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  1. Black land
    imperial Ethiopianism and African America
    Erschienen: [2019]
    Verlag:  Princeton University Press, Princeton ; Oxford

    "As the only African nation, with the exception of Libera, to remain independent during the colonization of the continent, Ethiopia has long held significance for and captivated the imaginations of African Americas. In Black Land, Nadia Nurhussein... mehr

    Universitätsbibliothek Bayreuth
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "As the only African nation, with the exception of Libera, to remain independent during the colonization of the continent, Ethiopia has long held significance for and captivated the imaginations of African Americas. In Black Land, Nadia Nurhussein delves into nineteenth- and twentieth-century African American artistic and journalistic depictions of Ethiopia, illuminating the increasing tensions and ironies behind cultural celebrations of an African country asserting itself as an imperial power"--Dust jacket

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780691190969
    RVK Klassifikation: HP 1691
    Schlagworte: Journalismus; Kunst; Äthiopien <Motiv>; Schwarze
    Weitere Schlagworte: Ethiopians / United States; Ethiopia / History; Ethiopians; Ethiopia; United States; History
    Umfang: xv, 259 Seiten, Illustrationen, 25 cm
    Bemerkung(en):

    Introduction -- Recognizing the Ethiopian flag -- Pauline E. Hopkins and the shadow of transcription -- Fashioning the imperial self -- Imperial embellishment -- Empire on the world stage -- Martial Ethiopianism in verse -- George S. Schuyler and the appeal of imperial Ethiopia -- Claude McKay and the display of aristocracy -- Conclusion: Langston Hughes's business suit

  2. Black Land
    Imperial Ethiopianism and African America
    Erschienen: [2019]; © 2019
    Verlag:  Princeton University Press, Princeton, NJ

    The first book to explore how African American writing and art engaged with visions of Ethiopia during the late nineteenth and early twentieth centuriesAs the only African nation, with the exception of Liberia, to remain independent during the... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    The first book to explore how African American writing and art engaged with visions of Ethiopia during the late nineteenth and early twentieth centuriesAs the only African nation, with the exception of Liberia, to remain independent during the colonization of the continent, Ethiopia has long held significance for and captivated the imaginations of African Americans. In Black Land, Nadia Nurhussein delves into nineteenth- and twentieth-century African American artistic and journalistic depictions of Ethiopia, illuminating the increasing tensions and ironies behind cultural celebrations of a country asserting itself as an imperial power.Nurhussein navigates an assortment of texts by Walt Whitman, Paul Laurence Dunbar, Pauline Hopkins, Harry Dean, Langston Hughes, Claude McKay, George Schuyler, and others, alongside images and performances that show the intersection of African America with Ethiopia during historic political shifts. From a description of a notorious 1920 Star Order of Ethiopia flag-burning demonstration in Chicago to a discussion of the Ethiopian emperor Haile Selassie as Time magazine’s Man of the Year for 1935, Nurhussein illuminates the growing complications that modern Ethiopia posed for American writers and activists. American media coverage of the African nation exposed a clear contrast between the Pan-African ideal and the modern reality of Ethiopia as an antidemocratic imperialist state: Did Ethiopia represent the black nation of the future, or one of an inert and static past?Revising current understandings of black transnationalism, Black Land presents a well-rounded exploration of an era when Ethiopia’s presence in African American culture was at its height

     

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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780691194134
    Weitere Identifier:
    Schlagworte: SOCIAL SCIENCE / Black Studies (Global); Ethiopians; Äthiopien <Motiv>; Journalismus; Kunst; Schwarze
    Umfang: 1 online resource (192 pages), 17 b/w illus
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Okt 2019)

  3. Black Land
    Imperial Ethiopianism and African America
    Erschienen: [2019]
    Verlag:  Princeton University Press, Princeton, NJ

    Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction -- Chapter One. Recognizing the Ethiopian Flag -- Chapter Two. Pauline E. Hopkins and the Shadow of Transcription -- Chapter Three. Fashioning the Imperial Self -- Chapter... mehr

