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  1. Consuming stories
    Kara Walker and the imagining of American race
    Autor*in: Peabody, Rebecca
    Erschienen: [2016]; © 2016
    Verlag:  University of California Press, Oakland, California

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a... mehr

    Standort:
    Universitäts- und Landesbibliothek Bonn
    Signatur:
    4' 2021/379
    Fernleihe:
    Ausleihe von Bänden möglich, keine Kopien

    Standort:
    Universitätsbibliothek Dortmund
    Signatur:
    KF-Wal 460/406
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Kunst- und Museumsbibliothek der Stadt Köln
    Signatur:
    KMB/K WALKER.08 4 2016
    Fernleihe:
    keine Fernleihe

     

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist's book, and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker's production: her commitment to exploring narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker's sustained visual engagement with literary genres such as the romance novel, neo-slave narrative, and children's fairy tales, and internationally-known stories including Roots, Beloved, and Uncle Tom's Cabin. Walker's interruption of these familiar works, along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race...especially as it is aligned with power, and desire. Breaking these implicit rules makes them visible - and, in turn, highlights viewers' reliance on them for narrative legibility. As this study reveals, Walker's engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture...and when she works beyond the United States, using her tools and strategies to unsettle cultural histories abroad. Ultimately, Consuming Stories shifts the critical conversation around Walker away from the visual legacy of historical racism, and towards the present-day role of the entertainment industry...and its consumers...in processes of racialization."...Provided by publisher

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780520288928
    Schlagworte: Race in art; African Americans in art; Silhouettes; Installations (Art); Person of Color <Motiv>; Installation <Kunst>; Rasse <Motiv>; Kunst
    Weitere Schlagworte: Walker, Kara Elizabeth; Walker, Kara (1969-)
    Umfang: vii, 208 Seiten, Illustrationen, 27 cm
    Bemerkung(en):

    Includes bibliographical references and index
  2. Introduction : Visualizing Empire
    Autor*in: Peabody, Rebecca; Nelson, Steven; Thomas, Dominic Richard David
    Erschienen: [2021]

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einem Sammelband
    Übergeordneter Titel:
    Visualizing empire / edited by Rebecca Peabody, Steven Nelson, and Dominic Thomas; Los Angeles, [2021]; Seite 1-9
    Schlagworte: Postkolonialismus; Propaganda; Afrikabild; Sammlung; Kolonialismus; Geschichte; Bildwissenschaft
    Umfang: Illustrationen
  3. Consuming stories
    Kara Walker and the imagining of American race
    Autor*in: Peabody, Rebecca
    Erschienen: 2020
    Verlag:  University of California Press, Oakland, California

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a... mehr

    Standort:
    Hochschulbibliothek der Fachhochschule Aachen
    Signatur:
    51 KDWW 76
    Fernleihe:
    keine Fernleihe

     

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist's book, and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker's production: her commitment to exploring narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker's sustained visual engagement with literary genres such as the romance novel, neo-slave narrative, and children's fairy tales, and internationally-known stories including Roots, Beloved, and Uncle Tom's Cabin. Walker's interruption of these familiar works, along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race--especially as it is aligned with power, and desire. Breaking these implicit rules makes them visible - and, in turn, highlights viewers' reliance on them for narrative legibility. As this study reveals, Walker's engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture--and when she works beyond the United States, using her tools and strategies to unsettle cultural histories abroad. Ultimately, Consuming Stories shifts the critical conversation around Walker away from the visual legacy of historical racism, and towards the present-day role of the entertainment industry--and its consumers--in processes of racialization."--Provided by publisher Kara Walker, Storyteller --The end of Uncle Tom -- The pop of racial violence -- American romance in black and white -- The international appeal of race -- Storytelling in film and video ; Introduction

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780520383333
    Schlagworte: Scherenschnitt; Installation <Kunst>; Person of Color <Motiv>; Kunst; Rasse <Motiv>
    Weitere Schlagworte: Walker, Kara (1969-); Array; Race in art; African Americans in art; Array; Array
    Umfang: vii, 208 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 183-194
  4. Pacific standard time
    Kunst in Los Angeles 1945 - 1980 ; [anlässlich der Ausstellung "Pacific Standard Time. Kunst in Los Angeles 1950 - 1980", Martin-Gropius-Bau, Berlin, 15. März bis 10. Juni 2012, eine Ausstellung von Getty Research Institute und J. Paul Getty Museum Los Angeles in Zusammenarbeit mit dem Martin-Gropius-Bau, Berlin]
    Beteiligt: Peabody, Rebecca (Herausgeber); Gaehtgens, Thomas W. (Mitwirkender); Phillips, Glenn (Mitwirkender); Schuster, Peter-Klaus (Mitwirkender); Singh, Rani (Mitwirkender); Taft, Catherine (Mitwirkender)
    Erschienen: 2012
    Verlag:  Hatje Cantz, Ostfildern

