Direkt zur Hauptnavigation springen Direkt zum Inhalt springen
info(at)avldigital.remove-this.de
Deutsch English
Filtern nach
Aktive Filter
Letzte Suchanfragen

Ergebnisse für *

Zeige Ergebnisse 1 bis 10 von 10.

  1. Shakespeare and the power of the face
    Beteiligt: Knapp, James A. (HerausgeberIn)
    Erschienen: 2016
    Verlag:  Routledge, London

    pt. 1. Powerful faces -- pt. 2. Signifying faces -- pt. 3. Staged faces. mehr

    Zugang:
    Verlag (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

    Standort:
    Palucca-Hochschule für Tanz Dresden, Bibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Stuttgart
    Fernleihe:
    keine Fernleihe

     

    pt. 1. Powerful faces -- pt. 2. Signifying faces -- pt. 3. Staged faces.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Knapp, James A. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781315608655; 9781317056362; 9781317056379
    Weitere Identifier:
    RVK Klassifikation: HI 3385
    Schlagworte: Facial expression in literature; Face perception in literature; Identity (Psychology) in literature; Personality in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xi, 208 Seiten), Illustrationen
  2. Shakespeare and the power of the face
    Beteiligt: Knapp, James A. (HerausgeberIn)
    Erschienen: [2015]; 2015
    Verlag:  Ashgate Publishing, Farnham, Surrey

    "As contributors to this volume prove, Shakespeare's language of the self relies on descriptions of and reactions to facial expressions and features. An analysis of Shakespeare's treatment of faces has implications for our understanding of the... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "As contributors to this volume prove, Shakespeare's language of the self relies on descriptions of and reactions to facial expressions and features. An analysis of Shakespeare's treatment of faces has implications for our understanding of the context in which he wrote, and for the ongoing interpretation and production of the plays. By bringing together historians, theorists of performance and critics interested in material culture and philosophies of self, this book makes a significant contribution to our understanding of attitudes towards embodiment in Shakespeare's England" -- Introduction: Shakespeare and the power of the face / James A. Knapp -- Part. I. Powerful faces. 1. "Thy face is mine": faces and fascination in Shakespeare's plays / Sibylle Baumbach; 2. Fashioning the face: embodiment and desire in early modern poetry / Farah Karim-Cooper; 3. Facing marital cruelty in Shakespeare's The taming of the shrew and early modern London / Loreen L. Giese -- Part II. Signifying faces. 4. The two faces of Othello / Sean Lawrence; 5. Facing King Lear / David B. Goldstein; 6. Complex complexions: the facial signification of the black other in lust's dominion / Vanessa Corredera -- Part III. Staged faces. 7. "I knew by his face there was something in him": buried stage directions and authorial control / Catherine Loomis -- 8. The play of looks: audience and the force of the early modern face / Penelope Woods; 9. "The counterfeit presentment of two brothers": the power of portraits in Hamlet / Yolana Wassersug -- 10. "This painting wherein you see me smeared": Francis Bacon, Coriolanus, and the brutality of facialization / Hillary M. Nunn and Aaron Hubbard -- Afterword / Michael Neill

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Verlag (Inhaltsverzeichnis)
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Knapp, James A. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781472415790
    RVK Klassifikation: HI 3385
    Schlagworte: Facial expression in literature; Face perception in literature; Identity (Psychology) in literature; Personality in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: xi, 208 Seiten, 24 cm
    Bemerkung(en):

    Includes bibliographical references (pages 185-200) and index

    Introduction: Shakespeare and the power of the face / James A. KnappPowerful faces. "Thy face is mine": faces and fascination in Shakespeare's plays / Sibylle Baumbach; Fashioning the face: embodiment and desire in early modern poetry / Farah Karim-Cooper; Facing marital cruelty in Shakespeare's The taming of the shrew and early modern London / Loreen Giese -- Signifying faces. The two faces of Othello / Sean Lawrence; Facing King Lear / David Goldstein; Complex complexions: the facial signification of the black other in lust's dominion / Vanessa Corredera -- Staged faces. "I knew by his face there was something in him": buried stage directions and authorial control / Catherine Loomis -- The play of looks: audience and the force of the early modern face / Penelope Woods; "The counterfeit presentment of two brothers": the power of portraits in Hamlet on film / Yolana Wassersug -- "This painting wherein you see me smeared": Francis Bacon, Coriolanus, and the brutality of facialization / Hillary Nunn and Aaron Hubbard -- Afterword / Michael Neill.
  3. Immateriality and early modern English literature
    Shakespeare, Donne, Herbert
    Autor*in: Knapp, James A.
    Erschienen: [2020]; © 2020
    Verlag:  Edinburgh University Press, Edinburgh

