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  1. The Cambridge introduction to Christopher Marlowe
    Autor*in: Rutter, Tom
    Erschienen: 2012
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    Providing a comprehensive survey of Christopher Marlowe's literary career, this Introduction presents an approachable account of the life, works and influence of the groundbreaking Elizabethan dramatist and poet. It includes in-depth discussions of... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Providing a comprehensive survey of Christopher Marlowe's literary career, this Introduction presents an approachable account of the life, works and influence of the groundbreaking Elizabethan dramatist and poet. It includes in-depth discussions of all of Marlowe's plays, stressing what was new and revolutionary about them as well as how they made use of existing dramatic models. Marlowe's poems and translations, sometimes marginalised in discussions of his work, are analysed to emphasise their literary importance and political resonances. The book presents a balanced discussion of Marlowe's turbulent life and considers his afterlives: the influence of his work on other writers and examples of how his plays have been performed. In addition to introducing the reader to the historical and religious contexts within which Marlowe wrote, the Introduction stresses the qualities that continue to make his work fascinating: intellectual range, radical irony and an awareness of the dangerously compelling power of theatre.

     

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    ISBN: 9780521196345; 0521196345; 9780521124300; 0521124301
    Weitere Identifier:
    RVK Klassifikation: HI 2715
    Schriftenreihe: Cambridge introductions to literature
    Schlagworte: Marlowe, Christopher ; 1564-1593 ; Criticism and interpretation
    Weitere Schlagworte: Marlowe, Christopher (1564-1593); Array
    Umfang: XIV, 149 S.
  2. The Cambridge introduction to Christopher Marlowe
    Autor*in: Rutter, Tom
    Erschienen: 2012
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    Providing a comprehensive survey of Christopher Marlowe's literary career, this Introduction presents an approachable account of the life, works and influence of the groundbreaking Elizabethan dramatist and poet. It includes in-depth discussions of... mehr

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    Providing a comprehensive survey of Christopher Marlowe's literary career, this Introduction presents an approachable account of the life, works and influence of the groundbreaking Elizabethan dramatist and poet. It includes in-depth discussions of all of Marlowe's plays, stressing what was new and revolutionary about them as well as how they made use of existing dramatic models. Marlowe's poems and translations, sometimes marginalised in discussions of his work, are analysed to emphasise their literary importance and political resonances. The book presents a balanced discussion of Marlowe's turbulent life and considers his afterlives: the influence of his work on other writers and examples of how his plays have been performed. In addition to introducing the reader to the historical and religious contexts within which Marlowe wrote, the Introduction stresses the qualities that continue to make his work fascinating: intellectual range, radical irony and an awareness of the dangerously compelling power of theatre.

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
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    ISBN: 9780521196345; 0521196345; 9780521124300; 0521124301
    Weitere Identifier:
    RVK Klassifikation: HI 2715
    Schriftenreihe: Cambridge introductions to literature
    Schlagworte: Marlowe, Christopher ; 1564-1593 ; Criticism and interpretation
    Weitere Schlagworte: Marlowe, Christopher (1564-1593); Array
    Umfang: XIV, 149 S.
  3. Shakespeare and the admiral's men
    reading across repertories on the London stage, 1594-1600
    Autor*in: Rutter, Tom
    Erschienen: 2017
    Verlag:  Cambridge University Press, Cambridge, United Kingdom

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781107077430
    RVK Klassifikation: HI 1266
    Schlagworte: Geschichte; Theatrical companies; Theatrical companies; Drama
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: ix, 226 Seiten
    Bemerkung(en):

    Literaturverzeichnis S. 202-220

  4. Work and play on the Shakespearean stage
    Autor*in: Rutter, Tom
    Erschienen: 2008
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    Time and again, early modern plays show people at work - shoemaking and grave-digging are just two of the forms of labour that theatregoers could have seen depicted on stage in 1599 and 1600. Tom Rutter demonstrates how such representations were... mehr

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    Time and again, early modern plays show people at work - shoemaking and grave-digging are just two of the forms of labour that theatregoers could have seen depicted on stage in 1599 and 1600. Tom Rutter demonstrates how such representations were shaped by the theatre's own problematic relationship with work.

     

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    Quelle: Staatsbibliothek zu Berlin
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    Medientyp: Buch (Monographie)
    ISBN: 9780521884860
    RVK Klassifikation: HI 1269
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Geschichte; English drama; Work in literature; Play in literature; Professions in literature; Literature and society; Acting in literature; Handwerk <Motiv>; Englisch; Arbeit <Motiv>; Drama
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: X, 205 S.
  5. Work and play on the Shakespearean stage
    Autor*in: Rutter, Tom
    Erschienen: 2008
    Verlag:  Cambridge University Press, Cambridge [u.a.]