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    Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction -- Chapter One. Recognizing the Ethiopian Flag -- Chapter Two. Pauline E. Hopkins and the Shadow of Transcription -- Chapter Three. Fashioning the Imperial Self -- Chapter Four. Imperial Embellishment -- Chapter Five. Empire on the World Stage -- Chapter Six. Martial Ethiopianism in Verse -- Chapter Seven. George S. Schuyler and the Appeal of Imperial Ethiopia -- Chapter Eight. Claude McKay and the Display of Aristocracy -- Conclusion. Langston Hughes’s business suit -- Notes -- Bibliography -- Index The first book to explore how African American writing and art engaged with visions of Ethiopia during the late nineteenth and early twentieth centuriesAs the only African nation, with the exception of Liberia, to remain independent during the colonization of the continent, Ethiopia has long held significance for and captivated the imaginations of African Americans. In Black Land, Nadia Nurhussein delves into nineteenth- and twentieth-century African American artistic and journalistic depictions of Ethiopia, illuminating the increasing tensions and ironies behind cultural celebrations of a country asserting itself as an imperial power.Nurhussein navigates an assortment of texts by Walt Whitman, Paul Laurence Dunbar, Pauline Hopkins, Harry Dean, Langston Hughes, Claude McKay, George Schuyler, and others, alongside images and performances that show the intersection of African America with Ethiopia during historic political shifts. From a description of a notorious 1920 Star Order of Ethiopia flag-burning demonstration in Chicago to a discussion of the Ethiopian emperor Haile Selassie as Time magazine’s Man of the Year for 1935, Nurhussein illuminates the growing complications that modern Ethiopia posed for American writers and activists. American media coverage of the African nation exposed a clear contrast between the Pan-African ideal and the modern reality of Ethiopia as an antidemocratic imperialist state: Did Ethiopia represent the black nation of the future, or one of an inert and static past?Revising current understandings of black transnationalism, Black Land presents a well-rounded exploration of an era when Ethiopia’s presence in African American culture was at its height

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780691194134
    Weitere Identifier:
    Schlagworte: Ethiopians; African American art; African American art; American literature; American literature; American literature; African American art; SOCIAL SCIENCE / Black Studies (Global)
    Umfang: 1 Online-Ressource (192 p), 17 b/w illus
    Bemerkung(en):

    restricted access online access with authorization star

  4. Black Land
    Imperial Ethiopianism and African America
    Erschienen: [2019]; © 2019
    Verlag:  Princeton University Press, Princeton, NJ

    The first book to explore how African American writing and art engaged with visions of Ethiopia during the late nineteenth and early twentieth centuriesAs the only African nation, with the exception of Liberia, to remain independent during the... mehr

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    The first book to explore how African American writing and art engaged with visions of Ethiopia during the late nineteenth and early twentieth centuriesAs the only African nation, with the exception of Liberia, to remain independent during the colonization of the continent, Ethiopia has long held significance for and captivated the imaginations of African Americans. In Black Land, Nadia Nurhussein delves into nineteenth- and twentieth-century African American artistic and journalistic depictions of Ethiopia, illuminating the increasing tensions and ironies behind cultural celebrations of a country asserting itself as an imperial power.Nurhussein navigates an assortment of texts by Walt Whitman, Paul Laurence Dunbar, Pauline Hopkins, Harry Dean, Langston Hughes, Claude McKay, George Schuyler, and others, alongside images and performances that show the intersection of African America with Ethiopia during historic political shifts. From a description of a notorious 1920 Star Order of Ethiopia flag-burning demonstration in Chicago to a discussion of the Ethiopian emperor Haile Selassie as Time magazine’s Man of the Year for 1935, Nurhussein illuminates the growing complications that modern Ethiopia posed for American writers and activists. American media coverage of the African nation exposed a clear contrast between the Pan-African ideal and the modern reality of Ethiopia as an antidemocratic imperialist state: Did Ethiopia represent the black nation of the future, or one of an inert and static past?Revising current understandings of black transnationalism, Black Land presents a well-rounded exploration of an era when Ethiopia’s presence in African American culture was at its height

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780691194134
    Weitere Identifier:
    Schlagworte: SOCIAL SCIENCE / Black Studies (Global); Ethiopians; Äthiopien <Motiv>; Journalismus; Kunst; Schwarze
    Umfang: 1 online resource (192 pages), 17 b/w illus
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Okt 2019)