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  1. The Arden Handbook of Shakespeare and Early Modern Drama
    Perspectives on Culture, Performance and Identity
    Autor*in: Dowd, Michelle M.
    Erschienen: 2023; ©2023
    Verlag:  Bloomsbury Publishing Plc, London

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    Standort:
    Hochschulbibliothek Friedensau
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    Online-Ressource
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    Quelle: Verbundkataloge
    Beteiligt: Rutter, Tom (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781350161870
    Schriftenreihe: The Arden Shakespeare Handbooks Ser.
    Schlagworte: Electronic books
    Umfang: 1 online resource (409 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  2. The Arden Handbook of Shakespeare and Early Modern Drama
    Perspectives on Culture, Performance and Identity
    Autor*in: Dowd, Michelle M.
    Erschienen: 2023; ©2023
    Verlag:  Bloomsbury Publishing Plc, London

    "This collection offers a wide-ranging, authoritative guide to research on drama and society in Shakespeare's England, mapping the variety of approaches to the context and work of Shakespeare and his contemporaries. Its contents include chapters by... mehr

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    Hochschulbibliothek Friedensau
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    Online-Ressource
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    "This collection offers a wide-ranging, authoritative guide to research on drama and society in Shakespeare's England, mapping the variety of approaches to the context and work of Shakespeare and his contemporaries. Its contents include chapters by senior figures within the field as well as by emerging scholars working on the most exciting areas of current research. As well as surveying significant 21st-century trends in the study of early modern drama, they offer original, state-of-the-art work on theatre history, social and cultural contexts of the theatre, and recent approaches in criticism and performance. Chapters explore early modern drama through a range of cultural contexts and approaches, from material culture and emotion studies to early modern race work and new directions in gender and sexuality studies. The volume also includes a ground-breaking new chronology of early modern drama, a survey of resources, and an annotated bibliography. Combining original research with an account of the current state of play, The Arden Research Handbook of Early Modern Drama will be an invaluable resource both to experienced scholars and to those beginning work in the field"--

     
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    Quelle: Verbundkataloge
    Beteiligt: Rutter, Tom (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781350161863
    Schriftenreihe: The Arden Shakespeare Handbooks Ser.
    Schlagworte: English drama-Early modern and Elizabethan, 1500-1600-History and criticism; English drama-17th century-History and criticism; English drama; English drama; Theater and society; Theater and society; Electronic books
    Umfang: 1 online resource (361 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  3. Work and play on the Shakespearean stage
    Autor*in: Rutter, Tom
    Erschienen: 2011
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

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    Universitäts- und Landesbibliothek Düsseldorf
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  4. Work and play on the Shakespearean stage
    Autor*in: Rutter, Tom
    Erschienen: 2008
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

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    Universitäts- und Landesbibliothek Düsseldorf
    Signatur:
    angg760.r982
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    36A4284
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    3K 13070
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    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    ISBN: 9780521884860
    Schlagworte: Drama; Arbeit <Motiv>
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: X, 205 S.
    Bemerkung(en):

    Überarb. zugl.: London, University College, Diss., u.d.T.: Rutter, Tom: Playing work: the uses of labour on the Shakespearean stage
  5. Work and play on the Shakespearean stage
    Autor*in: Rutter, Tom
    Erschienen: 2008
    Verlag:  Cambridge University Press, Cambridge, UK

    Time and again, early modern plays show people at work: shoemaking, grave-digging, and professional acting are just some of the forms of labour that theatregoers could have seen depicted on stage in 1599 and 1600. Tom Rutter demonstrates how such... mehr

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    Time and again, early modern plays show people at work: shoemaking, grave-digging, and professional acting are just some of the forms of labour that theatregoers could have seen depicted on stage in 1599 and 1600. Tom Rutter demonstrates how such representations were shaped by the theatre's own problematic relationship with work: actors earned their living through playing, a practice that many considered idle and illegitimate, while plays were criticised for enticing servants and apprentices from their labour. As a result, the drama of Shakespeare's time became the focal point of wider debates over what counted as work, who should have to do it, and how it should be valued. This book describes changing beliefs about work in the sixteenth century, and shows how different ways of conceptualising the work of the governing class inform Shakespeare's histories. It identifies important contrasts between plays written for the adult and child repertories Work in sixteenth-century England -- 'Vpon the weke daies and worke daies at conuenient times' : acting as work in Elizabethan England -- 'Though he be a king, yet he must labour' : work and nobility in Shakespeare's histories -- 'We may shut vp our shops, and make holiday' : workers and playhouses, 1599-1601 -- 'Work upon that now!' : labour and status on the stage, 1599-1610.