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 147445710X; 9781474457101
    Schriftenreihe: Edinburgh critical studies in Shakespeare and philosophy
    Schlagworte: English literature; English literature ; Early modern; Criticism, interpretation, etc
    Umfang: xiii, 433 Seiten, 24 cm
    Bemerkung(en):

    Literaturverzeichnis: Seite 394-416
  4. Shakespeare and the power of the face
    Beteiligt: Knapp, James A. (HerausgeberIn)
    Erschienen: [2015]; 2015
    Verlag:  Ashgate Publishing, Farnham, Surrey

    "As contributors to this volume prove, Shakespeare's language of the self relies on descriptions of and reactions to facial expressions and features. An analysis of Shakespeare's treatment of faces has implications for our understanding of the... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 966207
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Signatur:
    2018/4431
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "As contributors to this volume prove, Shakespeare's language of the self relies on descriptions of and reactions to facial expressions and features. An analysis of Shakespeare's treatment of faces has implications for our understanding of the context in which he wrote, and for the ongoing interpretation and production of the plays. By bringing together historians, theorists of performance and critics interested in material culture and philosophies of self, this book makes a significant contribution to our understanding of attitudes towards embodiment in Shakespeare's England" -- Introduction: Shakespeare and the power of the face / James A. Knapp -- Part. I. Powerful faces. 1. "Thy face is mine": faces and fascination in Shakespeare's plays / Sibylle Baumbach; 2. Fashioning the face: embodiment and desire in early modern poetry / Farah Karim-Cooper; 3. Facing marital cruelty in Shakespeare's The taming of the shrew and early modern London / Loreen L. Giese -- Part II. Signifying faces. 4. The two faces of Othello / Sean Lawrence; 5. Facing King Lear / David B. Goldstein; 6. Complex complexions: the facial signification of the black other in lust's dominion / Vanessa Corredera -- Part III. Staged faces. 7. "I knew by his face there was something in him": buried stage directions and authorial control / Catherine Loomis -- 8. The play of looks: audience and the force of the early modern face / Penelope Woods; 9. "The counterfeit presentment of two brothers": the power of portraits in Hamlet / Yolana Wassersug -- 10. "This painting wherein you see me smeared": Francis Bacon, Coriolanus, and the brutality of facialization / Hillary M. Nunn and Aaron Hubbard -- Afterword / Michael Neill

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Knapp, James A. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781472415790
    RVK Klassifikation: HI 3385
    Schlagworte: Facial expression in literature; Face perception in literature; Identity (Psychology) in literature; Personality in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: xi, 208 Seiten, 24 cm
    Bemerkung(en):

    Includes bibliographical references (pages 185-200) and index

    Introduction: Shakespeare and the power of the face / James A. KnappPowerful faces. "Thy face is mine": faces and fascination in Shakespeare's plays / Sibylle Baumbach; Fashioning the face: embodiment and desire in early modern poetry / Farah Karim-Cooper; Facing marital cruelty in Shakespeare's The taming of the shrew and early modern London / Loreen Giese -- Signifying faces. The two faces of Othello / Sean Lawrence; Facing King Lear / David Goldstein; Complex complexions: the facial signification of the black other in lust's dominion / Vanessa Corredera -- Staged faces. "I knew by his face there was something in him": buried stage directions and authorial control / Catherine Loomis -- The play of looks: audience and the force of the early modern face / Penelope Woods; "The counterfeit presentment of two brothers": the power of portraits in Hamlet on film / Yolana Wassersug -- "This painting wherein you see me smeared": Francis Bacon, Coriolanus, and the brutality of facialization / Hillary Nunn and Aaron Hubbard -- Afterword / Michael Neill.
  5. Immateriality and early modern English literature
    Shakespeare, Donne, Herbert
    Autor*in: Knapp, James A.
    Erschienen: [2020]; © 2020
    Verlag:  Edinburgh University Press, Edinburgh

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 95886
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Signatur:
    a ang 453.1 e/736
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2020 A 7792
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Mannheim
    Signatur:
    2020 A 2839
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Signatur:
    HG 432 K67
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Herzog August Bibliothek Wolfenbüttel
    Signatur:
    70.2833
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 147445710X; 9781474457101
    Schriftenreihe: Edinburgh critical studies in Shakespeare and philosophy
    Schlagworte: English literature; English literature ; Early modern; Criticism, interpretation, etc
    Umfang: xiii, 433 Seiten, 24 cm
    Bemerkung(en):

    Literaturverzeichnis: Seite 394-416
  6. Shakespeare and the power of the face
    Beteiligt: Knapp, James A. (HerausgeberIn)
    Erschienen: [2015]; 2015
    Verlag:  Ashgate Publishing, Farnham, Surrey

