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  1. Counterpoetics of Modernity
    On Irish Poetry and Modernism
    Autor*in: Lloyd, David
    Erschienen: 2022; ©2022
    Verlag:  Edinburgh University Press, Edinburgh

    Provides a new approach to contemporary Irish poetry. mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    Provides a new approach to contemporary Irish poetry.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474489836
    Schlagworte: Electronic books
    Umfang: 1 online resource (234 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  2. Beckett's thing
    painting and theatre
    Autor*in: Lloyd, David
    Erschienen: 2016
    Verlag:  Edinburgh University Press, Edinburgh

    Explores Samuel Beckett's relation to painting and the visual imagination that informs his theatrical work.<p>Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Explores Samuel Beckett's relation to painting and the visual imagination that informs his theatrical work.

    Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings. He explains what visual resources Beckett found in these particular painters rather than in the surrealism of Masson or the abstraction of Kandinsky or Mondrian. The analysis of Beckett's visual imagination is based on his criticism and on close analysis of the paintings he viewed. Lloyd shows how Beckett's fascination with these painters illuminates the 'painterly' qualities of his theatre and the philosophical, political and aesthetic implications of Beckett's highly visual dramatic work.

    Key Features
    • Discusses Beckett's relationship with three painters crucial to his life-long dialogue with the visual arts
    • The first book to examine the paintings that Beckett would have known and on which he based his critical remarks
    • Accounts for the increasing visuality of Beckett's theatre in relation to his evolving appreciation of painting and the formal questions posed by that medium
    • Explores Beckett's anticipation of European phenomenology and psychoanalysis in relation to Heidegger and Lacan

     
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474415736
    RVK Klassifikation: HN 9990 ; IH 15721
    Schriftenreihe: Other Becketts
    Schlagworte: Einfluss; Kunst
    Weitere Schlagworte: Beckett, Samuel / 1906-1989 / Criticism and interpretation; Arikha, Avigdor (1929-2010); Yeats, Jack Butler (1871-1957); Beckett, Samuel (1906-1989); Velde, Bram van (1895-1981)
    Umfang: 1 online resource (xiii, 253 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Jun 2017)

    Introduction: The painted stage - Beckett's visual aesthetics -- Republics of difference: Yeats, MacGreevy, Beckett -- Beckett's thing: Bram van Velde and the gaze -- 'Siege laid again': Arikha's gaze, Beckett's painted stage -- Conclusion: The play's the thing
  3. Counterpoetics of Modernity
    On Irish Poetry and Modernism
    Autor*in: Lloyd, David
    Erschienen: [2022]; © 2022
    Verlag:  Edinburgh University Press, Edinburgh

    Provides a new approach to contemporary Irish poetryOffers a fresh approach to Irish poetry, bringing together well-known poets with new and exciting innovative workCombines illuminating close readings of poetry with reflections grounded in critical... mehr

    Standort:
    Technische Hochschule Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Provides a new approach to contemporary Irish poetryOffers a fresh approach to Irish poetry, bringing together well-known poets with new and exciting innovative workCombines illuminating close readings of poetry with reflections grounded in critical and aesthetic theoryIntroduces a number of contemporary Irish poets whose work has not received sufficient critical attentionPuts Irish poetry in dialogue with major debates and concerns of European and American poeticsChallenges conventional assumptions about the forms and values of Irish poetryThis study puts contemporary Irish poetry in dialogue with major debates and concerns of European and American poetics. David Lloyd tracks the traits of Irish poetic modernism, from fragmentation to the suspicion of representation, to nineteenth-century responses to the rapid and unsettling effects of Ireland's precocious colonial modernity, such as language loss and political violence. He argues that Irish poetry's inventiveness is driven by the need to find formal means to engage with historical conditions that take from the writer the customary certainties of cultural continuity, identity and aesthetic or personal autonomy, rather than by poetic innovation for its own sake. This reading of Irish poetry understands the innovative impetus that persists through Irish poetry since the nineteenth century as a counterpoetics of modernity. Opening with chapters on Mangan and Yeats, the book then turns to detailed discussions of Trevor Joyce, Maurice Scully, and Catherine Walsh; major Irish contemporary poets never before the focus of a book-length study

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474489829; 9781474489836
    Weitere Identifier:
    Schlagworte: Literary Studies; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; American poetry; European poetry; Irish poetry; Irish poetry; Irish poetry
    Umfang: 1 Online-Ressource (219 Seiten)
  4. Counterpoetics of Modernity
    On Irish Poetry and Modernism
    Autor*in: Lloyd, David
    Erschienen: 2022
    Verlag:  Edinburgh University Press, Edinburgh