     
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  6. The Cambridge introduction to Christopher Marlowe
    Autor*in: Rutter, Tom
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    Life and historical contexts -- Tamburlaine, parts one and two -- Doctor Faustus -- The Jew of Malta and The massacre at Paris -- Edward II -- Dido, Queen of Carthage and Marlowe's poetry -- Marlowe's afterlives. Providing a comprehensive survey of... mehr

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    Life and historical contexts -- Tamburlaine, parts one and two -- Doctor Faustus -- The Jew of Malta and The massacre at Paris -- Edward II -- Dido, Queen of Carthage and Marlowe's poetry -- Marlowe's afterlives. Providing a comprehensive survey of Christopher Marlowe's literary career, this Introduction presents an approachable account of the life, works and influence of the groundbreaking Elizabethan dramatist and poet. It includes in-depth discussions of all of Marlowe's plays, stressing what was new and revolutionary about them as well as how they made use of existing dramatic models. Marlowe's poems and translations, sometimes marginalised in discussions of his work, are analysed to emphasise their literary importance and political resonances. The book presents a balanced discussion of Marlowe's turbulent life and considers his afterlives: the influence of his work on other writers and examples of how his plays have been performed. In addition to introducing the reader to the historical and religious contexts within which Marlowe wrote, the Introduction stresses the qualities that continue to make his work fascinating: intellectual range, radical irony and an awareness of the dangerously compelling power of theatre

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1139233335; 1139230328; 1139031155; 9781139230322; 9781139031158; 9781139233330
    RVK Klassifikation: HI 2715 ; HI 2754
    Schriftenreihe: Cambridge introduction to literature
    Schlagworte: DRAMA ; English, Irish, Scottish, Welsh; Werk; Criticism, interpretation, etc
    Weitere Schlagworte: Marlowe, Christopher (1564-1593); Marlowe, Christopher; Marlowe, Christopher; Marlowe, Christopher; Marlowe, Christopher
    Umfang: 1 Online-Ressource (xiv, 149 pages), illustrations
    Bemerkung(en):

    Includes bibliographical references (pages 138-141) and index
  7. Work and play on the Shakespearean stage
    Autor*in: Rutter, Tom
    Erschienen: 2008
    Verlag:  Cambridge University Press, Cambridge

    Time and again, early modern plays show people at work: shoemaking, grave-digging, and professional acting are just some of the forms of labour that theatregoers could have seen depicted on stage in 1599 and 1600. Tom Rutter demonstrates how such... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Time and again, early modern plays show people at work: shoemaking, grave-digging, and professional acting are just some of the forms of labour that theatregoers could have seen depicted on stage in 1599 and 1600. Tom Rutter demonstrates how such representations were shaped by the theatre's own problematic relationship with work: actors earned their living through playing, a practice that many considered idle and illegitimate, while plays were criticised for enticing servants and apprentices from their labour. As a result, the drama of Shakespeare's time became the focal point of wider debates over what counted as work, who should have to do it, and how it should be valued. This book describes changing beliefs about work in the sixteenth century, and shows how different ways of conceptualising the work of the governing class inform Shakespeare's histories. It identifies important contrasts between plays written for the adult and child repertories

     
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511481451
    Weitere Identifier:
    RVK Klassifikation: HI 1269
    Schlagworte: Geschichte; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; Work in literature; Play in literature; Professions in literature; Literature and society / England / History / 16th century; Acting in literature; Handwerk <Motiv>; Arbeit <Motiv>; Englisch; Drama
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Characters; Shakespeare, William (1564-1616)
    Umfang: 1 online resource (x, 205 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Work in sixteenth-century England -- 'Vpon the weke daies and worke daies at conuenient times': acting as work in Elizabethan England -- 'Though he be a king, yet he must labour': work and nobility in Shakespeare's histories -- 'We may shut vp our shops, and make holiday': workers and playhouses, 1599-1601 -- 'Work upon that now!': labour and status on the stage, 1599-1610
  8. Shakespeare and the Admiral's Men
    reading across repertories on the London stage, 1594-1600
    Autor*in: Rutter, Tom
    Erschienen: 2017
    Verlag:  Cambridge University Press, Cambridge

    For most of the 1590s, the Admiral's Men were the main competitors of Shakespeare's company in the London theatres. Not only did they stage old plays by dramatists such as Christopher Marlowe and Thomas Kyd: their playwrights invented the genres of... mehr