    "As contributors to this volume prove, Shakespeare's language of the self relies on descriptions of and reactions to facial expressions and features. An analysis of Shakespeare's treatment of faces has implications for our understanding of the... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "As contributors to this volume prove, Shakespeare's language of the self relies on descriptions of and reactions to facial expressions and features. An analysis of Shakespeare's treatment of faces has implications for our understanding of the context in which he wrote, and for the ongoing interpretation and production of the plays. By bringing together historians, theorists of performance and critics interested in material culture and philosophies of self, this book makes a significant contribution to our understanding of attitudes towards embodiment in Shakespeare's England" -- Introduction: Shakespeare and the power of the face / James A. Knapp -- Part. I. Powerful faces. 1. "Thy face is mine": faces and fascination in Shakespeare's plays / Sibylle Baumbach; 2. Fashioning the face: embodiment and desire in early modern poetry / Farah Karim-Cooper; 3. Facing marital cruelty in Shakespeare's The taming of the shrew and early modern London / Loreen L. Giese -- Part II. Signifying faces. 4. The two faces of Othello / Sean Lawrence; 5. Facing King Lear / David B. Goldstein; 6. Complex complexions: the facial signification of the black other in lust's dominion / Vanessa Corredera -- Part III. Staged faces. 7. "I knew by his face there was something in him": buried stage directions and authorial control / Catherine Loomis -- 8. The play of looks: audience and the force of the early modern face / Penelope Woods; 9. "The counterfeit presentment of two brothers": the power of portraits in Hamlet / Yolana Wassersug -- 10. "This painting wherein you see me smeared": Francis Bacon, Coriolanus, and the brutality of facialization / Hillary M. Nunn and Aaron Hubbard -- Afterword / Michael Neill

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Verlag (Inhaltsverzeichnis)
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Knapp, James A. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781472415790
    RVK Klassifikation: HI 3385
    Schlagworte: Facial expression in literature; Face perception in literature; Identity (Psychology) in literature; Personality in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: xi, 208 Seiten, 24 cm
    Bemerkung(en):

    Includes bibliographical references (pages 185-200) and index

    Introduction: Shakespeare and the power of the face / James A. KnappPowerful faces. "Thy face is mine": faces and fascination in Shakespeare's plays / Sibylle Baumbach; Fashioning the face: embodiment and desire in early modern poetry / Farah Karim-Cooper; Facing marital cruelty in Shakespeare's The taming of the shrew and early modern London / Loreen Giese -- Signifying faces. The two faces of Othello / Sean Lawrence; Facing King Lear / David Goldstein; Complex complexions: the facial signification of the black other in lust's dominion / Vanessa Corredera -- Staged faces. "I knew by his face there was something in him": buried stage directions and authorial control / Catherine Loomis -- The play of looks: audience and the force of the early modern face / Penelope Woods; "The counterfeit presentment of two brothers": the power of portraits in Hamlet on film / Yolana Wassersug -- "This painting wherein you see me smeared": Francis Bacon, Coriolanus, and the brutality of facialization / Hillary Nunn and Aaron Hubbard -- Afterword / Michael Neill.
  7. Shakespeare and the power of the face
    Beteiligt: Knapp, James A. (HerausgeberIn)
    Erschienen: 2016
    Verlag:  Routledge, London

    pt. 1. Powerful faces -- pt. 2. Signifying faces -- pt. 3. Staged faces. mehr

    Zugang:
    Verlag (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    pt. 1. Powerful faces -- pt. 2. Signifying faces -- pt. 3. Staged faces.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Knapp, James A. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781315608655; 9781317056362; 9781317056379
    Weitere Identifier:
    RVK Klassifikation: HI 3385
    Schlagworte: Facial expression in literature; Face perception in literature; Identity (Psychology) in literature; Personality in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xi, 208 Seiten), Illustrationen
  8. Shakespeare and the power of the face
    Beteiligt: Knapp, James A. (HerausgeberIn)
    Erschienen: [2015]; 2015
    Verlag:  Ashgate Publishing, Farnham, Surrey