    Work in sixteenth-century England -- 'Vpon the weke daies and worke daies at conuenient times': acting as work in Elizabethan England -- 'Though he be a king, yet he must labour': work and nobility in Shakespeare's histories -- 'We may shut vp our... mehr

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    Work in sixteenth-century England -- 'Vpon the weke daies and worke daies at conuenient times': acting as work in Elizabethan England -- 'Though he be a king, yet he must labour': work and nobility in Shakespeare's histories -- 'We may shut vp our shops, and make holiday': workers and playhouses, 1599-1601 -- 'Work upon that now!': labour and status on the stage, 1599-1610

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780521884860; 9781107402485; 1107402484
    Weitere Identifier:
    9780521884860
    RVK Klassifikation: HI 3385 ; HI 3560 ; HI 1269
    Auflage/Ausgabe: 1. publ.
    Schlagworte: English drama; Work in literature; Play in literature; Professions in literature; Literature and society; Acting in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: X, 205 S.
    Bemerkung(en):

    Hier auch später erschienene, unveränderte Nachdrucke. - Includes bibliographical references and index

    Work in sixteenth-century England -- 'Vpon the weke daies and worke daies at conuenient times': acting as work in Elizabethan England -- 'Though he be a king, yet he must labour': work and nobility in Shakespeare's histories -- 'We may shut vp our shops, and make holiday': workers and playhouses, 1599-1601 -- 'Work upon that now!': labour and status on the stage, 1599-1610

  6. Shakespeare and the Admiral's Men
    reading across repertories on the London stage, 1594-1600
    Autor*in: Rutter, Tom
    Erschienen: 2017
    Verlag:  Cambridge University Press, Cambridge

    For most of the 1590s, the Admiral's Men were the main competitors of Shakespeare's company in the London theatres. Not only did they stage old plays by dramatists such as Christopher Marlowe and Thomas Kyd: their playwrights invented the genres of... mehr

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    For most of the 1590s, the Admiral's Men were the main competitors of Shakespeare's company in the London theatres. Not only did they stage old plays by dramatists such as Christopher Marlowe and Thomas Kyd: their playwrights invented the genres of humours comedy (with An Humorous Day's Mirth) and city comedy (with Englishmen for My Money), while other new plays such as A Knack to Know an Honest Man and The Downfall of Robert, Earl of Huntingdon were important influences on Shakespeare. This is the first book to read the Admiral's repertory against Shakespeare's plays of the 1590s, showing both how Shakespeare drew on their innovations and how his plays influenced Admiral's dramatists in turn. Shedding new light on well-known plays and offering detailed analysis of less familiar ones, it offers a fresh perspective on the dramatic culture of the 1590s.

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781107077430
    RVK Klassifikation: HI 1266 ; HI 1264
    Schlagworte: Theatrical companies; Theatrical companies; Theatrical companies; Theatrical companies
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William 1564-1616; Shakespeare, William 1564-1616
    Umfang: ix, 226 Seiten
    Bemerkung(en):

    Literaturverzeichnis: Seite 202 - 220

  7. The Cambridge introduction to Christopher Marlowe
    Autor*in: Rutter, Tom
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    Providing a comprehensive survey of Christopher Marlowe's literary career, this Introduction presents an approachable account of the life, works and influence of the groundbreaking Elizabethan dramatist and poet. It includes in-depth discussions of... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Providing a comprehensive survey of Christopher Marlowe's literary career, this Introduction presents an approachable account of the life, works and influence of the groundbreaking Elizabethan dramatist and poet. It includes in-depth discussions of all of Marlowe's plays, stressing what was new and revolutionary about them as well as how they made use of existing dramatic models. Marlowe's poems and translations, sometimes marginalised in discussions of his work, are analysed to emphasise their literary importance and political resonances. The book presents a balanced discussion of Marlowe's turbulent life and considers his afterlives: the influence of his work on other writers and examples of how his plays have been performed. In addition to introducing the reader to the historical and religious contexts within which Marlowe wrote, the Introduction stresses the qualities that continue to make his work fascinating: intellectual range, radical irony and an awareness of the dangerously compelling power of theatre Life and historical contexts -- Tamburlaine, parts one and two -- Doctor Faustus -- The Jew of Malta and The massacre at Paris -- Edward II -- Dido, Queen of Carthage and Marlowe's poetry -- Marlowe's afterlives

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139031158
    Weitere Identifier:
    RVK Klassifikation: HI 2715
    Schriftenreihe: Cambridge introductions to literature
    Weitere Schlagworte: Marlowe, Christopher (1564-1593)
    Umfang: 1 Online-Ressource (xiv, 149 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  8. Work and play on the Shakespearean stage
    Autor*in: Rutter, Tom
    Erschienen: 2008
    Verlag:  Cambridge University Press, Cambridge