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    Bayerische Staatsbibliothek
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    For most of the 1590s, the Admiral's Men were the main competitors of Shakespeare's company in the London theatres. Not only did they stage old plays by dramatists such as Christopher Marlowe and Thomas Kyd: their playwrights invented the genres of humours comedy (with An Humorous Day's Mirth) and city comedy (with Englishmen for My Money), while other new plays such as A Knack to Know an Honest Man and The Downfall of Robert, Earl of Huntingdon were important influences on Shakespeare. This is the first book to read the Admiral's repertory against Shakespeare's plays of the 1590s, showing both how Shakespeare drew on their innovations and how his plays influenced Admiral's dramatists in turn. Shedding new light on well-known plays and offering detailed analysis of less familiar ones, it offers a fresh perspective on the dramatic culture of the 1590s

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139924870
    Weitere Identifier:
    RVK Klassifikation: HI 1266
    Schlagworte: Geschichte; Theatrical companies / England / London / History / 17th century; Theatrical companies / England / London / History / 16th century; Drama
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Stage history / To 1625; Shakespeare, William / 1564-1616 / Stage history / England / London; Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (ix, 226 pages)
    Bemerkung(en):

    Introduction -- How might we make a famous comedie: from A Knack to Know an Honest Man to The Merchant of Venice -- Hobgoblins abroad: from Doctor Faustus to A Midsummer Night's Dream -- I speak of Africa and golden joys: Henry IV and the Stukeley plays -- Sundrie variable and pleasing humors: new comedies, 1597-8 -- Nor pure religion by their lips profaned: Oldcastle, Robin Hood, and As You Like It -- Nor pure religion by their lips profaned: Oldcastle, Robin Hood, and As You Like It -- Conclusion
  9. The Cambridge introduction to Christopher Marlowe
    Autor*in: Rutter, Tom
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    Providing a comprehensive survey of Christopher Marlowe's literary career, this Introduction presents an approachable account of the life, works and influence of the groundbreaking Elizabethan dramatist and poet. It includes in-depth discussions of... mehr

    Standort:
    Universitätsbibliothek Bamberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Providing a comprehensive survey of Christopher Marlowe's literary career, this Introduction presents an approachable account of the life, works and influence of the groundbreaking Elizabethan dramatist and poet. It includes in-depth discussions of all of Marlowe's plays, stressing what was new and revolutionary about them as well as how they made use of existing dramatic models. Marlowe's poems and translations, sometimes marginalised in discussions of his work, are analysed to emphasise their literary importance and political resonances. The book presents a balanced discussion of Marlowe's turbulent life and considers his afterlives: the influence of his work on other writers and examples of how his plays have been performed. In addition to introducing the reader to the historical and religious contexts within which Marlowe wrote, the Introduction stresses the qualities that continue to make his work fascinating: intellectual range, radical irony and an awareness of the dangerously compelling power of theatre

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139031158
    Weitere Identifier:
    RVK Klassifikation: HI 2715
    Schriftenreihe: Cambridge introductions to literature
    Schlagworte: Marlowe, Christopher;
    Weitere Schlagworte: Marlowe, Christopher / 1564-1593 / Criticism and interpretation; Marlowe, Christopher (1564-1593)
    Umfang: 1 online resource (xiv, 149 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Life and historical contexts -- Tamburlaine, parts one and two -- Doctor Faustus -- The Jew of Malta and The massacre at Paris -- Edward II -- Dido, Queen of Carthage and Marlowe's poetry -- Marlowe's afterlives
  10. The Arden handbook of Shakespeare and early modern drama
    perspectives on culture, performance and identity
    Beteiligt: Dowd, Michelle M. (HerausgeberIn); Rutter, Tom (HerausgeberIn)
    Erschienen: 2023; ©2023
    Verlag:  The Arden Shakespeare, London

    "This collection offers a wide-ranging, authoritative guide to research on drama and society in Shakespeare's England, mapping the variety of approaches to the context and work of Shakespeare and his contemporaries. Its contents include chapters by... mehr

     

    "This collection offers a wide-ranging, authoritative guide to research on drama and society in Shakespeare's England, mapping the variety of approaches to the context and work of Shakespeare and his contemporaries. Its contents include chapters by senior figures within the field as well as by emerging scholars working on the most exciting areas of current research. As well as surveying significant 21st-century trends in the study of early modern drama, they offer original, state-of-the-art work on theatre history, social and cultural contexts of the theatre, and recent approaches in criticism and performance. Chapters explore early modern drama through a range of cultural contexts and approaches, from material culture and emotion studies to early modern race work and new directions in gender and sexuality studies. The volume also includes a ground-breaking new chronology of early modern drama, a survey of resources, and an annotated bibliography. Combining original research with an account of the current state of play, The Arden Research Handbook of Early Modern Drama will be an invaluable resource both to experienced scholars and to those beginning work in the field"--

