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  1. How the Soviet Man Was Unmade
    Cultural Fantasy and Male Subjectivity under Stalin
    Autor*in: Kaganovsky, Lilya
    Erschienen: 2008
    Verlag:  University of Pittsburgh Press, Pittsburgh PA ; ProQuest, Ann Arbor, Michigan

    In Stalinist Russia, the idealized Soviet man projected an image of strength, virility, and unyielding drive in his desire to build a powerful socialist state. In monuments, posters, and other tools of cultural production, he became the demigod of... mehr

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    Universität Frankfurt, Elektronische Ressourcen
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    Universitätsbibliothek Gießen
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    Universität Mainz, Zentralbibliothek
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    keine Fernleihe

     

    In Stalinist Russia, the idealized Soviet man projected an image of strength, virility, and unyielding drive in his desire to build a powerful socialist state. In monuments, posters, and other tools of cultural production, he became the demigod of Communist ideology. But beneath the surface of this fantasy, between the lines of texts and in film, lurked another figure: the wounded body of the heroic invalid, the second version of Stalin's New Man. In How the Soviet Man Was Unmade, Lilya Kaganovsky exposes the paradox behind the myth of the indestructible Stalinist-era male. In her analysis of social-realist literature and cinema, she examines the recurring theme of the mutilated male body, which appears with startling frequency. Kaganovsky views this representation as a thinly veiled statement about the emasculated male condition during the Stalinist era. Because the communist state was "full of heroes," a man could only truly distinguish himself and attain hero status through bodily sacrifice-yet in his wounding, he was forever reminded that he would be limited in what he could achieve, and was expected to remain in a state of continued subservience to Stalin and the party.Kaganovsky provides an insightful reevaluation of classic works of the period, including the novels of Nikolai Ostrovskii (How Steel Was Tempered) and Boris Polevoi (A Story About a Real Man), and films such as Ivan Pyr'ev's The Party Card, Eduard Pentslin's The Fighter Pilots, and Mikhail Chiaureli's The Fall of Berlin, among others. The symbolism of wounding and dismemberment in these works acts as a fissure in the facade of Stalinist cultural production through which we can view the consequences of historic and political trauma.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822973430
    RVK Klassifikation: KK 1020 ; KK 1035 ; KK 1060 ; KK 2100 ; MG 85070 ; NQ 5055
    Schriftenreihe: Pitt Russian East European
    Schlagworte: Stalinismus; Literatur; Film; Männlichkeit <Motiv>
    Umfang: 1 Online-Ressource (241 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  2. How the Soviet man was unmade
    cultural fantasy and male subjectivity under Stalin
    Autor*in: Kaganovsky, Lilya
    Erschienen: 2008
    Verlag:  Univ. of Pittsburgh Press, Pittsburgh

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0822959933; 9780822959939; 0822943212; 9780822943211
    RVK Klassifikation: KK 1020 ; KK 1035 ; KK 1060 ; KK 2100 ; MG 85070 ; NQ 5055
    Schriftenreihe: Pitt series in Russian and East European studies
    Schlagworte: Stalinismus; Literatur; Film; Männlichkeit <Motiv>
    Umfang: XI, 226 S.
    Bemerkung(en):

    Bodies that matter -- How the Soviet man was (un)made -- Visual pleasure in Stalinist cinema -- Heterosexual panic -- What does woman want? -- Female masculinity

    Literaturverz. S. 203 - 216
  3. How the Soviet man was unmade
    cultural fantasy and male subjectivity under Stalin
    Autor*in: Kaganovsky, Lilya
    Erschienen: 2008
    Verlag:  Univ. of Pittsburgh Press, Pittsburgh, Pa.

