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  1. Consuming stories
    Kara Walker and the imagining of American race
    Erschienen: [2016]; © 2016
    Verlag:  University of California Press, Oakland, California

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a... mehr

    Universitäts- und Landesbibliothek Bonn
    4' 2021/379
    Ausleihe von Bänden möglich, keine Kopien
    Universitätsbibliothek Dortmund
    KF-Wal 460/406
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Kunst- und Museumsbibliothek der Stadt Köln
    KMB/K WALKER.08 4 2016
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    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist's book, and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker's production: her commitment to exploring narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker's sustained visual engagement with literary genres such as the romance novel, neo-slave narrative, and children's fairy tales, and internationally-known stories including Roots, Beloved, and Uncle Tom's Cabin. Walker's interruption of these familiar works, along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race...especially as it is aligned with power, and desire. Breaking these implicit rules makes them visible - and, in turn, highlights viewers' reliance on them for narrative legibility. As this study reveals, Walker's engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture...and when she works beyond the United States, using her tools and strategies to unsettle cultural histories abroad. Ultimately, Consuming Stories shifts the critical conversation around Walker away from the visual legacy of historical racism, and towards the present-day role of the entertainment industry...and its consumers...in processes of racialization."...Provided by publisher

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780520288928
    Schlagworte: Race in art; African Americans in art; Silhouettes; Installations (Art); Person of Color <Motiv>; Installation <Kunst>; Rasse <Motiv>; Kunst
    Weitere Schlagworte: Walker, Kara Elizabeth; Walker, Kara (1969-)
    Umfang: vii, 208 Seiten, Illustrationen, 27 cm
    Bemerkung(en):

    Includes bibliographical references and index

  2. Introduction : Visualizing Empire

    Zentralinstitut für Kunstgeschichte, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einem Sammelband
    Übergeordneter Titel:
    Visualizing empire / edited by Rebecca Peabody, Steven Nelson, and Dominic Thomas; Los Angeles, [2021]; Seite 1-9
    Schlagworte: Postkolonialismus; Propaganda; Afrikabild; Sammlung; Kolonialismus; Geschichte; Bildwissenschaft
    Umfang: Illustrationen
  3. Consuming stories
    Kara Walker and the imagining of American race
    Erschienen: 2020
    Verlag:  University of California Press, Oakland, California

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a... mehr

    Hochschulbibliothek der Fachhochschule Aachen
    51 KDWW 76
    keine Fernleihe

     

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist's book, and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker's production: her commitment to exploring narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker's sustained visual engagement with literary genres such as the romance novel, neo-slave narrative, and children's fairy tales, and internationally-known stories including Roots, Beloved, and Uncle Tom's Cabin. Walker's interruption of these familiar works, along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race--especially as it is aligned with power, and desire. Breaking these implicit rules makes them visible - and, in turn, highlights viewers' reliance on them for narrative legibility. As this study reveals, Walker's engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture--and when she works beyond the United States, using her tools and strategies to unsettle cultural histories abroad. Ultimately, Consuming Stories shifts the critical conversation around Walker away from the visual legacy of historical racism, and towards the present-day role of the entertainment industry--and its consumers--in processes of racialization."--Provided by publisher Kara Walker, Storyteller --The end of Uncle Tom -- The pop of racial violence -- American romance in black and white -- The international appeal of race -- Storytelling in film and video ; Introduction

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780520383333
    Schlagworte: Scherenschnitt; Installation <Kunst>; Person of Color <Motiv>; Kunst; Rasse <Motiv>
    Weitere Schlagworte: Walker, Kara (1969-); Array; Race in art; African Americans in art; Array; Array
    Umfang: vii, 208 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 183-194

  4. Pacific standard time
    Kunst in Los Angeles 1945 - 1980 ; [anlässlich der Ausstellung "Pacific Standard Time. Kunst in Los Angeles 1950 - 1980", Martin-Gropius-Bau, Berlin, 15. März bis 10. Juni 2012, eine Ausstellung von Getty Research Institute und J. Paul Getty Museum Los Angeles in Zusammenarbeit mit dem Martin-Gropius-Bau, Berlin]
    Beteiligt: Peabody, Rebecca (Herausgeber); Gaehtgens, Thomas W. (Mitwirkender); Phillips, Glenn (Mitwirkender); Schuster, Peter-Klaus (Mitwirkender); Singh, Rani (Mitwirkender); Taft, Catherine (Mitwirkender)
    Erschienen: 2012
    Verlag:  Hatje Cantz, Ostfildern