     
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    Quelle: Verbundkataloge
    Beteiligt: Dowd, Michelle M. (HerausgeberIn); Rutter, Tom (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781350161856; 1350161853
    Weitere Identifier:
    40031693225
    Schriftenreihe: The Arden Shakespeare handbooks
    Schlagworte: English drama; English drama; Theater and society; Theater and society; English drama; English drama - Early modern and Elizabethan; Theater and society; English drama - Early modern and Elizabethan, 1500-1600 - History and criticism; English drama - 17th century - History and criticism; Theater and society - England - History - 16th century; Theater and society - England - History - 17th century; Criticism, interpretation, etc; History
    Weitere Schlagworte: Shakespeare, William - 1564-1616
    Umfang: xiii, 387 pages, illustrations, maps, 25 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction / Michelle M. Dowd and Tom Rutter -- Material and institutional contexts of early modern drama : an A-Z / Edward Gieskes -- Did early modern drama actually happen? / Kurt Schreyer -- Drama and society in Shakespeare's England / Jean E. Howard -- Ancient and early modern European contexts of early modern English drama / Ton Hoenselaars -- Playing companies and repertories / Elizabeth E. Tavares -- Playhouses and performance / Laurie Johnson -- Drama beyond the playhouses / Tracey Hill -- Material culture / Chloe Porter -- Engendering the stage : women and dramatic culture / Clare McManus and Lucy Munro -- Matter, nature, cosmos : the scientific art of the early modern English stage / Jean Feerick -- Early modern race-work : history, methodology and politics / Jane Hwang Degenhardt -- Sexualities, emotions and embodiment / Holly Dugan -- Religion and religious cultures / Benedict Robinson -- Early modern disability studies and trans studies / Genevieve Love -- Gaining perspective : race, diversity and early modern studies / Farah Karim-Cooper -- Performing Shakespeare's contemporaries / Harry McCarthy -- Rethinking the early years of the London playhouses : an essay in chronology / Andy Kesson -- Resources / Catherine Evans and Amy Lidster -- Further reading / Michelle M. Dowd and Tom Rutter.
  11. Work and play on the Shakespearean stage
    Autor*in: Rutter, Tom
    Erschienen: 2008
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780521884860
    RVK Klassifikation: HI 1269
    Auflage/Ausgabe: 1. publ.
    Schlagworte: English drama; Work in literature; Play in literature; Professions in literature; Literature and society; Acting in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: X, 205 S.
    Bemerkung(en):

    Literaturverz. S. 182 - 199
  12. The Cambridge introduction to Christopher Marlowe
    Autor*in: Rutter, Tom
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    Providing a comprehensive survey of Christopher Marlowe's literary career, this Introduction presents an approachable account of the life, works and influence of the groundbreaking Elizabethan dramatist and poet. It includes in-depth discussions of... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Providing a comprehensive survey of Christopher Marlowe's literary career, this Introduction presents an approachable account of the life, works and influence of the groundbreaking Elizabethan dramatist and poet. It includes in-depth discussions of all of Marlowe's plays, stressing what was new and revolutionary about them as well as how they made use of existing dramatic models. Marlowe's poems and translations, sometimes marginalised in discussions of his work, are analysed to emphasise their literary importance and political resonances. The book presents a balanced discussion of Marlowe's turbulent life and considers his afterlives: the influence of his work on other writers and examples of how his plays have been performed. In addition to introducing the reader to the historical and religious contexts within which Marlowe wrote, the Introduction stresses the qualities that continue to make his work fascinating: intellectual range, radical irony and an awareness of the dangerously compelling power of theatre Life and historical contexts -- Tamburlaine, parts one and two -- Doctor Faustus -- The Jew of Malta and The massacre at Paris -- Edward II -- Dido, Queen of Carthage and Marlowe's poetry -- Marlowe's afterlives

     
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139031158
    Weitere Identifier:
    RVK Klassifikation: HI 2715
    Schriftenreihe: Cambridge introductions to literature
    Weitere Schlagworte: Marlowe, Christopher (1564-1593)
    Umfang: 1 Online-Ressource (xiv, 149 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  13. Work and play on the Shakespearean stage
    Autor*in: Rutter, Tom
    Erschienen: 2008
    Verlag:  Cambridge University Press, Cambridge

