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  1. Shakespeare and the power of the face
    Beteiligt: Knapp, James A. (HerausgeberIn)
    Erschienen: [2015]; 2015
    Verlag:  Ashgate Publishing, Farnham, Surrey

    "As contributors to this volume prove, Shakespeare's language of the self relies on descriptions of and reactions to facial expressions and features. An analysis of Shakespeare's treatment of faces has implications for our understanding of the... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "As contributors to this volume prove, Shakespeare's language of the self relies on descriptions of and reactions to facial expressions and features. An analysis of Shakespeare's treatment of faces has implications for our understanding of the context in which he wrote, and for the ongoing interpretation and production of the plays. By bringing together historians, theorists of performance and critics interested in material culture and philosophies of self, this book makes a significant contribution to our understanding of attitudes towards embodiment in Shakespeare's England" -- Introduction: Shakespeare and the power of the face / James A. Knapp -- Part. I. Powerful faces. 1. "Thy face is mine": faces and fascination in Shakespeare's plays / Sibylle Baumbach; 2. Fashioning the face: embodiment and desire in early modern poetry / Farah Karim-Cooper; 3. Facing marital cruelty in Shakespeare's The taming of the shrew and early modern London / Loreen L. Giese -- Part II. Signifying faces. 4. The two faces of Othello / Sean Lawrence; 5. Facing King Lear / David B. Goldstein; 6. Complex complexions: the facial signification of the black other in lust's dominion / Vanessa Corredera -- Part III. Staged faces. 7. "I knew by his face there was something in him": buried stage directions and authorial control / Catherine Loomis -- 8. The play of looks: audience and the force of the early modern face / Penelope Woods; 9. "The counterfeit presentment of two brothers": the power of portraits in Hamlet / Yolana Wassersug -- 10. "This painting wherein you see me smeared": Francis Bacon, Coriolanus, and the brutality of facialization / Hillary M. Nunn and Aaron Hubbard -- Afterword / Michael Neill

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Verlag (Inhaltsverzeichnis)
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Knapp, James A. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781472415790
    RVK Klassifikation: HI 3385
    Schlagworte: Facial expression in literature; Face perception in literature; Identity (Psychology) in literature; Personality in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: xi, 208 Seiten, 24 cm
    Bemerkung(en):

    Includes bibliographical references (pages 185-200) and index

    Introduction: Shakespeare and the power of the face / James A. KnappPowerful faces. "Thy face is mine": faces and fascination in Shakespeare's plays / Sibylle Baumbach; Fashioning the face: embodiment and desire in early modern poetry / Farah Karim-Cooper; Facing marital cruelty in Shakespeare's The taming of the shrew and early modern London / Loreen Giese -- Signifying faces. The two faces of Othello / Sean Lawrence; Facing King Lear / David Goldstein; Complex complexions: the facial signification of the black other in lust's dominion / Vanessa Corredera -- Staged faces. "I knew by his face there was something in him": buried stage directions and authorial control / Catherine Loomis -- The play of looks: audience and the force of the early modern face / Penelope Woods; "The counterfeit presentment of two brothers": the power of portraits in Hamlet on film / Yolana Wassersug -- "This painting wherein you see me smeared": Francis Bacon, Coriolanus, and the brutality of facialization / Hillary Nunn and Aaron Hubbard -- Afterword / Michael Neill.
  2. Shakespeare and the power of the face
    Beteiligt: Knapp, James A. (Hrsg.)
    Erschienen: 2015
    Verlag:  Ashgate, Farnham

    "As contributors to this volume prove, Shakespeare's language of the self relies on descriptions of and reactions to facial expressions and features. An analysis of Shakespeare's treatment of faces has implications for our understanding of the... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "As contributors to this volume prove, Shakespeare's language of the self relies on descriptions of and reactions to facial expressions and features. An analysis of Shakespeare's treatment of faces has implications for our understanding of the context in which he wrote, and for the ongoing interpretation and production of the plays. By bringing together historians, theorists of performance and critics interested in material culture and philosophies of self, this book makes a significant contribution to our understanding of attitudes towards embodiment in Shakespeare's England" ..

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Knapp, James A. (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781472415790; 9781472415806; 9781472415813
    RVK Klassifikation: HI 3385
    Schlagworte: Wissen; Facial expression in literature; Face perception in literature; Identity (Psychology) in literature; Personality in literature; Gesicht <Motiv>
    Weitere Schlagworte: Shakespeare, William, (1564-1616); Shakespeare, William (1564-1616)
    Umfang: XI, 208 Seiten
    Bemerkung(en):

    Includes bibliographical references and index
  3. Shakespeare and the power of the face
    Beteiligt: Knapp, James A. (HerausgeberIn)
    Erschienen: [2015]; 2015
    Verlag:  Ashgate Publishing, Farnham, Surrey