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    Quelle: Verbundkataloge
    Beteiligt: Peabody, Rebecca (Herausgeber); Gaehtgens, Thomas W. (Mitwirkender); Phillips, Glenn (Mitwirkender); Schuster, Peter-Klaus (Mitwirkender); Singh, Rani (Mitwirkender); Taft, Catherine (Mitwirkender)
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783775733045; 3775733043
    Weitere Identifier:
    9783775733045
    Schlagworte: Kunst
    Weitere Schlagworte: (Produktform)Hardback; (Keywords)art since 1945; (Keywords)painting; (Keywords)Kunst nach 1945; (Keywords)Malerei; (VLB-WN)1953: Hardcover, Softcover / Sachbücher/Kunst, Literatur/Bildende Kunst
    Umfang: XXIX, 330 S., überw. Ill., 30 cm
  5. Consuming stories
    Kara Walker and the imagining of American race
    Erschienen: 2016
    Verlag:  University of California Press, Oakland, California

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a... mehr

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist's book, and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker's production: her commitment to exploring narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker's sustained visual engagement with literary genres such as the romance novel, neo-slave narrative, and children's fairy tales, and internationally-known stories including Roots, Beloved, and Uncle Tom's Cabin. Walker's interruption of these familiar works, along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race--especially as it is aligned with power, and desire. Breaking these implicit rules makes them visible - and, in turn, highlights viewers' reliance on them for narrative legibility. As this study reveals, Walker's engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture--and when she works beyond the United States, using her tools and strategies to unsettle cultural histories abroad. Ultimately, Consuming Stories shifts the critical conversation around Walker away from the visual legacy of historical racism, and towards the present-day role of the entertainment industry--and its consumers--in processes of racialization."--Provided by publisher Introduction : Kara Walker, Storyteller --The end of Uncle Tom -- The pop of racial violence -- American romance in black and white -- The international appeal of race -- Storytelling in film and video

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780520383333
    RVK Klassifikation: LI 99999
    Schlagworte: Installation <Kunst>; Person of Color <Motiv>; Scherenschnitt; Rasse <Motiv>; Kunst
    Weitere Schlagworte: Walker, Kara (1969-); Walker, Kara Elizabeth / Themes, motives; Race in art; African Americans in art; Silhouettes / United States / History / 19th century; Installations (Art) / United States
    Umfang: vii, 208 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 183-194

    Hier auch später erschienene, unveränderte Nachdrucke

  6. Consuming stories
    Kara Walker and the imagining of American race
    Erschienen: 2020
    Verlag:  University of California Press, Oakland, California

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a... mehr

    Staats- und Universitätsbibliothek Bremen
    03.k.6728
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Zentrum für Kunst und Medien Karlsruhe / Staatliche Hochschule für Gestaltung, Bibliothek
    B Walk20 0006
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist's book, and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker's production: her commitment to exploring narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker's sustained visual engagement with literary genres such as the romance novel, neo-slave narrative, and children's fairy tales, and internationally-known stories including Roots, Beloved, and Uncle Tom's Cabin. Walker's interruption of these familiar works, along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race--especially as it is aligned with power, and desire. Breaking these implicit rules makes them visible - and, in turn, highlights viewers' reliance on them for narrative legibility. As this study reveals, Walker's engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture--and when she works beyond the United States, using her tools and strategies to unsettle cultural histories abroad. Ultimately, Consuming Stories shifts the critical conversation around Walker away from the visual legacy of historical racism, and towards the present-day role of the entertainment industry--and its consumers--in processes of racialization."--Provided by publisher Introduction : Kara Walker, Storyteller --The end of Uncle Tom -- The pop of racial violence -- American romance in black and white -- The international appeal of race -- Storytelling in film and video

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780520383333
    RVK Klassifikation: LI 99999
    Schlagworte: Race in art; African Americans in art; Silhouettes; Installations (Art)
    Weitere Schlagworte: Walker, Kara Elizabeth
    Umfang: vii, 208 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 183-194

  7. Consuming stories
    Kara Walker and the imagining of American race
    Erschienen: 2016
    Verlag:  University of California Press, Berkeley

    Philosophisch-Theologische Hochschule Sankt Georgen, Bibliothek
    21 B 61
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Beteiligt: Walker, Kara (Illustrator)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780520288928
    Schlagworte: Installation <Kunst>; Scherenschnitt; Rasse <Motiv>; Person of Color <Motiv>
    Weitere Schlagworte: Walker, Kara (1969-)
    Umfang: vii, 208 Seiten, iIllustrationen
    Bemerkung(en):

    Includes bibliographical references and index.