    Time and again, early modern plays show people at work: shoemaking, grave-digging, and professional acting are just some of the forms of labour that theatregoers could have seen depicted on stage in 1599 and 1600. Tom Rutter demonstrates how such... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Time and again, early modern plays show people at work: shoemaking, grave-digging, and professional acting are just some of the forms of labour that theatregoers could have seen depicted on stage in 1599 and 1600. Tom Rutter demonstrates how such representations were shaped by the theatre's own problematic relationship with work: actors earned their living through playing, a practice that many considered idle and illegitimate, while plays were criticised for enticing servants and apprentices from their labour. As a result, the drama of Shakespeare's time became the focal point of wider debates over what counted as work, who should have to do it, and how it should be valued. This book describes changing beliefs about work in the sixteenth century, and shows how different ways of conceptualising the work of the governing class inform Shakespeare's histories. It identifies important contrasts between plays written for the adult and child repertories Work in sixteenth-century England -- 'Vpon the weke daies and worke daies at conuenient times': acting as work in Elizabethan England -- 'Though he be a king, yet he must labour': work and nobility in Shakespeare's histories -- 'We may shut vp our shops, and make holiday': workers and playhouses, 1599-1601 -- 'Work upon that now!': labour and status on the stage, 1599-1610

     
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511481451
    Weitere Identifier:
    RVK Klassifikation: HI 3385 ; HI 3560
    Schlagworte: Work in literature; Play in literature; Professions in literature; Literature and society; Acting in literature; English drama; Shakespeare, William ; 1564-1616 ; Characters; English drama ; Early modern and Elizabethan, 1500-1600 ; History and criticism; Work in literature; Play in literature; Professions in literature; Literature and society ; England ; History ; 16th century; Acting in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (x, 205 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  14. The Cambridge introduction to Christopher Marlowe
    Autor*in: Rutter, Tom
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    Providing a comprehensive survey of Christopher Marlowe's literary career, this Introduction presents an approachable account of the life, works and influence of the groundbreaking Elizabethan dramatist and poet. It includes in-depth discussions of... mehr

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    Universität Frankfurt, Elektronische Ressourcen
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    Standort:
    Universitätsbibliothek Gießen
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    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Providing a comprehensive survey of Christopher Marlowe's literary career, this Introduction presents an approachable account of the life, works and influence of the groundbreaking Elizabethan dramatist and poet. It includes in-depth discussions of all of Marlowe's plays, stressing what was new and revolutionary about them as well as how they made use of existing dramatic models. Marlowe's poems and translations, sometimes marginalised in discussions of his work, are analysed to emphasise their literary importance and political resonances. The book presents a balanced discussion of Marlowe's turbulent life and considers his afterlives: the influence of his work on other writers and examples of how his plays have been performed. In addition to introducing the reader to the historical and religious contexts within which Marlowe wrote, the Introduction stresses the qualities that continue to make his work fascinating: intellectual range, radical irony and an awareness of the dangerously compelling power of theatre.

     
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    ISBN: 9781139031158
    RVK Klassifikation: HI 2715
    Schriftenreihe: Cambridge introductions to literature
    Weitere Schlagworte: Marlowe, Christopher (1564-1593)
    Umfang: 1 Online-Ressource (xiv, 149 pages)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  15. Work and play on the Shakespearean stage
    Autor*in: Rutter, Tom
    Erschienen: 2008
    Verlag:  Cambridge University Press, Cambridge

    Time and again, early modern plays show people at work: shoemaking, grave-digging, and professional acting are just some of the forms of labour that theatregoers could have seen depicted on stage in 1599 and 1600. Tom Rutter demonstrates how such... mehr

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    Time and again, early modern plays show people at work: shoemaking, grave-digging, and professional acting are just some of the forms of labour that theatregoers could have seen depicted on stage in 1599 and 1600. Tom Rutter demonstrates how such representations were shaped by the theatre's own problematic relationship with work: actors earned their living through playing, a practice that many considered idle and illegitimate, while plays were criticised for enticing servants and apprentices from their labour. As a result, the drama of Shakespeare's time became the focal point of wider debates over what counted as work, who should have to do it, and how it should be valued. This book describes changing beliefs about work in the sixteenth century, and shows how different ways of conceptualising the work of the governing class inform Shakespeare's histories. It identifies important contrasts between plays written for the adult and child repertories.