    Time and again, early modern plays show people at work: shoemaking, grave-digging, and professional acting are just some of the forms of labour that theatregoers could have seen depicted on stage in 1599 and 1600. Tom Rutter demonstrates how such... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Time and again, early modern plays show people at work: shoemaking, grave-digging, and professional acting are just some of the forms of labour that theatregoers could have seen depicted on stage in 1599 and 1600. Tom Rutter demonstrates how such representations were shaped by the theatre's own problematic relationship with work: actors earned their living through playing, a practice that many considered idle and illegitimate, while plays were criticised for enticing servants and apprentices from their labour. As a result, the drama of Shakespeare's time became the focal point of wider debates over what counted as work, who should have to do it, and how it should be valued. This book describes changing beliefs about work in the sixteenth century, and shows how different ways of conceptualising the work of the governing class inform Shakespeare's histories. It identifies important contrasts between plays written for the adult and child repertories Work in sixteenth-century England -- 'Vpon the weke daies and worke daies at conuenient times': acting as work in Elizabethan England -- 'Though he be a king, yet he must labour': work and nobility in Shakespeare's histories -- 'We may shut vp our shops, and make holiday': workers and playhouses, 1599-1601 -- 'Work upon that now!': labour and status on the stage, 1599-1610

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511481451
    Weitere Identifier:
    RVK Klassifikation: HI 3385 ; HI 3560
    Schlagworte: Work in literature; Play in literature; Professions in literature; Literature and society; Acting in literature; English drama; Shakespeare, William ; 1564-1616 ; Characters; English drama ; Early modern and Elizabethan, 1500-1600 ; History and criticism; Work in literature; Play in literature; Professions in literature; Literature and society ; England ; History ; 16th century; Acting in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (x, 205 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  9. Shakespeare and the Admiral's Men
    reading across repertories on the London stage, 1594-1600
    Autor*in: Rutter, Tom
    Erschienen: 2017
    Verlag:  Cambridge University Press, Cambridge

    For most of the 1590s, the Admiral's Men were the main competitors of Shakespeare's company in the London theatres. Not only did they stage old plays by dramatists such as Christopher Marlowe and Thomas Kyd: their playwrights invented the genres of... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    For most of the 1590s, the Admiral's Men were the main competitors of Shakespeare's company in the London theatres. Not only did they stage old plays by dramatists such as Christopher Marlowe and Thomas Kyd: their playwrights invented the genres of humours comedy (with An Humorous Day's Mirth) and city comedy (with Englishmen for My Money), while other new plays such as A Knack to Know an Honest Man and The Downfall of Robert, Earl of Huntingdon were important influences on Shakespeare. This is the first book to read the Admiral's repertory against Shakespeare's plays of the 1590s, showing both how Shakespeare drew on their innovations and how his plays influenced Admiral's dramatists in turn. Shedding new light on well-known plays and offering detailed analysis of less familiar ones, it offers a fresh perspective on the dramatic culture of the 1590s Introduction -- How might we make a famous comedie: from A Knack to Know an Honest Man to The Merchant of Venice -- Hobgoblins abroad: from Doctor Faustus to A Midsummer Night's Dream -- I speak of Africa and golden joys: Henry IV and the Stukeley plays -- Sundrie variable and pleasing humors: new comedies, 1597-8 -- Nor pure religion by their lips profaned: Oldcastle, Robin Hood, and As You Like It -- Nor pure religion by their lips profaned: Oldcastle, Robin Hood, and As You Like It -- Conclusion

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139924870
    Weitere Identifier:
    Schlagworte: Theatrical companies; Theatrical companies; Shakespeare, William ; 1564-1616 ; Stage history ; To 1625; Shakespeare, William ; 1564-1616 ; Stage history ; England ; London; Admiral's Men (Theater company) ; History; Theatrical companies ; England ; London ; History ; 17th century; Theatrical companies ; England ; London ; History ; 16th century
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (ix, 226 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 20 Mar 2017)

  10. The Cambridge introduction to Christopher Marlowe
    Autor*in: Rutter, Tom
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    Providing a comprehensive survey of Christopher Marlowe's literary career, this Introduction presents an approachable account of the life, works and influence of the groundbreaking Elizabethan dramatist and poet. It includes in-depth discussions of... mehr

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    Providing a comprehensive survey of Christopher Marlowe's literary career, this Introduction presents an approachable account of the life, works and influence of the groundbreaking Elizabethan dramatist and poet. It includes in-depth discussions of all of Marlowe's plays, stressing what was new and revolutionary about them as well as how they made use of existing dramatic models. Marlowe's poems and translations, sometimes marginalised in discussions of his work, are analysed to emphasise their literary importance and political resonances. The book presents a balanced discussion of Marlowe's turbulent life and considers his afterlives: the influence of his work on other writers and examples of how his plays have been performed. In addition to introducing the reader to the historical and religious contexts within which Marlowe wrote, the Introduction stresses the qualities that continue to make his work fascinating: intellectual range, radical irony and an awareness of the dangerously compelling power of theatre Life and historical contexts -- Tamburlaine, parts one and two -- Doctor Faustus -- The Jew of Malta and The massacre at Paris -- Edward II -- Dido, Queen of Carthage and Marlowe's poetry -- Marlowe's afterlives