    "As contributors to this volume prove, Shakespeare's language of the self relies on descriptions of and reactions to facial expressions and features. An analysis of Shakespeare's treatment of faces has implications for our understanding of the... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 966207
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Signatur:
    2018/4431
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "As contributors to this volume prove, Shakespeare's language of the self relies on descriptions of and reactions to facial expressions and features. An analysis of Shakespeare's treatment of faces has implications for our understanding of the context in which he wrote, and for the ongoing interpretation and production of the plays. By bringing together historians, theorists of performance and critics interested in material culture and philosophies of self, this book makes a significant contribution to our understanding of attitudes towards embodiment in Shakespeare's England" -- Introduction: Shakespeare and the power of the face / James A. Knapp -- Part. I. Powerful faces. 1. "Thy face is mine": faces and fascination in Shakespeare's plays / Sibylle Baumbach; 2. Fashioning the face: embodiment and desire in early modern poetry / Farah Karim-Cooper; 3. Facing marital cruelty in Shakespeare's The taming of the shrew and early modern London / Loreen L. Giese -- Part II. Signifying faces. 4. The two faces of Othello / Sean Lawrence; 5. Facing King Lear / David B. Goldstein; 6. Complex complexions: the facial signification of the black other in lust's dominion / Vanessa Corredera -- Part III. Staged faces. 7. "I knew by his face there was something in him": buried stage directions and authorial control / Catherine Loomis -- 8. The play of looks: audience and the force of the early modern face / Penelope Woods; 9. "The counterfeit presentment of two brothers": the power of portraits in Hamlet / Yolana Wassersug -- 10. "This painting wherein you see me smeared": Francis Bacon, Coriolanus, and the brutality of facialization / Hillary M. Nunn and Aaron Hubbard -- Afterword / Michael Neill

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Knapp, James A. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781472415790
    RVK Klassifikation: HI 3385
    Schlagworte: Facial expression in literature; Face perception in literature; Identity (Psychology) in literature; Personality in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: xi, 208 Seiten, 24 cm
    Bemerkung(en):

    Includes bibliographical references (pages 185-200) and index

    Introduction: Shakespeare and the power of the face / James A. KnappPowerful faces. "Thy face is mine": faces and fascination in Shakespeare's plays / Sibylle Baumbach; Fashioning the face: embodiment and desire in early modern poetry / Farah Karim-Cooper; Facing marital cruelty in Shakespeare's The taming of the shrew and early modern London / Loreen Giese -- Signifying faces. The two faces of Othello / Sean Lawrence; Facing King Lear / David Goldstein; Complex complexions: the facial signification of the black other in lust's dominion / Vanessa Corredera -- Staged faces. "I knew by his face there was something in him": buried stage directions and authorial control / Catherine Loomis -- The play of looks: audience and the force of the early modern face / Penelope Woods; "The counterfeit presentment of two brothers": the power of portraits in Hamlet on film / Yolana Wassersug -- "This painting wherein you see me smeared": Francis Bacon, Coriolanus, and the brutality of facialization / Hillary Nunn and Aaron Hubbard -- Afterword / Michael Neill.
  4. Shakespeare and the power of the face
    Beteiligt: Knapp, James A. (HerausgeberIn)
    Erschienen: [2015]; 2015
    Verlag:  Ashgate Publishing, Farnham, Surrey

    "As contributors to this volume prove, Shakespeare's language of the self relies on descriptions of and reactions to facial expressions and features. An analysis of Shakespeare's treatment of faces has implications for our understanding of the... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "As contributors to this volume prove, Shakespeare's language of the self relies on descriptions of and reactions to facial expressions and features. An analysis of Shakespeare's treatment of faces has implications for our understanding of the context in which he wrote, and for the ongoing interpretation and production of the plays. By bringing together historians, theorists of performance and critics interested in material culture and philosophies of self, this book makes a significant contribution to our understanding of attitudes towards embodiment in Shakespeare's England" -- Introduction: Shakespeare and the power of the face / James A. Knapp -- Part. I. Powerful faces. 1. "Thy face is mine": faces and fascination in Shakespeare's plays / Sibylle Baumbach; 2. Fashioning the face: embodiment and desire in early modern poetry / Farah Karim-Cooper; 3. Facing marital cruelty in Shakespeare's The taming of the shrew and early modern London / Loreen L. Giese -- Part II. Signifying faces. 4. The two faces of Othello / Sean Lawrence; 5. Facing King Lear / David B. Goldstein; 6. Complex complexions: the facial signification of the black other in lust's dominion / Vanessa Corredera -- Part III. Staged faces. 7. "I knew by his face there was something in him": buried stage directions and authorial control / Catherine Loomis -- 8. The play of looks: audience and the force of the early modern face / Penelope Woods; 9. "The counterfeit presentment of two brothers": the power of portraits in Hamlet / Yolana Wassersug -- 10. "This painting wherein you see me smeared": Francis Bacon, Coriolanus, and the brutality of facialization / Hillary M. Nunn and Aaron Hubbard -- Afterword / Michael Neill