     
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    ISBN: 9780511481451
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    Schlagworte: Englisch; Drama; Arbeit <Motiv>; Darstellende Kunst <Motiv>
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (x, 205 pages)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  16. Shakespeare and the Admiral's Men
    reading across repertories on the London stage, 1594-1600
    Autor*in: Rutter, Tom
    Erschienen: 2017
    Verlag:  Cambridge University Press, Cambridge

    For most of the 1590s, the Admiral's Men were the main competitors of Shakespeare's company in the London theatres. Not only did they stage old plays by dramatists such as Christopher Marlowe and Thomas Kyd: their playwrights invented the genres of... mehr

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    For most of the 1590s, the Admiral's Men were the main competitors of Shakespeare's company in the London theatres. Not only did they stage old plays by dramatists such as Christopher Marlowe and Thomas Kyd: their playwrights invented the genres of humours comedy (with An Humorous Day's Mirth) and city comedy (with Englishmen for My Money), while other new plays such as A Knack to Know an Honest Man and The Downfall of Robert, Earl of Huntingdon were important influences on Shakespeare. This is the first book to read the Admiral's repertory against Shakespeare's plays of the 1590s, showing both how Shakespeare drew on their innovations and how his plays influenced Admiral's dramatists in turn. Shedding new light on well-known plays and offering detailed analysis of less familiar ones, it offers a fresh perspective on the dramatic culture of the 1590s Introduction -- How might we make a famous comedie: from A Knack to Know an Honest Man to The Merchant of Venice -- Hobgoblins abroad: from Doctor Faustus to A Midsummer Night's Dream -- I speak of Africa and golden joys: Henry IV and the Stukeley plays -- Sundrie variable and pleasing humors: new comedies, 1597-8 -- Nor pure religion by their lips profaned: Oldcastle, Robin Hood, and As You Like It -- Nor pure religion by their lips profaned: Oldcastle, Robin Hood, and As You Like It -- Conclusion

     
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    Schlagworte: Theatrical companies; Theatrical companies; Shakespeare, William ; 1564-1616 ; Stage history ; To 1625; Shakespeare, William ; 1564-1616 ; Stage history ; England ; London; Admiral's Men (Theater company) ; History; Theatrical companies ; England ; London ; History ; 17th century; Theatrical companies ; England ; London ; History ; 16th century
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (ix, 226 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 20 Mar 2017)
  17. Work and play on the Shakespearean stage
    Autor*in: Rutter, Tom
    Erschienen: 2011
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

  18. Work and play on the Shakespearean stage
    Autor*in: Rutter, Tom
    Erschienen: 2008
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

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    Schlagworte: Shakespeare, William; Drama; Arbeit <Motiv>
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    London, University College, Diss., u.d.T.: Rutter, Tom: Playing work: the uses of labour on the Shakespearean stage
  19. The Cambridge Introduction to Christopher Marlowe
    Autor*in: Rutter, Tom
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    This detailed and approachable account of Marlowe's life and career discusses his plays and poetry, stage history and influence mehr

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    This detailed and approachable account of Marlowe's life and career discusses his plays and poetry, stage history and influence

     
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    ISBN: 128056895X; 9780521196345; 9781280568954; 9781139232555
    RVK Klassifikation: HI 2715 ; HI 2754
    Schriftenreihe: Cambridge Introductions to Literature
    Schlagworte: English literature; Marlowe, Christopher ; 1564-1593 ; Criticism and interpretation ; Handbooks, manuals, etc; Electronic books
    Umfang: Online-Ressource (168 p.)
    Bemerkung(en):

    Description based upon print version of record

    Electronic reproduction; Available via World Wide Web

    Cover; The Cambridge Introduction to Christopher Marlowe; Title; Copyright; Contents; Illustrations; Preface; Key dates; Chapter 1: Life and historical contexts; Canterbury: birth and early education; Cambridge and the translations of Ovid; 'Good service' and 'faithful dealing'; London: the success of Tamburlaine; Brushes with the law; Marlowe and patronage; Marlowe, atheism and the Baines note; Chapter 2: Tamburlaine, Parts One and Two; 1580s drama and its influence; What's new about Tamburlaine?; Mighty lines; Words and power; Tamburlaine, politics and religion; Judging Tamburlaine