    Zugang:
    Verlag (lizenzpflichtig)

    Standort:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Fernleihe:
    keine Fernleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474489829; 1474489826
    Schlagworte: American poetry; European poetry; Irish poetry; Irish poetry; Irish poetry
    Umfang: 1 Online-Ressource (232 pages)
  5. Anomalous states
    Irish writing and the post-colonial moment
    Autor*in: Lloyd, David
    Erschienen: 1993
    Verlag:  Duke Univ. Press, Durham

    Standort:
    Universitäts- und Landesbibliothek Bonn
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Siegen
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 082231326X; 0822313448
    Schriftenreihe: Post-contemporary interventions
    Schlagworte: Irland; Literatur; Nationalbewusstsein
    Umfang: X, 174 S.
  6. <<The>> circle
    a haiku sequence with illustrations
    Autor*in: Lloyd, David
    Erschienen: 1974
    Verlag:  Charles E. Tuttle Company, Rutland [et al.]

    Standort:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Paderborn
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0804811385
    Schlagworte: Literatur; Lyrik; Haiku; Quellentext
    Umfang: 113 S., Ill
  7. The stopwatch
    Autor*in: Lloyd, David; Dale, Penny
    Erschienen: 1997
    Verlag:  Walker, London

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    Quelle: Verbundkataloge
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0744552389
    Schlagworte: Children's stories, English; Readers
    Umfang: 32 S, Ill. (farb.), 23 cm
    Bemerkung(en):

    Originally published: 1986
  8. Anomalous states
    Irish writing and the post-colonial moment
    Autor*in: Lloyd, David
    Erschienen: 1993
    Verlag:  Lilliput Pr., Dublin

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1874675007; 0946640912
    RVK Klassifikation: HN 1080 ; HN 1071 ; HG 290
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Irland; Literatur; Politische Identität; Aufsatzsammlung; ; Irland; Literatur; Nationalbewusstsein <Motiv>; Aufsatzsammlung;
    Umfang: X, 174 S.
    Bemerkung(en):

    Literaturverz. S 163 - 168
  9. Anomalous states
    Irish writing and post-colonial moment
    Autor*in: Lloyd, David
    Erschienen: 1993
    Verlag:  Duke Univ. Press, Durham

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 082231326X
    RVK Klassifikation: HG 290
    Schlagworte: English literature; National characteristics, Irish, in literature; Literature and anthropology; Postcolonialism in literature; Decolonization in literature; Nationalism in literature; Colonies in literature; Nationalism; Ireland
    Umfang: X, 174 S.
    Bemerkung(en):

    Literaturverz. S. 163 - 168
  10. Beckett's thing
    painting and theatre
    Autor*in: Lloyd, David
    Erschienen: 2016
    Verlag:  Edinburgh University Press, Edinburgh

    Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings Beckett's Thing; Copyright; Contents;... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings Beckett's Thing; Copyright; Contents; Figures; Acknowledgements; Other Becketts: Series Preface General Editor: S. E. Gontarski, Florida State University; Introduction: The Painted Stage -- Beckett's Visual Aesthetics; 1 Republics of Difference: Yeats, MacGreevy, Beckett; 2 Beckett's Thing: Bram van Velde and the Gaze; 3 'Siege laid again': Arikha's Gaze, Beckett's Painted Stage; Conclusion: The Play's the Thing; Bibliography; Index

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474415736; 1474415733; 1474415725; 9781474415729
    Weitere Identifier:
    9781474415729
    Schriftenreihe: Other Becketts
    Schlagworte: LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; Criticism, interpretation, etc
    Weitere Schlagworte: Beckett, Samuel 1906-1989; Beckett, Samuel (1906-1989); Beckett, Samuel (1906-1989); Beckett, Samuel
    Umfang: Online Ressource
    Bemerkung(en):

    Includes bibliographical references (pages 237-245) and index
  11. Beckett's thing
    painting and theatre
    Autor*in: Lloyd, David
    Erschienen: 2016
    Verlag:  Edinburgh University Press, Edinburgh

    Explores Samuel Beckett's relation to painting and the visual imagination that informs his theatrical work.<p>Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Explores Samuel Beckett's relation to painting and the visual imagination that informs his theatrical work.

    Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings. He explains what visual resources Beckett found in these particular painters rather than in the surrealism of Masson or the abstraction of Kandinsky or Mondrian. The analysis of Beckett's visual imagination is based on his criticism and on close analysis of the paintings he viewed. Lloyd shows how Beckett's fascination with these painters illuminates the 'painterly' qualities of his theatre and the philosophical, political and aesthetic implications of Beckett's highly visual dramatic work.