  8. Consuming stories
    Kara Walker and the imagining of American race
    Erschienen: 2020
    Verlag:  University of California Press, Oakland, California

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a... mehr

    Hochschulbibliothek der Fachhochschule Aachen
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist's book, and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker's production: her commitment to exploring narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker's sustained visual engagement with literary genres such as the romance novel, neo-slave narrative, and children's fairy tales, and internationally-known stories including Roots, Beloved, and Uncle Tom's Cabin. Walker's interruption of these familiar works, along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race--especially as it is aligned with power, and desire. Breaking these implicit rules makes them visible - and, in turn, highlights viewers' reliance on them for narrative legibility. As this study reveals, Walker's engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture--and when she works beyond the United States, using her tools and strategies to unsettle cultural histories abroad. Ultimately, Consuming Stories shifts the critical conversation around Walker away from the visual legacy of historical racism, and towards the present-day role of the entertainment industry--and its consumers--in processes of racialization."--Provided by publisher Introduction: Kara Walker, Storyteller --The end of Uncle Tom -- The pop of racial violence -- American romance in black and white -- The international appeal of race -- Storytelling in film and video

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Walker, Kara (Künstler)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780520383333
    Schlagworte: Race in art; African Americans in art; Silhouettes / United States / History / 19th century; Installations (Art) / United States
    Weitere Schlagworte: Walker, Kara Elizabeth / Themes, motives
    Umfang: vii, 208 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 183-194

  9. Consuming stories
    Kara Walker and the imagining of American race
    Erschienen: [2016]; © 2016
    Verlag:  University of California Press, Oakland, California

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a... mehr

    Universitäts- und Landesbibliothek Bonn
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Dortmund
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Kunst- und Museumsbibliothek der Stadt Köln
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist's book, and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker's production: her commitment to exploring narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker's sustained visual engagement with literary genres such as the romance novel, neo-slave narrative, and children's fairy tales, and internationally-known stories including Roots, Beloved, and Uncle Tom's Cabin. Walker's interruption of these familiar works, along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race...especially as it is aligned with power, and desire. Breaking these implicit rules makes them visible - and, in turn, highlights viewers' reliance on them for narrative legibility. As this study reveals, Walker's engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture...and when she works beyond the United States, using her tools and strategies to unsettle cultural histories abroad. Ultimately, Consuming Stories shifts the critical conversation around Walker away from the visual legacy of historical racism, and towards the present-day role of the entertainment industry...and its consumers...in processes of racialization."...Provided by publisher

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780520288928
    Schlagworte: Race in art; African Americans in art; Silhouettes; Installations (Art)
    Weitere Schlagworte: Walker, Kara Elizabeth
    Umfang: vii, 208 Seiten, Illustrationen, 27 cm
    Bemerkung(en):

    Includes bibliographical references and index

  10. Consuming stories
    Kara Walker and the imagining of American race
    Erschienen: [2016]; ©2016
    Verlag:  University of California Press, Oakland, California

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2017:4883:
    keine Fernleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 B 174735
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    419892
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Burg Giebichenstein Kunsthochschule Halle, Hochschulbibliothek
    B 27502
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    documenta archiv, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist's book, and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker's production: her commitment to exploring narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker's sustained visual engagement with literary genres such as the romance novel, neo-slave narrative, and children's fairy tales, and internationally-known stories including Roots, Beloved, and Uncle Tom's Cabin. Walker's interruption of these familiar works, along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race--especially as it is aligned with power, and desire. Breaking these implicit rules makes them visible - and, in turn, highlights viewers' reliance on them for narrative legibility. As this study reveals, Walker's engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture--and when she works beyond the United States, using her tools and strategies to unsettle cultural histories abroad. Ultimately, Consuming Stories shifts the critical conversation around Walker away from the visual legacy of historical racism, and towards the present-day role of the entertainment industry--and its consumers--in processes of racialization."--Provided by publisher