    Sequel-itis?Chapter 3: Doctor Faustus; The 'Faust Book'; Renaissance magic and science; The Protestant Reformation; Focus on Scene 7: 'When I behold the heavens'; Power and theatre; Audience response and the two texts of Doctor Faustus; Chapter 4: The Jew of Malta and The Massacre at Paris; Machiavel and Vice in The Jew of Malta; The Machiavel in The Massacre at Paris; Religion, race and nationality; The place of the audience; Chapter 5: Edward II; History; Sexuality, gender and status; Late Marlowe?; Chapter 6: Dido, Queen of Carthage and Marlowe's poetry; Ovid; Dido, Queen of Carthage

    Lucan'The Passionate Shepherd to His Love'; Hero and Leander; Chapter 7: Marlowe's afterlives; Marlowe in the early modern period; Marlowe on stage: The Jew of Malta, Doctor Faustus, Tamburlaine and Dido; Marlowe in other media: Edward II and A Dead Man in Deptford; Bibliography; Marlowe's life; Criticism; Index; Cambridge Introductions to …; Authors; Topics
  20. Work and play on the Shakespearean stage
    Autor*in: Rutter, Tom
    Erschienen: 2008
    Verlag:  Cambridge University Press, Cambridge, UK

    Examines the way work was depicted on the English stage by Shakespeare and his contemporaries mehr

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    Examines the way work was depicted on the English stage by Shakespeare and his contemporaries

     
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    Medientyp: Ebook
    Format: Online
    ISBN: 0521884861; 9780521884860
    Schlagworte: Play in literature; Professions in literature; Work in literature; Literature and society; English drama; Acting in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: Online-Ressource (x, 205 p)
    Bemerkung(en):

    Includes bibliographical references (p. 158-199) and index

    Electronic reproduction; Available via World Wide Web

    Cover; Half-title; Title; Copyright; Contents; Acknowledgements; Note on texts and dates; Introduction; CHAPTER 1: Work in sixteenth-century England; CHAPTER 2: 'Vpon the weke daies and worke daies at conuenient times': acting as work in Elizabethan England; CHAPTER 3: 'Though he be a king, yet he must labour': work and nobility in Shakespeare's histories; CHAPTER 4: 'We may shut vp our shops, and make holiday': workers and playhouses, 1599-1601; CHAPTER 5: 'Work upon that now!': labour and status on the stage, 1599-1610; Conclusion; Notes; Bibliography; Index
  21. Work and play on the Shakespearean stage
    Autor*in: Rutter, Tom
    Erschienen: 2011
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781107402485; 1107402484
    Auflage/Ausgabe: Paperback re-issue, 1. paperback ed.
    Schlagworte: Shakespeare, William; Bühne;
    Weitere Schlagworte: Shakespeare, William, 1564-1616--Characters.; English drama--Early modern and Elizabethan, 1500-1600--History and criticism.; Work in literature.; Play in literature.; Professions in literature.; Literature and society--England--History--16th century.; Acting in literature.
    Umfang: X, 205 S.
    Bemerkung(en):

    Enth. Literaturverz. S. 182 - 199 und Index
  22. The Cambridge introduction to Christopher Marlowe
    Autor*in: Rutter, Tom
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    Providing a comprehensive survey of Christopher Marlowe's literary career, this Introduction presents an approachable account of the life, works and influence of the groundbreaking Elizabethan dramatist and poet. It includes in-depth discussions of... mehr

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    Providing a comprehensive survey of Christopher Marlowe's literary career, this Introduction presents an approachable account of the life, works and influence of the groundbreaking Elizabethan dramatist and poet. It includes in-depth discussions of all of Marlowe's plays, stressing what was new and revolutionary about them as well as how they made use of existing dramatic models. Marlowe's poems and translations, sometimes marginalised in discussions of his work, are analysed to emphasise their literary importance and political resonances. The book presents a balanced discussion of Marlowe's turbulent life and considers his afterlives: the influence of his work on other writers and examples of how his plays have been performed. In addition to introducing the reader to the historical and religious contexts within which Marlowe wrote, the Introduction stresses the qualities that continue to make his work fascinating: intellectual range, radical irony and an awareness of the dangerously compelling power of theatre Life and historical contexts -- Tamburlaine, parts one and two -- Doctor Faustus -- The Jew of Malta and The massacre at Paris -- Edward II -- Dido, Queen of Carthage and Marlowe's poetry -- Marlowe's afterlives

     
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    ISBN: 9781139031158
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    RVK Klassifikation: HI 2715
    Schriftenreihe: Cambridge introductions to literature
    Weitere Schlagworte: Marlowe, Christopher (1564-1593)
    Umfang: 1 Online-Ressource (xiv, 149 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  23. Work and play on the Shakespearean stage
    Autor*in: Rutter, Tom
    Erschienen: 2008
    Verlag:  Cambridge University Press, Cambridge