    Key Features
    • Discusses Beckett's relationship with three painters crucial to his life-long dialogue with the visual arts
    • The first book to examine the paintings that Beckett would have known and on which he based his critical remarks
    • Accounts for the increasing visuality of Beckett's theatre in relation to his evolving appreciation of painting and the formal questions posed by that medium
    • Explores Beckett's anticipation of European phenomenology and psychoanalysis in relation to Heidegger and Lacan

    Introduction: The painted stage - Beckett's visual aesthetics -- Republics of difference: Yeats, MacGreevy, Beckett -- Beckett's thing: Bram van Velde and the gaze -- 'Siege laid again': Arikha's gaze, Beckett's painted stage -- Conclusion: The play's the thing

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474415736
    RVK Klassifikation: HN 9990 ; IH 15721
    Schriftenreihe: Other Becketts
    Schlagworte: Beckett, Samuel ; 1906-1989 ; Criticism and interpretation
    Weitere Schlagworte: Beckett, Samuel (1906-1989)
    Umfang: 1 Online-Ressource (xiii, 253 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Jun 2017)
  12. Counterpoetics of Modernity
    On Irish Poetry and Modernism
    Autor*in: Lloyd, David
    Erschienen: 2022
    Verlag:  Edinburgh University Press, Edinburgh ; ProQuest, Ann Arbor, Michigan

    Provides a new approach to contemporary Irish poetry. mehr

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

     

    Provides a new approach to contemporary Irish poetry.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474489836
    RVK Klassifikation: HM 1160
    Schlagworte: Lyrik; Moderne
    Umfang: 1 Online-Ressource (234 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  13. The Edinburgh Companion to Samuel Beckett and the Arts
    Autor*in: Gontarski, S.E.
    Erschienen: [2014]; ©2014
    Verlag:  Edinburgh University Press, Edinburgh ; Walter de Gruyter GmbH, Berlin

    A landmark collection showcasing the diversity of Samuel Beckett's creative outputThe 35 new and original chapters in this Companion capture the continued vitality of Beckett studies in drama, music and the visual arts and establish rich and varied... mehr

    Zugang:

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Mainz, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Marburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

     

    A landmark collection showcasing the diversity of Samuel Beckett's creative outputThe 35 new and original chapters in this Companion capture the continued vitality of Beckett studies in drama, music and the visual arts and establish rich and varied cultural contexts for Beckett's work world-wide.As well as considering topics such as Beckett and science, historiography, geocriticism and philosophy, the volume focuses on the post-centenary impetus within Beckett studies, emphasising a return to primary sources amid letters, drafts, and other documents. Major Beckett critics such as Steven Connor, David Lloyd, Andrew Gibson, John Pilling, Jean-Michel Rabaté, and Mark Nixon, as well as emerging researchers, present the latest critical thinking in 9 key areas: Art & Aesthetics; Fictions; European Context; Irish Context; Film, Radio & Television; Language/Writing; Philosophies; Theatre & Performance; Global Beckett. Edited by eminent Beckett scholar S. E. Gontarski, the Companion draws on the most vital, ground-breaking research to outline the nature of Beckett studies for the next generation.

     
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    Quelle: Verbundkataloge
    Beteiligt: Ackerley, C. J. (Mitwirkender); Cascetta, Annamaria (Mitwirkender); Chevallier, Geneviève (Mitwirkender); Connor, Steven (Mitwirkender); Feldman, Matthew (Mitwirkender); Fifield, Peter (Mitwirkender); Frost, Everett C. (Mitwirkender); Gibson, Andrew (Mitwirkender); Gontarski, S. E. (Mitwirkender); Herren, Graley (Mitwirkender); Houppermans, Sjef (Mitwirkender); Kennedy, Seán (Mitwirkender); Lloyd, David (Mitwirkender); Maude, Ulrika (Mitwirkender); McFeaters, Andrew V. (Mitwirkender); McMullan, Anna (Mitwirkender); Morin, Emilie (Mitwirkender); Nixon, Mark (Mitwirkender); Peja, Laura (Mitwirkender); Piette, Adam (Mitwirkender); Pilling, John (Mitwirkender); Rabaté, Jean-Michel (Mitwirkender); Riquelme, John Paul (Mitwirkender); Roche, Anthony (Mitwirkender); Salisbury, Laura (Mitwirkender); Slote, Sam (Mitwirkender); Stewart, Paul (Mitwirkender); Tanaka, Mariko Hori (Mitwirkender); Todorovic, Predrag (Mitwirkender); Tonning, Erik (Mitwirkender); Tucker, David (Mitwirkender); Uhlmann, Anthony (Mitwirkender); Van Hulle, Dirk (Mitwirkender); Wiśniewski, Tomasz (Mitwirkender); de Souza Andrade, Fábio (Mitwirkender)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748675692
    Weitere Identifier:
    Schriftenreihe: Edinburgh Companions to Literature and the Humanities
    Umfang: 1 Online-Ressource (512 p.), 18 B/W illustrations
  14. Counterpoetics of modernity
    on Irish poetry and modernism
    Autor*in: Lloyd, David
    Erschienen: 2023
    Verlag:  Edinburgh University Press, Edinburgh ; Oxford University Press, Oxford