    Introduction: "Bodies that matter" -- How the Soviet man was (un)made -- Visual pleasure in Stalinist cinema -- Heterosexual panic -- What does woman want? -- Epilogue: "Female masculinity mehr

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    Introduction: "Bodies that matter" -- How the Soviet man was (un)made -- Visual pleasure in Stalinist cinema -- Heterosexual panic -- What does woman want? -- Epilogue: "Female masculinity

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0822959933; 0822943212; 9780822959939; 9780822943211
    Weitere Identifier:
    9780822959939
    2008015490
    RVK Klassifikation: KK 1060 ; KK 1035 ; KK 1020 ; KK 2100
    Schriftenreihe: Pitt series in Russian and East European studies
    Schlagworte: Russian literature; Motion pictures; Masculinity in literature; Masculinity in motion pictures; Men in literature; Men in motion pictures; Socialist realism in literature; Socialist realism in motion pictures; Socialist realism
    Umfang: XI, 226 S., Ill.
    Bemerkung(en):

    Includes bibliographical references and index

    Bodies that matter -- How the Soviet man was (un)made -- Visual pleasure in Stalinist cinema -- Heterosexual panic -- What does woman want? -- Female masculinity
  4. How the Soviet man was unmade
    cultural fantasy and male subjectivity under Stalin
    Autor*in: Kaganovsky, Lilya
    Erschienen: 2008
    Verlag:  Univ. of Pittsburgh Press, Pittsburgh, Pa.

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    Quelle: Verbundkataloge
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    ISBN: 9780822943211; 0822943212; 9780822959939; 0822959933
    Weitere Identifier:
    2008015490
    Schriftenreihe: Pitt series in Russian and East European studies
    Schlagworte: Mann <Motiv>; Männerbild; Künste
    Umfang: XI, 226 S., Ill.
  5. How the Soviet Man Was Unmade
    Cultural Fantasy and Male Subjectivity under Stalin
    Autor*in: Kaganovsky, Lilya
    Erschienen: 2008; © 2008
    Verlag:  University of Pittsburgh Press, Pittsburgh PA

    In Stalinist Russia, the idealized Soviet man projected an image of strength, virility, and unyielding drive in his desire to build a powerful socialist state. In monuments, posters, and other tools of cultural production, he became the demigod of... mehr

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

     

    In Stalinist Russia, the idealized Soviet man projected an image of strength, virility, and unyielding drive in his desire to build a powerful socialist state. In monuments, posters, and other tools of cultural production, he became the demigod of Communist ideology. But beneath the surface of this fantasy, between the lines of texts and in film, lurked another figure: the wounded body of the heroic invalid, the second version of Stalin's New Man.  In How the Soviet Man Was Unmade, Lilya Kaganovsky exposes the paradox behind the myth of the indestructible Stalinist-era male. In her analysis of social-realist literature and cinema, she examines the recurring theme of the mutilated male body, which appears with startling frequency. Kaganovsky views this representation as a thinly veiled statement about the emasculated male condition during the Stalinist era. Because the communist state was "full of heroes," a man could only truly distinguish himself and attain hero status through bodily sacrifice-yet in his wounding, he was forever reminded that he would be limited in what he could achieve, and was expected to remain in a state of continued subservience to Stalin and the party. Kaganovsky provides an insightful reevaluation of classic works of the period, including the novels of Nikolai Ostrovskii (How Steel Was Tempered) and Boris Polevoi (A Story About a Real Man), and films such as Ivan Pyr'ev's The Party Card, Eduard Pentslin's The Fighter Pilots, and Mikhail Chiaureli's The Fall of Berlin, among others. The symbolism of wounding and dismemberment in these works acts as a fissure in the facade of Stalinist cultural production through which we can view the consequences of historic and political trauma

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822973430; 9780822943211
    Schriftenreihe: Pitt Russian East European
    Schlagworte: Film; Geschichte; Masculinity in literature; Masculinity in motion pictures; Men in literature; Men in motion pictures; Motion pictures -- Soviet Union -- History; Russian literature -- 20th century -- History and criticism; Socialist realism -- Soviet Union; Socialist realism in literature; Mann <Motiv>; Männerbild
    Umfang: 1 online resource (241 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  6. How the Soviet man was unmade
    cultural fantasy and male subjectivity under Stalin
    Autor*in: Kaganovsky, Lilya
    Erschienen: ©2008
    Verlag:  University of Pittsburgh Press, Pittsburgh

