Acknowledgements -- Introduction: Portuguese Cinema, Women's Cinema, World Cinema -- Mariana Liz, ICS-University of Lisboa, Portugal and Hilary Owen, University of Manchester, UK/University of Oxford, UK -- Section 1: Histories -- 1. Unfinished: The Cinema of Noémia Delgado Manuela Penafria, University of Beira Interior, Portugal -- 2. Four Decades on Screen: The Fiction Films of Margarida Gil Ana Isabel Soares, CIAC - Universidade do Algarve, Portugal -- Section 2: Feminisms -- 3. Monsters, Mutants and Maternity: The Politics of the Posthuman in Teresa Villaverde, Raquel Freire and Solveig Nordlund Hilary Owen, University of Manchester, UK/University of Oxford, UK -- 4. Urban homes and urban families: Teresa Villaverde's Colo and Susana Nobre's Ordinary Time Mariana Liz, ICS-University of Lisboa, Portugal -- 5. Natural Women? Nature and Femininity in Noémia Delgado's Masks and Teresa Villaverde's Trance Patr©Ưcia Vieira, Georgetown University, USA -- Section 3: Archives -- 6. Image, Historical Memory, Politics: Margarida Cardoso's Kuxa Kanema and Susana de Sousa Dias's 48 Estela Vieira, Indiana University, USA 7. Affect and the Archival Turn: Recent Documentaries by Inês de Medeiros and Susana de Sousa Dias -- Alison Ribeiro de Menezes, University of Warwick, UK -- 8. The Essay Film and Rita Azevedo Gomes's Correspondences Ana Cabral Martins, ICS-University of Lisboa, Portugal -- Section 4: Transnationalisms -- 9. Women's Cinema, World Cinema: Margarida Cardoso's Yvone Kane Sally Faulkner, University of Exeter, UK -- 10. Portugal's Year Zero: Emergent Women Directors, 2013-2017 -- Filipa Ros©Łrio, University of Lisboa, Portugal -- Bibliography List of contributors Index