    Time and again, early modern plays show people at work: shoemaking, grave-digging, and professional acting are just some of the forms of labour that theatregoers could have seen depicted on stage in 1599 and 1600. Tom Rutter demonstrates how such... mehr

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    Time and again, early modern plays show people at work: shoemaking, grave-digging, and professional acting are just some of the forms of labour that theatregoers could have seen depicted on stage in 1599 and 1600. Tom Rutter demonstrates how such representations were shaped by the theatre's own problematic relationship with work: actors earned their living through playing, a practice that many considered idle and illegitimate, while plays were criticised for enticing servants and apprentices from their labour. As a result, the drama of Shakespeare's time became the focal point of wider debates over what counted as work, who should have to do it, and how it should be valued. This book describes changing beliefs about work in the sixteenth century, and shows how different ways of conceptualising the work of the governing class inform Shakespeare's histories. It identifies important contrasts between plays written for the adult and child repertories Work in sixteenth-century England -- 'Vpon the weke daies and worke daies at conuenient times': acting as work in Elizabethan England -- 'Though he be a king, yet he must labour': work and nobility in Shakespeare's histories -- 'We may shut vp our shops, and make holiday': workers and playhouses, 1599-1601 -- 'Work upon that now!': labour and status on the stage, 1599-1610

     
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    RVK Klassifikation: HI 3385 ; HI 3560
    Schlagworte: Work in literature; Play in literature; Professions in literature; Literature and society; Acting in literature; English drama; Shakespeare, William ; 1564-1616 ; Characters; English drama ; Early modern and Elizabethan, 1500-1600 ; History and criticism; Work in literature; Play in literature; Professions in literature; Literature and society ; England ; History ; 16th century; Acting in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (x, 205 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  24. Shakespeare and the Admiral's Men
    reading across repertories on the London stage, 1594-1600
    Autor*in: Rutter, Tom
    Erschienen: 2017
    Verlag:  Cambridge University Press, Cambridge

    For most of the 1590s, the Admiral's Men were the main competitors of Shakespeare's company in the London theatres. Not only did they stage old plays by dramatists such as Christopher Marlowe and Thomas Kyd: their playwrights invented the genres of... mehr

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    For most of the 1590s, the Admiral's Men were the main competitors of Shakespeare's company in the London theatres. Not only did they stage old plays by dramatists such as Christopher Marlowe and Thomas Kyd: their playwrights invented the genres of humours comedy (with An Humorous Day's Mirth) and city comedy (with Englishmen for My Money), while other new plays such as A Knack to Know an Honest Man and The Downfall of Robert, Earl of Huntingdon were important influences on Shakespeare. This is the first book to read the Admiral's repertory against Shakespeare's plays of the 1590s, showing both how Shakespeare drew on their innovations and how his plays influenced Admiral's dramatists in turn. Shedding new light on well-known plays and offering detailed analysis of less familiar ones, it offers a fresh perspective on the dramatic culture of the 1590s Introduction -- How might we make a famous comedie: from A Knack to Know an Honest Man to The Merchant of Venice -- Hobgoblins abroad: from Doctor Faustus to A Midsummer Night's Dream -- I speak of Africa and golden joys: Henry IV and the Stukeley plays -- Sundrie variable and pleasing humors: new comedies, 1597-8 -- Nor pure religion by their lips profaned: Oldcastle, Robin Hood, and As You Like It -- Nor pure religion by their lips profaned: Oldcastle, Robin Hood, and As You Like It -- Conclusion

     
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    ISBN: 9781139924870
    Weitere Identifier:
    Schlagworte: Theatrical companies; Theatrical companies; Shakespeare, William ; 1564-1616 ; Stage history ; To 1625; Shakespeare, William ; 1564-1616 ; Stage history ; England ; London; Admiral's Men (Theater company) ; History; Theatrical companies ; England ; London ; History ; 17th century; Theatrical companies ; England ; London ; History ; 16th century
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (ix, 226 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 20 Mar 2017)
  25. Three Renaissance Usury Plays: 'The Three Ladies of London' by Robert Wilson, 'Englishmen for my Money' by William Haughton and 'The Hog Hath Lost his Pearl' by Robert Tailor, ed. by Lloyd Edward Kermode
    Autor*in: Rutter, Tom
    Erschienen: 2010

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    Quelle: Online Contents Komparatistik
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Druck
    Übergeordneter Titel: The modern language review; London : MHRA, 1905-; Band 105, Heft 1 (2010), Seite 218