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0520288920; 9780520288928
    RVK Klassifikation: LI 99999
    Schlagworte: Race in art; African Americans in art; Silhouettes; Installations (Art); African Americans in art; Installations (Art); Race in art; Silhouettes; Themes, motives; Race in art; African Americans in art; Silhouettes; Installations (Art)
    Weitere Schlagworte: Walker, Kara Elizabeth; Walker, Kara Elizabeth
    Umfang: vii, 208 Seiten, Illustrationen, 27 cm
    Bemerkung(en):

    Includes bibliographical references and index

  11. Consuming stories
    Kara Walker and the imagining of American race
    Erschienen: [2016]; © 2016
    Verlag:  University of California Press, Oakland, California

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a... mehr

    Zentralinstitut für Kunstgeschichte, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist's book, and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker's production: her commitment to exploring narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker's sustained visual engagement with literary genres such as the romance novel, neo-slave narrative, and children's fairy tales, and internationally-known stories including Roots, Beloved, and Uncle Tom's Cabin. Walker's interruption of these familiar works, along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race...especially as it is aligned with power, and desire. Breaking these implicit rules makes them visible - and, in turn, highlights viewers' reliance on them for narrative legibility. As this study reveals, Walker's engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture...and when she works beyond the United States, using her tools and strategies to unsettle cultural histories abroad. Ultimately, Consuming Stories shifts the critical conversation around Walker away from the visual legacy of historical racism, and towards the present-day role of the entertainment industry...and its consumers...in processes of racialization."...Provided by publisher

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780520288928
    Schlagworte: Geschichte; Race in art; African Americans in art; Silhouettes; Installations (Art); Kunst; Person of Color <Motiv>; Rasse <Motiv>; Installation <Kunst>
    Weitere Schlagworte: Walker, Kara Elizabeth; Walker, Kara (1969-)
    Umfang: vii, 208 Seiten, Illustrationen, 27 cm
    Bemerkung(en):

    Includes bibliographical references and index

  12. Consuming stories
    Kara Walker and the imagining of American race
    Erschienen: [2016]; © 2016
    Verlag:  University of California Press, Oakland, California

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2017:4883:
    keine Fernleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 B 174735
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    419892
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Burg Giebichenstein Kunsthochschule Halle, Hochschulbibliothek
    B 27502
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist's book, and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker's production: her commitment to exploring narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker's sustained visual engagement with literary genres such as the romance novel, neo-slave narrative, and children's fairy tales, and internationally-known stories including Roots, Beloved, and Uncle Tom's Cabin. Walker's interruption of these familiar works, along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race--especially as it is aligned with power, and desire. Breaking these implicit rules makes them visible - and, in turn, highlights viewers' reliance on them for narrative legibility. As this study reveals, Walker's engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture--and when she works beyond the United States, using her tools and strategies to unsettle cultural histories abroad. Ultimately, Consuming Stories shifts the critical conversation around Walker away from the visual legacy of historical racism, and towards the present-day role of the entertainment industry--and its consumers--in processes of racialization."--Provided by publisher Introduction : Kara Walker, Storyteller --The end of Uncle Tom -- The pop of racial violence -- American romance in black and white -- The international appeal of race -- Storytelling in film and video

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780520288928
    RVK Klassifikation: LI 99999
    Schlagworte: Race in art; African Americans in art; Silhouettes; Installations (Art)
    Weitere Schlagworte: Walker, Kara Elizabeth
    Umfang: VII, 208 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 183-194

  13. Strategies of Visual Intervention: Langston Hughes and Uncle Tom's Cabin
    Erschienen: 2012

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    Quelle: Online Contents Komparatistik
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Druck
    Übergeordneter Titel: Comparative literature; Durham, NC : Duke Univ. Press, 1949-; Band 64, Heft 2 (2012), Seite 169-191

  14. Kara Walker, on The End of Uncle Tom
    Erschienen: 2012

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    Quelle: Online Contents Komparatistik
    Medientyp: Aufsatz aus einer Zeitschrift
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    Übergeordneter Titel: Word & image; Philadelphia, PA : Routledge, Taylor & Francis Group, 1985-; Band 28, Heft 2 (2012), Seite 181-192