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Peabody, Rebecca (Herausgeber); Gaehtgens, Thomas W. (Mitwirkender); Phillips, Glenn (Mitwirkender); Schuster, Peter-Klaus (Mitwirkender); Singh, Rani (Mitwirkender); Taft, Catherine (Mitwirkender)
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783775733045; 3775733043
    Weitere Identifier:
    9783775733045
    Schlagworte: Kunst
    Weitere Schlagworte: (Produktform)Hardback; (Keywords)art since 1945; (Keywords)painting; (Keywords)Kunst nach 1945; (Keywords)Malerei; (VLB-WN)1953: Hardcover, Softcover / Sachbücher/Kunst, Literatur/Bildende Kunst
    Umfang: XXIX, 330 S., überw. Ill., 30 cm
  5. Consuming stories
    Kara Walker and the imagining of American race
    Autor*in: Peabody, Rebecca
    Erschienen: 2016
    Verlag:  University of California Press, Oakland, California

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist's book, and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker's production: her commitment to exploring narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker's sustained visual engagement with literary genres such as the romance novel, neo-slave narrative, and children's fairy tales, and internationally-known stories including Roots, Beloved, and Uncle Tom's Cabin. Walker's interruption of these familiar works, along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race--especially as it is aligned with power, and desire. Breaking these implicit rules makes them visible - and, in turn, highlights viewers' reliance on them for narrative legibility. As this study reveals, Walker's engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture--and when she works beyond the United States, using her tools and strategies to unsettle cultural histories abroad. Ultimately, Consuming Stories shifts the critical conversation around Walker away from the visual legacy of historical racism, and towards the present-day role of the entertainment industry--and its consumers--in processes of racialization."--Provided by publisher Introduction : Kara Walker, Storyteller --The end of Uncle Tom -- The pop of racial violence -- American romance in black and white -- The international appeal of race -- Storytelling in film and video

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780520383333
    RVK Klassifikation: LI 99999
    Schlagworte: Installation <Kunst>; Person of Color <Motiv>; Scherenschnitt; Rasse <Motiv>; Kunst
    Weitere Schlagworte: Walker, Kara (1969-); Walker, Kara Elizabeth / Themes, motives; Race in art; African Americans in art; Silhouettes / United States / History / 19th century; Installations (Art) / United States
    Umfang: vii, 208 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 183-194

    Hier auch später erschienene, unveränderte Nachdrucke
  6. Consuming stories
    Kara Walker and the imagining of American race
    Autor*in: Peabody, Rebecca
    Erschienen: 2020
    Verlag:  University of California Press, Oakland, California

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a... mehr

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Signatur:
    03.k.6728
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentrum für Kunst und Medien Karlsruhe / Staatliche Hochschule für Gestaltung, Bibliothek
    Signatur:
    B Walk20 0006
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist's book, and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker's production: her commitment to exploring narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker's sustained visual engagement with literary genres such as the romance novel, neo-slave narrative, and children's fairy tales, and internationally-known stories including Roots, Beloved, and Uncle Tom's Cabin. Walker's interruption of these familiar works, along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race--especially as it is aligned with power, and desire. Breaking these implicit rules makes them visible - and, in turn, highlights viewers' reliance on them for narrative legibility. As this study reveals, Walker's engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture--and when she works beyond the United States, using her tools and strategies to unsettle cultural histories abroad. Ultimately, Consuming Stories shifts the critical conversation around Walker away from the visual legacy of historical racism, and towards the present-day role of the entertainment industry--and its consumers--in processes of racialization."--Provided by publisher Introduction : Kara Walker, Storyteller --The end of Uncle Tom -- The pop of racial violence -- American romance in black and white -- The international appeal of race -- Storytelling in film and video

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780520383333
    RVK Klassifikation: LI 99999
    Schlagworte: Race in art; African Americans in art; Silhouettes; Installations (Art)
    Weitere Schlagworte: Walker, Kara Elizabeth
    Umfang: vii, 208 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 183-194
  7. Consuming stories
    Kara Walker and the imagining of American race
    Autor*in: Peabody, Rebecca
    Erschienen: 2016
    Verlag:  University of California Press, Berkeley