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Verlag (Inhaltsverzeichnis)
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Knapp, James A. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781472415790
    RVK Klassifikation: HI 3385
    Schlagworte: Facial expression in literature; Face perception in literature; Identity (Psychology) in literature; Personality in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: xi, 208 Seiten, 24 cm
    Bemerkung(en):

    Includes bibliographical references (pages 185-200) and index

    Introduction: Shakespeare and the power of the face / James A. KnappPowerful faces. "Thy face is mine": faces and fascination in Shakespeare's plays / Sibylle Baumbach; Fashioning the face: embodiment and desire in early modern poetry / Farah Karim-Cooper; Facing marital cruelty in Shakespeare's The taming of the shrew and early modern London / Loreen Giese -- Signifying faces. The two faces of Othello / Sean Lawrence; Facing King Lear / David Goldstein; Complex complexions: the facial signification of the black other in lust's dominion / Vanessa Corredera -- Staged faces. "I knew by his face there was something in him": buried stage directions and authorial control / Catherine Loomis -- The play of looks: audience and the force of the early modern face / Penelope Woods; "The counterfeit presentment of two brothers": the power of portraits in Hamlet on film / Yolana Wassersug -- "This painting wherein you see me smeared": Francis Bacon, Coriolanus, and the brutality of facialization / Hillary Nunn and Aaron Hubbard -- Afterword / Michael Neill.
  5. Shakespeare and the power of the face
    Beteiligt: Knapp, James A. (HerausgeberIn)
    Erschienen: [2015]; 2015
    Verlag:  Ashgate Publishing, Farnham, Surrey

    "As contributors to this volume prove, Shakespeare's language of the self relies on descriptions of and reactions to facial expressions and features. An analysis of Shakespeare's treatment of faces has implications for our understanding of the... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 966207
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Universität Chemnitz, Universitätsbibliothek
    Signatur:
    $BCh 1
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Signatur:
    2018/4431
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Württembergische Landesbibliothek
    Signatur:
    65/17365
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "As contributors to this volume prove, Shakespeare's language of the self relies on descriptions of and reactions to facial expressions and features. An analysis of Shakespeare's treatment of faces has implications for our understanding of the context in which he wrote, and for the ongoing interpretation and production of the plays. By bringing together historians, theorists of performance and critics interested in material culture and philosophies of self, this book makes a significant contribution to our understanding of attitudes towards embodiment in Shakespeare's England" -- Introduction: Shakespeare and the power of the face / James A. Knapp -- Part. I. Powerful faces. 1. "Thy face is mine": faces and fascination in Shakespeare's plays / Sibylle Baumbach; 2. Fashioning the face: embodiment and desire in early modern poetry / Farah Karim-Cooper; 3. Facing marital cruelty in Shakespeare's The taming of the shrew and early modern London / Loreen L. Giese -- Part II. Signifying faces. 4. The two faces of Othello / Sean Lawrence; 5. Facing King Lear / David B. Goldstein; 6. Complex complexions: the facial signification of the black other in lust's dominion / Vanessa Corredera -- Part III. Staged faces. 7. "I knew by his face there was something in him": buried stage directions and authorial control / Catherine Loomis -- 8. The play of looks: audience and the force of the early modern face / Penelope Woods; 9. "The counterfeit presentment of two brothers": the power of portraits in Hamlet / Yolana Wassersug -- 10. "This painting wherein you see me smeared": Francis Bacon, Coriolanus, and the brutality of facialization / Hillary M. Nunn and Aaron Hubbard -- Afterword / Michael Neill

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Verlag (Inhaltsverzeichnis)
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Knapp, James A. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781472415790
    RVK Klassifikation: HI 3385
    Schlagworte: Facial expression in literature; Face perception in literature; Identity (Psychology) in literature; Personality in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: xi, 208 Seiten, 24 cm
    Bemerkung(en):

    Includes bibliographical references (pages 185-200) and index

    Introduction: Shakespeare and the power of the face / James A. KnappPowerful faces. "Thy face is mine": faces and fascination in Shakespeare's plays / Sibylle Baumbach; Fashioning the face: embodiment and desire in early modern poetry / Farah Karim-Cooper; Facing marital cruelty in Shakespeare's The taming of the shrew and early modern London / Loreen Giese -- Signifying faces. The two faces of Othello / Sean Lawrence; Facing King Lear / David Goldstein; Complex complexions: the facial signification of the black other in lust's dominion / Vanessa Corredera -- Staged faces. "I knew by his face there was something in him": buried stage directions and authorial control / Catherine Loomis -- The play of looks: audience and the force of the early modern face / Penelope Woods; "The counterfeit presentment of two brothers": the power of portraits in Hamlet on film / Yolana Wassersug -- "This painting wherein you see me smeared": Francis Bacon, Coriolanus, and the brutality of facialization / Hillary Nunn and Aaron Hubbard -- Afterword / Michael Neill.