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139031158
    Weitere Identifier:
    RVK Klassifikation: HI 2715
    Schriftenreihe: Cambridge introductions to literature
    Weitere Schlagworte: Marlowe, Christopher (1564-1593)
    Umfang: 1 Online-Ressource (xiv, 149 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  11. Work and play on the Shakespearean stage
    Autor*in: Rutter, Tom
    Erschienen: 2008
    Verlag:  Cambridge University Press, Cambridge

    Time and again, early modern plays show people at work: shoemaking, grave-digging, and professional acting are just some of the forms of labour that theatregoers could have seen depicted on stage in 1599 and 1600. Tom Rutter demonstrates how such... mehr

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    Time and again, early modern plays show people at work: shoemaking, grave-digging, and professional acting are just some of the forms of labour that theatregoers could have seen depicted on stage in 1599 and 1600. Tom Rutter demonstrates how such representations were shaped by the theatre's own problematic relationship with work: actors earned their living through playing, a practice that many considered idle and illegitimate, while plays were criticised for enticing servants and apprentices from their labour. As a result, the drama of Shakespeare's time became the focal point of wider debates over what counted as work, who should have to do it, and how it should be valued. This book describes changing beliefs about work in the sixteenth century, and shows how different ways of conceptualising the work of the governing class inform Shakespeare's histories. It identifies important contrasts between plays written for the adult and child repertories Work in sixteenth-century England -- 'Vpon the weke daies and worke daies at conuenient times': acting as work in Elizabethan England -- 'Though he be a king, yet he must labour': work and nobility in Shakespeare's histories -- 'We may shut vp our shops, and make holiday': workers and playhouses, 1599-1601 -- 'Work upon that now!': labour and status on the stage, 1599-1610

     

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511481451
    Weitere Identifier:
    RVK Klassifikation: HI 3385 ; HI 3560
    Schlagworte: Work in literature; Play in literature; Professions in literature; Literature and society; Acting in literature; English drama; Shakespeare, William ; 1564-1616 ; Characters; English drama ; Early modern and Elizabethan, 1500-1600 ; History and criticism; Work in literature; Play in literature; Professions in literature; Literature and society ; England ; History ; 16th century; Acting in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (x, 205 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  12. Shakespeare and the Admiral's Men
    reading across repertories on the London stage, 1594-1600
    Autor*in: Rutter, Tom
    Erschienen: 2017
    Verlag:  Cambridge University Press, Cambridge

    For most of the 1590s, the Admiral's Men were the main competitors of Shakespeare's company in the London theatres. Not only did they stage old plays by dramatists such as Christopher Marlowe and Thomas Kyd: their playwrights invented the genres of... mehr

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    For most of the 1590s, the Admiral's Men were the main competitors of Shakespeare's company in the London theatres. Not only did they stage old plays by dramatists such as Christopher Marlowe and Thomas Kyd: their playwrights invented the genres of humours comedy (with An Humorous Day's Mirth) and city comedy (with Englishmen for My Money), while other new plays such as A Knack to Know an Honest Man and The Downfall of Robert, Earl of Huntingdon were important influences on Shakespeare. This is the first book to read the Admiral's repertory against Shakespeare's plays of the 1590s, showing both how Shakespeare drew on their innovations and how his plays influenced Admiral's dramatists in turn. Shedding new light on well-known plays and offering detailed analysis of less familiar ones, it offers a fresh perspective on the dramatic culture of the 1590s Introduction -- How might we make a famous comedie: from A Knack to Know an Honest Man to The Merchant of Venice -- Hobgoblins abroad: from Doctor Faustus to A Midsummer Night's Dream -- I speak of Africa and golden joys: Henry IV and the Stukeley plays -- Sundrie variable and pleasing humors: new comedies, 1597-8 -- Nor pure religion by their lips profaned: Oldcastle, Robin Hood, and As You Like It -- Nor pure religion by their lips profaned: Oldcastle, Robin Hood, and As You Like It -- Conclusion

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139924870
    Weitere Identifier:
    Schlagworte: Theatrical companies; Theatrical companies; Shakespeare, William ; 1564-1616 ; Stage history ; To 1625; Shakespeare, William ; 1564-1616 ; Stage history ; England ; London; Admiral's Men (Theater company) ; History; Theatrical companies ; England ; London ; History ; 17th century; Theatrical companies ; England ; London ; History ; 16th century
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (ix, 226 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 20 Mar 2017)