    This study puts contemporary Irish poetry in dialogue with major debates and concerns of European and American poetics. David Lloyd tracks the traits of Irish poetic modernism, from fragmentation to the suspicion of representation, to... mehr

    Zugang:

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

     

    This study puts contemporary Irish poetry in dialogue with major debates and concerns of European and American poetics. David Lloyd tracks the traits of Irish poetic modernism, from fragmentation to the suspicion of representation, to nineteenth-century responses to the rapid and unsettling effects of Ireland's precocious colonial modernity, such as language loss and political violence. He argues that Irish poetry's inventiveness is driven by the need to find formal means to engage with historical conditions that take from the writer the customary certainties of cultural continuity, identity and aesthetic or personal autonomy, rather than by poetic innovation for its own sake.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781399518819; 9781474489829; 9781474489836
    Weitere Identifier:
    RVK Klassifikation: HM 1160
    Schriftenreihe: Edinburgh scholarship online
    Schlagworte: Lyrik; Moderne; Irish poetry; Irish poetry; Irish poetry; European poetry; American poetry; Literature; Literature: history & criticism
    Umfang: 1 Online-Ressource (ix, 219 pages).
    Bemerkung(en):

    Previously issued in print: 2022

    Includes bibliographical references and index
  15. Counterpoetics of Modernity
    On Irish Poetry and Modernism
    Autor*in: Lloyd, David
    Erschienen: 2022; ©2022
    Verlag:  Edinburgh University Press, Edinburgh ; Walter de Gruyter GmbH, Berlin

    Provides a new approach to contemporary Irish poetryOffers a fresh approach to Irish poetry, bringing together well-known poets with new and exciting innovative workCombines illuminating close readings of poetry with reflections grounded in critical... mehr

    Zugang:

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

     

    Provides a new approach to contemporary Irish poetryOffers a fresh approach to Irish poetry, bringing together well-known poets with new and exciting innovative workCombines illuminating close readings of poetry with reflections grounded in critical and aesthetic theoryIntroduces a number of contemporary Irish poets whose work has not received sufficient critical attentionPuts Irish poetry in dialogue with major debates and concerns of European and American poeticsChallenges conventional assumptions about the forms and values of Irish poetryThis study puts contemporary Irish poetry in dialogue with major debates and concerns of European and American poetics. David Lloyd tracks the traits of Irish poetic modernism, from fragmentation to the suspicion of representation, to nineteenth-century responses to the rapid and unsettling effects of Ireland's precocious colonial modernity, such as language loss and political violence. He argues that Irish poetry's inventiveness is driven by the need to find formal means to engage with historical conditions that take from the writer the customary certainties of cultural continuity, identity and aesthetic or personal autonomy, rather than by poetic innovation for its own sake. This reading of Irish poetry understands the innovative impetus that persists through Irish poetry since the nineteenth century as a counterpoetics of modernity. Opening with chapters on Mangan and Yeats, the book then turns to detailed discussions of Trevor Joyce, Maurice Scully, and Catherine Walsh; major Irish contemporary poets never before the focus of a book-length study.

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474489829
    Weitere Identifier:
    Umfang: 1 Online-Ressource (232 p.)
  16. Beckett's Thing
    Painting and Theatre
    Autor*in: Lloyd, David
    Erschienen: 2016
    Verlag:  Edinburgh University Press, Edinburgh

    Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings Beckett's Thing -- Copyright -- Contents... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings Beckett's Thing -- Copyright -- Contents -- Figures -- Acknowledgements -- Other Becketts: Series Preface General Editor: S. E. Gontarski, Florida State University -- Introduction: The Painted Stage - Beckett's Visual Aesthetics -- 1 Republics of Difference: Yeats, MacGreevy, Beckett -- 2 Beckett's Thing: Bram van Velde and the Gaze -- 3 'Siege laid again': Arikha's Gaze, Beckett's Painted Stage -- Conclusion: The Play's the Thing -- Bibliography -- Index

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474415743
    Schriftenreihe: Other Becketts Ser
    Umfang: 1 Online-Ressource (268 pages)
  17. Beckett's thing
    painting and theatre
    Autor*in: Lloyd, David
    Erschienen: 2016
    Verlag:  Edinburgh University Press, Edinburgh

    Explores Samuel Beckett's relation to painting and the visual imagination that informs his theatrical work.<p>Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In... mehr

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    E-Book CUP HSFK
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    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
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    E-Book CUP HSFK
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    eBook Cambridge
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    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek Rostock
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    Württembergische Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Explores Samuel Beckett's relation to painting and the visual imagination that informs his theatrical work.

    Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings. He explains what visual resources Beckett found in these particular painters rather than in the surrealism of Masson or the abstraction of Kandinsky or Mondrian. The analysis of Beckett's visual imagination is based on his criticism and on close analysis of the paintings he viewed. Lloyd shows how Beckett's fascination with these painters illuminates the 'painterly' qualities of his theatre and the philosophical, political and aesthetic implications of Beckett's highly visual dramatic work.

    Key Features
    • Discusses Beckett's relationship with three painters crucial to his life-long dialogue with the visual arts
    • The first book to examine the paintings that Beckett would have known and on which he based his critical remarks
    • Accounts for the increasing visuality of Beckett's theatre in relation to his evolving appreciation of painting and the formal questions posed by that medium
    • Explores Beckett's anticipation of European phenomenology and psychoanalysis in relation to Heidegger and Lacan

    Introduction: The painted stage - Beckett's visual aesthetics -- Republics of difference: Yeats, MacGreevy, Beckett -- Beckett's thing: Bram van Velde and the gaze -- 'Siege laid again': Arikha's gaze, Beckett's painted stage -- Conclusion: The play's the thing

     
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    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474415736
    RVK Klassifikation: HN 9990 ; IH 15721
    Schriftenreihe: Other Becketts
    Schlagworte: Beckett, Samuel ; 1906-1989 ; Criticism and interpretation
    Weitere Schlagworte: Beckett, Samuel (1906-1989)
    Umfang: 1 Online-Ressource (xiii, 253 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Jun 2017)
  18. Anomalous States: Irish Writing and the Post-Colonial Moment
    Autor*in: Mackenzie, Manfred
    Erschienen: 1996

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    Quelle: Online Contents Komparatistik
    Beteiligt: Lloyd, David
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Druck
    Übergeordneter Titel: Comparative literature; Durham, NC : Duke Univ. Press, 1949-; Band 48, Heft 1 (1996), Seite 90-92

  19. Reviews //
    Autor*in: Lloyd, David
    Erschienen: 2006

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    Quelle: Online Contents Komparatistik
    Beteiligt: Kent, Christopher; Rose, Mark; Fay, Elizabeth; Berry, Laura; Taylor, Anya; Simmons, Clare; White, R S
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Druck
    Übergeordneter Titel: Nineteenth century contexts; Abingdon, Oxfordshire : Taylor & Francis, 1987-; Band 28, Heft 3 (2006), Seite 257; 25 cm

  20. Anomalous States: Irish Writing and the Post-Colonial Moment
    Autor*in: Zwicker, Heather
    Erschienen: 1996

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    Quelle: Online Contents Komparatistik
    Beteiligt: Lloyd, David
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Druck
    Übergeordneter Titel: Canadian review of comparative literature; Edmonton : Canadian Comparative Literature Assoc., 1974-; Band 23, Heft 2 (1996), Seite 609-610

  21. Through the Looking Glass: R. S. Thomas's The Echoes Return Slow as Poetic Autobiography
    Autor*in: Lloyd, David
    Erschienen: 1996

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    Quelle: Online Contents Komparatistik
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Druck
    Übergeordneter Titel: Twentieth century literature; Durham, NC : Duke Univ. Press, 1955-; Band 42, Heft 4 (1996), Seite 438-452; 23 cm

  22. REVIEW OF MELISSA FEGAN, LITERATURE AND THE IRISH FAMINE, 1845- 1919
    Autor*in: Lloyd, David
    Erschienen: 2004

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    Quelle: Online Contents Komparatistik
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Druck
    Übergeordneter Titel: Nineteenth century literature; Berkeley, Calif. : Univ. of California Press, 1986-; Band 59, Heft 2 (2004), Seite 267-270

  23. The Political Economy of the Potato
    Autor*in: Lloyd, David
    Erschienen: 2007

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    Quelle: Online Contents Komparatistik
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Druck
    Übergeordneter Titel: Nineteenth century contexts; Abingdon, Oxfordshire : Taylor & Francis, 1987-; Band 29, Heft 2 (2007), Seite 311-336; 25 cm