    Standort:
    Philosophisch-Theologische Hochschule Sankt Georgen, Bibliothek
    Signatur:
    21 B 61
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Walker, Kara (Illustrator)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780520288928
    Schlagworte: Installation <Kunst>; Scherenschnitt; Rasse <Motiv>; Person of Color <Motiv>
    Weitere Schlagworte: Walker, Kara (1969-)
    Umfang: vii, 208 Seiten, iIllustrationen
    Bemerkung(en):

    Includes bibliographical references and index.
  8. Consuming stories
    Kara Walker and the imagining of American race
    Autor*in: Peabody, Rebecca
    Erschienen: 2020
    Verlag:  University of California Press, Oakland, California

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a... mehr

    Standort:
    Hochschulbibliothek der Fachhochschule Aachen
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist's book, and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker's production: her commitment to exploring narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker's sustained visual engagement with literary genres such as the romance novel, neo-slave narrative, and children's fairy tales, and internationally-known stories including Roots, Beloved, and Uncle Tom's Cabin. Walker's interruption of these familiar works, along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race--especially as it is aligned with power, and desire. Breaking these implicit rules makes them visible - and, in turn, highlights viewers' reliance on them for narrative legibility. As this study reveals, Walker's engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture--and when she works beyond the United States, using her tools and strategies to unsettle cultural histories abroad. Ultimately, Consuming Stories shifts the critical conversation around Walker away from the visual legacy of historical racism, and towards the present-day role of the entertainment industry--and its consumers--in processes of racialization."--Provided by publisher Introduction: Kara Walker, Storyteller --The end of Uncle Tom -- The pop of racial violence -- American romance in black and white -- The international appeal of race -- Storytelling in film and video

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Walker, Kara (Künstler)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780520383333
    Schlagworte: Race in art; African Americans in art; Silhouettes / United States / History / 19th century; Installations (Art) / United States
    Weitere Schlagworte: Walker, Kara Elizabeth / Themes, motives
    Umfang: vii, 208 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 183-194
  9. Consuming stories
    Kara Walker and the imagining of American race
    Autor*in: Peabody, Rebecca
    Erschienen: [2016]; © 2016
    Verlag:  University of California Press, Oakland, California

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a... mehr

    Standort:
    Universitäts- und Landesbibliothek Bonn
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Dortmund
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Kunst- und Museumsbibliothek der Stadt Köln
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist's book, and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker's production: her commitment to exploring narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker's sustained visual engagement with literary genres such as the romance novel, neo-slave narrative, and children's fairy tales, and internationally-known stories including Roots, Beloved, and Uncle Tom's Cabin. Walker's interruption of these familiar works, along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race...especially as it is aligned with power, and desire. Breaking these implicit rules makes them visible - and, in turn, highlights viewers' reliance on them for narrative legibility. As this study reveals, Walker's engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture...and when she works beyond the United States, using her tools and strategies to unsettle cultural histories abroad. Ultimately, Consuming Stories shifts the critical conversation around Walker away from the visual legacy of historical racism, and towards the present-day role of the entertainment industry...and its consumers...in processes of racialization."...Provided by publisher

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780520288928
    Schlagworte: Race in art; African Americans in art; Silhouettes; Installations (Art)
    Weitere Schlagworte: Walker, Kara Elizabeth
    Umfang: vii, 208 Seiten, Illustrationen, 27 cm
    Bemerkung(en):

    Includes bibliographical references and index
  10. Consuming stories
    Kara Walker and the imagining of American race
    Autor*in: Peabody, Rebecca
    Erschienen: [2016]; ©2016
    Verlag:  University of California Press, Oakland, California

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2017:4883:
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 B 174735
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Signatur:
    419892
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Burg Giebichenstein Kunsthochschule Halle, Hochschulbibliothek
    Signatur:
    B 27502
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    documenta archiv, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist's book, and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker's production: her commitment to exploring narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker's sustained visual engagement with literary genres such as the romance novel, neo-slave narrative, and children's fairy tales, and internationally-known stories including Roots, Beloved, and Uncle Tom's Cabin. Walker's interruption of these familiar works, along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race--especially as it is aligned with power, and desire. Breaking these implicit rules makes them visible - and, in turn, highlights viewers' reliance on them for narrative legibility. As this study reveals, Walker's engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture--and when she works beyond the United States, using her tools and strategies to unsettle cultural histories abroad. Ultimately, Consuming Stories shifts the critical conversation around Walker away from the visual legacy of historical racism, and towards the present-day role of the entertainment industry--and its consumers--in processes of racialization."--Provided by publisher