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 082297343X; 9780822973430
    RVK Klassifikation: KK 1020 ; KK 1035 ; KK 1060 ; KK 2100 ; MG 85070 ; NQ 5055
    Schriftenreihe: Series in Russian and East European studies
    Schlagworte: Stalinismus; Literatur; Film; Männlichkeit <Motiv>; Masculinity in literature; Masculinity in motion pictures; Men in literature; Men in motion pictures; Motion pictures; Russian literature; Socialist realism; Socialist realism in literature; Socialist realism in motion pictures; LITERARY CRITICISM / Russian & Former Soviet Union; HISTORY / Europe / Russia & the Former Soviet Union; Masculinity in literature; Masculinity in motion pictures; Men in literature; Men in motion pictures; Motion pictures / Soviet Union / History; Russian literature / 20th century / History and criticism; Socialist realism / Soviet Union; Socialist realism in literature; Socialist realism in motion pictures; Film; Geschichte; Russian literature; Motion pictures; Masculinity in literature; Masculinity in motion pictures; Men in literature; Men in motion pictures; Socialist realism in literature; Socialist realism in motion pictures; Socialist realism; Mann <Motiv>; Männerbild
    Umfang: 1 Online-Ressource (xi, 226 pages)
    Bemerkung(en):

    Includes bibliographical references (p. 203-216) and index

    Introduction: "Bodies that matter" -- How the Soviet man was (un)made -- Visual pleasure in Stalinist cinema -- Heterosexual panic -- What does woman want? -- Epilogue: "Female masculinity."

    In Stalinist Russia, the idealized Soviet man projected an image of strength, virility, and unyielding drive in his desire to build a powerful socialist state. In monuments, posters, and other tools of cultural production, he became the demigod of Communist ideology. But beneath the surface of this fantasy, between the lines of texts and in film, lurked another figure: the wounded body of the heroic invalid, the second version of Stalin's New Man. In How the Soviet Man Was Unmade, Lilya Kaganovsky exposes the paradox behind the myth of the indestructible Stalinist-era male. In her analysis of
  7. How the Soviet man was unmade
    cultural fantasy and male subjectivity under Stalin
    Autor*in: Kaganovsky, Lilya
    Erschienen: 2008
    Verlag:  Univ. of Pittsburgh Press, Pittsburgh, Pa.

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780822943211; 9780822959939; 0822943212; 0822959933
    RVK Klassifikation: KK 1060 ; NQ 5055 ; KK 2100 ; KK 1035 ; KK 1020 ; MG 85070
    Schriftenreihe: Pitt series in Russian and East European studies
    Schlagworte: Russian literature; Motion pictures; Masculinity in literature; Masculinity in motion pictures; Men in literature; Men in motion pictures; Socialist realism in literature; Socialist realism in motion pictures; Socialist realism
    Umfang: XI, 226 S., Ill., 24 cm
    Bemerkung(en):

    Literaturverz. S. 203 - 216
  8. How the Soviet man was unmade
    cultural fantasy and male subjectivity under Stalin
    Autor*in: Kaganovsky, Lilya
    Erschienen: 2008
    Verlag:  Univ. of Pittsburgh Press, Pittsburgh

