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  1. Laughing windows
    = Smějící se okna
    Beteiligt: März, Volker (KünstlerIn); März, Moses (ÜbersetzerIn); Templeton, Inez (ÜbersetzerIn); Stanislavová, Jiřina (ÜbersetzerIn); Máchová, Hedvika (ÜbersetzerIn)
    Erschienen: 2013
    Verlag:  Dox Prague, Praha ; Jovis, Berlin

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    A/788680
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Beteiligt: März, Volker (KünstlerIn); März, Moses (ÜbersetzerIn); Templeton, Inez (ÜbersetzerIn); Stanislavová, Jiřina (ÜbersetzerIn); Máchová, Hedvika (ÜbersetzerIn)
    Sprache: Tschechisch; Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9788087446225; 8087446224; 9783868592627; 3868592628
    Schlagworte: Multimediální umění ; Německo ; 21. stol; Osobnosti; Dětství; Náměty, témata a motivy; Multimedial art ; Germany ; 21st century; Celebrities; Childhood; Themes and motives; Obrazové publikace; Texty; Pictorial works; Texts
    Weitere Schlagworte: März, Volker
    Umfang: 215 s, il. (převážně barev.), 21 cm
    Bemerkung(en):

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  2. Édouard Glissant's politics of relation ; Édouard Glissants Politik der Relation
    Autor*in: März, Moses
    Erschienen: 2021

    The political legacy of the Martinican poet, novelist and philosopher Édouard Glissant (1928–2011) is the subject of an ongoing debate among postcolonial literary scholars. Responding to an influential view shaping this debate, that Glissant’s work... mehr

     

    The political legacy of the Martinican poet, novelist and philosopher Édouard Glissant (1928–2011) is the subject of an ongoing debate among postcolonial literary scholars. Responding to an influential view shaping this debate, that Glissant’s work can be categorised into an early political and late apolitical phase, this dissertation claims that this division is based on a narrow conception of 'engaged political writing' that prevents a more comprehensive view of the changing political strategies Glissant pursued throughout his life from emerging. Proceeding from this conceptual basis, the dissertation is concerned with re-reading the dimensions of Glissant's work that have hitherto been relegated as apolitical, literary or poetic, with the aim of conceptualising the politics of relation as an integral part of his overall poetic project. In methodological terms, the dissertation therefore proposes a relational reading of Glissant’s life-work across literary genres, epochs, as well as the conventional divisions between political thought, writing and activism. This perspective is informed by Glissant's philosophy of relation, and draws on a conception of political practice that includes both explicit engagements with established political systems and institutions, as well as literary and cultural interventions geared towards their transformation and the creation of alternatives to them. Theoretically the work thus combines a poststructuralist lens on the conceptual difference between 'politics' and 'the political' with arguments for an inherent political quality of literature, and perspectives from the Afro-Caribbean radical tradition, in which writers and intellectuals have historically sought to combine discursive interventions with organisational actions. Applying this theoretical angle to the analysis of Glissant's politics of relation results in an interdisciplinary research framework designed to explore the synergies between postcolonial political and literary studies. In order to comprehensively describe ...

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Online
    DDC Klassifikation: Philosophie und Psychologie (100); Sozialwissenschaften (300); Literatur und Rhetorik (800)
    Schlagworte: Institut für Anglistik und Amerikanistik
    Lizenz:

    creativecommons.org/licenses/by-nc-nd/4.0/ ; info:eu-repo/semantics/openAccess