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0520288920; 9780520288928
    RVK Klassifikation: LI 99999
    Schlagworte: Race in art; African Americans in art; Silhouettes; Installations (Art); African Americans in art; Installations (Art); Race in art; Silhouettes; Themes, motives; Race in art; African Americans in art; Silhouettes; Installations (Art)
    Weitere Schlagworte: Walker, Kara Elizabeth; Walker, Kara Elizabeth
    Umfang: vii, 208 Seiten, Illustrationen, 27 cm
    Bemerkung(en):

    Includes bibliographical references and index
  11. Consuming stories
    Kara Walker and the imagining of American race
    Autor*in: Peabody, Rebecca
    Erschienen: [2016]; © 2016
    Verlag:  University of California Press, Oakland, California

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a... mehr

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist's book, and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker's production: her commitment to exploring narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker's sustained visual engagement with literary genres such as the romance novel, neo-slave narrative, and children's fairy tales, and internationally-known stories including Roots, Beloved, and Uncle Tom's Cabin. Walker's interruption of these familiar works, along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race...especially as it is aligned with power, and desire. Breaking these implicit rules makes them visible - and, in turn, highlights viewers' reliance on them for narrative legibility. As this study reveals, Walker's engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture...and when she works beyond the United States, using her tools and strategies to unsettle cultural histories abroad. Ultimately, Consuming Stories shifts the critical conversation around Walker away from the visual legacy of historical racism, and towards the present-day role of the entertainment industry...and its consumers...in processes of racialization."...Provided by publisher

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780520288928
    Schlagworte: Geschichte; Race in art; African Americans in art; Silhouettes; Installations (Art); Kunst; Person of Color <Motiv>; Rasse <Motiv>; Installation <Kunst>
    Weitere Schlagworte: Walker, Kara Elizabeth; Walker, Kara (1969-)
    Umfang: vii, 208 Seiten, Illustrationen, 27 cm
    Bemerkung(en):

    Includes bibliographical references and index
  12. Consuming stories
    Kara Walker and the imagining of American race
    Autor*in: Peabody, Rebecca
    Erschienen: [2016]; © 2016
    Verlag:  University of California Press, Oakland, California

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2017:4883:
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 B 174735
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Signatur:
    419892
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Burg Giebichenstein Kunsthochschule Halle, Hochschulbibliothek
    Signatur:
    B 27502
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist's book, and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker's production: her commitment to exploring narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker's sustained visual engagement with literary genres such as the romance novel, neo-slave narrative, and children's fairy tales, and internationally-known stories including Roots, Beloved, and Uncle Tom's Cabin. Walker's interruption of these familiar works, along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race--especially as it is aligned with power, and desire. Breaking these implicit rules makes them visible - and, in turn, highlights viewers' reliance on them for narrative legibility. As this study reveals, Walker's engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture--and when she works beyond the United States, using her tools and strategies to unsettle cultural histories abroad. Ultimately, Consuming Stories shifts the critical conversation around Walker away from the visual legacy of historical racism, and towards the present-day role of the entertainment industry--and its consumers--in processes of racialization."--Provided by publisher Introduction : Kara Walker, Storyteller --The end of Uncle Tom -- The pop of racial violence -- American romance in black and white -- The international appeal of race -- Storytelling in film and video

     
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780520288928
    RVK Klassifikation: LI 99999
    Schlagworte: Race in art; African Americans in art; Silhouettes; Installations (Art)
    Weitere Schlagworte: Walker, Kara Elizabeth
    Umfang: VII, 208 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 183-194
  13. Strategies of Visual Intervention: Langston Hughes and Uncle Tom's Cabin
    Autor*in: Peabody, Rebecca
    Erschienen: 2012

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    Quelle: Online Contents Komparatistik
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Druck
    Übergeordneter Titel: Comparative literature; Durham, NC : Duke Univ. Press, 1949-; Band 64, Heft 2 (2012), Seite 169-191

  14. Kara Walker, on The End of Uncle Tom
    Autor*in: Peabody, Rebecca
    Erschienen: 2012

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    Übergeordneter Titel: Word & image; Philadelphia, PA : Routledge, Taylor & Francis Group, 1985-; Band 28, Heft 2 (2012), Seite 181-192