    "As contributors to this volume prove, Shakespeare's language of the self relies on descriptions of and reactions to facial expressions and features. An analysis of Shakespeare's treatment of faces has implications for our understanding of the... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 966207
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Universität Chemnitz, Universitätsbibliothek
    Signatur:
    $BCh 1
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Signatur:
    2018/4431
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Württembergische Landesbibliothek
    Signatur:
    65/17365
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "As contributors to this volume prove, Shakespeare's language of the self relies on descriptions of and reactions to facial expressions and features. An analysis of Shakespeare's treatment of faces has implications for our understanding of the context in which he wrote, and for the ongoing interpretation and production of the plays. By bringing together historians, theorists of performance and critics interested in material culture and philosophies of self, this book makes a significant contribution to our understanding of attitudes towards embodiment in Shakespeare's England" -- Introduction: Shakespeare and the power of the face / James A. Knapp -- Part. I. Powerful faces. 1. "Thy face is mine": faces and fascination in Shakespeare's plays / Sibylle Baumbach; 2. Fashioning the face: embodiment and desire in early modern poetry / Farah Karim-Cooper; 3. Facing marital cruelty in Shakespeare's The taming of the shrew and early modern London / Loreen L. Giese -- Part II. Signifying faces. 4. The two faces of Othello / Sean Lawrence; 5. Facing King Lear / David B. Goldstein; 6. Complex complexions: the facial signification of the black other in lust's dominion / Vanessa Corredera -- Part III. Staged faces. 7. "I knew by his face there was something in him": buried stage directions and authorial control / Catherine Loomis -- 8. The play of looks: audience and the force of the early modern face / Penelope Woods; 9. "The counterfeit presentment of two brothers": the power of portraits in Hamlet / Yolana Wassersug -- 10. "This painting wherein you see me smeared": Francis Bacon, Coriolanus, and the brutality of facialization / Hillary M. Nunn and Aaron Hubbard -- Afterword / Michael Neill

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Verlag (Inhaltsverzeichnis)
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Knapp, James A. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781472415790
    RVK Klassifikation: HI 3385
    Schlagworte: Facial expression in literature; Face perception in literature; Identity (Psychology) in literature; Personality in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: xi, 208 Seiten, 24 cm
    Bemerkung(en):

    Includes bibliographical references (pages 185-200) and index

    Introduction: Shakespeare and the power of the face / James A. KnappPowerful faces. "Thy face is mine": faces and fascination in Shakespeare's plays / Sibylle Baumbach; Fashioning the face: embodiment and desire in early modern poetry / Farah Karim-Cooper; Facing marital cruelty in Shakespeare's The taming of the shrew and early modern London / Loreen Giese -- Signifying faces. The two faces of Othello / Sean Lawrence; Facing King Lear / David Goldstein; Complex complexions: the facial signification of the black other in lust's dominion / Vanessa Corredera -- Staged faces. "I knew by his face there was something in him": buried stage directions and authorial control / Catherine Loomis -- The play of looks: audience and the force of the early modern face / Penelope Woods; "The counterfeit presentment of two brothers": the power of portraits in Hamlet on film / Yolana Wassersug -- "This painting wherein you see me smeared": Francis Bacon, Coriolanus, and the brutality of facialization / Hillary Nunn and Aaron Hubbard -- Afterword / Michael Neill.
  9. Immateriality and early modern English literature
    Shakespeare, Donne, Herbert
    Autor*in: Knapp, James A.
    Erschienen: 2020
    Verlag:  Edinburgh University Press, Edinburgh

    Immateriality and Early Modern English Literature explores how early modern writers responded to rapidly shifting ideas about the interrelation of their natural and spiritual worlds. mehr

    Zugang:
    Verlag (lizenzpflichtig)

    Standort:
    Fachinformationsverbund Internationale Beziehungen und Länderkunde
    Signatur:
    E-Book CUP HSFK
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Fernleihe:
    keine Fernleihe

    Standort:
    Technische Universität Chemnitz, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Peace Research Institute Frankfurt, Bibliothek
    Signatur:
    E-Book CUP HSFK
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe

    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signatur:
    eBook Cambridge
    Fernleihe:
    keine Fernleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Rostock
    Fernleihe:
    keine Fernleihe

    Standort:
    Württembergische Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Immateriality and Early Modern English Literature explores how early modern writers responded to rapidly shifting ideas about the interrelation of their natural and spiritual worlds.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474457125; 9781474457101
    Schriftenreihe: Edinburgh critical studies in Shakespeare and philosophy
    Schlagworte: English literature; English literature ; Early modern, 1500-1700 ; History and criticism
    Umfang: 1 online resource (xiii, 433 pages), digital, PDF file(s).
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 13 Oct 2020)
  10. Immateriality and early modern English literature
    Shakespeare, Donne, Herbert
    Autor*in: Knapp, James A.
    Erschienen: 2020
    Verlag:  Edinburgh University Press, Edinburgh

    Immateriality and Early Modern English Literature explores how early modern writers responded to rapidly shifting ideas about the interrelation of their natural and spiritual worlds. mehr

    Zugang:
    Verlag (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Immateriality and Early Modern English Literature explores how early modern writers responded to rapidly shifting ideas about the interrelation of their natural and spiritual worlds.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474457125; 9781474457101
    Schriftenreihe: Edinburgh critical studies in Shakespeare and philosophy
    Schlagworte: English literature; English literature ; Early modern, 1500-1700 ; History and criticism
    Umfang: 1 online resource (xiii, 433 pages), digital, PDF file(s).
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 13 Oct 2020)