelband
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Lizenz:

    rightsstatements.org/page/InC/1.0/
  5. Filmische Praktiken der Ins-Bild-Setzung : Medizinisches, soziales und kulturelles Modell von Behinderung
    Autor*in: Ochsner, Beate; Stock, Robert; Grebe, Anna
    Erschienen: 2017

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    published

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Deutsch
    Medientyp: Aufsatz aus einem Sammelband
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Lizenz:

    rightsstatements.org/page/InC/1.0/
  6. The Many Returns to Wiriyamu : Audiovisual Testimony and the Negotiation of Colonial Violence
    Autor*in: Stock, Robert
    Erschienen: 2017

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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einem Sammelband
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Lizenz:

    rightsstatements.org/page/InC/1.0/
  7. Dokumentarische Praktiken und das postkoloniale Lissabon : Juventude em Marcha von Pedro Costa
    Autor*in: Stock, Robert
    Erschienen: 2017

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    published

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Deutsch
    Medientyp: Aufsatz aus einem Sammelband
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Lizenz:

    rightsstatements.org/page/InC/1.0/
  8. Filmische Zeugenschaft im Abseits : kulturelle Dekolonisierungsprozesse und Dokumentarfilme zwischen Mosambik und Portugal
    Autor*in: Stock, Robert
    Erschienen: 2018
    Verlag:  transcript ; Bielefeld

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    Quelle: BASE Fachausschnitt AVL
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Lizenz:

    rightsstatements.org/page/InC/1.0/