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    Quelle: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
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    ISBN: 9780822943211; 0822943212; 9780822959939; 0822959933
    RVK Klassifikation: KK 1020 ; KK 1035 ; KK 1060 ; KK 2100 ; MG 85070 ; NQ 5055
    Schriftenreihe: Pitt series in Russian and East European studies
    Schlagworte: Film; Geschichte; Masculinity in literature; Masculinity in motion pictures; Men in literature; Men in motion pictures; Motion pictures; Russian literature; Socialist realism in literature; Socialist realism in motion pictures; Socialist realism; Männerbild; Mann <Motiv>
    Umfang: XI, 226 S., Ill.
  9. How the Soviet man was unmade
    cultural fantasy and male subjectivity under Stalin
    Autor*in: Kaganovsky, Lilya
    Erschienen: 2008
    Verlag:  University of Pittsburgh Press, Pittsburgh ; EBSCO Industries, Inc., Birmingham, AL, USA

    In Stalinist Russia, the idealized Soviet man projected an image of strength, virility, and unyielding drive in his desire to build a powerful socialist state. In monuments, posters, and other tools of cultural production, he became the demigod of... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    In Stalinist Russia, the idealized Soviet man projected an image of strength, virility, and unyielding drive in his desire to build a powerful socialist state. In monuments, posters, and other tools of cultural production, he became the demigod of Communist ideology. But beneath the surface of this fantasy, between the lines of texts and in film, lurked another figure: the wounded body of the heroic invalid, the second version of Stalin's New Man. In How the Soviet Man Was Unmade, Lilya Kaganovsky exposes the paradox behind the myth of the indestructible Stalinist-era male. In her analysis of.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822973430; 082297343X
    Schriftenreihe: Pitt series in Russian and East European studies
    Umfang: 1 Online-Ressource (xi, 226 pages), Illustrations
    Bemerkung(en):

    Includes bibliographical references (pages 203-216) and index
  10. How the Soviet man was unmade
    cultural fantasy and male subjectivity under Stalin
    Autor*in: Kaganovsky, Lilya
    Erschienen: 2008
    Verlag:  Univ. of Pittsburgh Press, Pittsburgh

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  11. How the Soviet man was unmade
    cultural fantasy and male subjectivity under Stalin
    Autor*in: Kaganovsky, Lilya
    Erschienen: 2008
    Verlag:  Univ. of Pittsburgh Press, Pittsburgh, Pa.

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780822943211; 0822943212; 9780822959939; 0822959933
    Schriftenreihe: Pitt series in Russian and East European studies
    Schlagworte: Sowjetunion; Künste; Mann <Motiv>; Geschichte 1924-1953; Sowjetunion; Männerbild; Geschichte 1924-1953
    Umfang: XI, 226 S. : Ill.
  12. How the Soviet man was unmade
    cultural fantasy and male subjectivity under Stalin
    Autor*in: Kaganovsky, Lilya
    Erschienen: ©2008
    Verlag:  University of Pittsburgh Press, Pittsburgh

    In Stalinist Russia, the idealized Soviet man projected an image of strength, virility, and unyielding drive in his desire to build a powerful socialist state. In monuments, posters, and other tools of cultural production, he became the demigod of... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    In Stalinist Russia, the idealized Soviet man projected an image of strength, virility, and unyielding drive in his desire to build a powerful socialist state. In monuments, posters, and other tools of cultural production, he became the demigod of Communist ideology. But beneath the surface of this fantasy, between the lines of texts and in film, lurked another figure: the wounded body of the heroic invalid, the second version of Stalin's New Man. In How the Soviet Man Was Unmade, Lilya Kaganovsky exposes the paradox behind the myth of the indestructible Stalinist-era male. In her analysis of

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Schriftenreihe: Pitt series in Russian and East European studies
    Schlagworte: Men in literature; Men in motion pictures; Socialist realism in literature; Socialist realism in motion pictures; Socialist realism; Russian literature; Masculinity in motion pictures; Masculinity in literature; Motion pictures
    Umfang: Online-Ressource (xi, 226 pages), illustrations
    Bemerkung(en):

    Includes bibliographical references (p. 203-216) and index

    Introduction: "Bodies that matter"How the Soviet man was (un)made -- Visual pleasure in Stalinist cinema -- Heterosexual panic -- What does woman want? -- Epilogue: "Female masculinity."