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  1. Creative lives in classical antiquity
    poets, artists and biography
    Beteiligt: Fletcher, Richard (Herausgeber); Hanink, Johanna (Herausgeber)
    Erschienen: 2016
    Verlag:  Cambridge University Press, Cambridge

    What happened when creative biographers took on especially creative subjects (poets, artists and others) in Greek and Roman antiquity? Creative Lives in Classical Antiquity examines how the biographical traditions of ancient poets and artists... mehr

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    Standort:
    Universität Frankfurt, Elektronische Ressourcen
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    /
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    Standort:
    Universitätsbibliothek Gießen
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    What happened when creative biographers took on especially creative subjects (poets, artists and others) in Greek and Roman antiquity? Creative Lives in Classical Antiquity examines how the biographical traditions of ancient poets and artists parallel the creative processes of biographers themselves, both within antiquity and beyond. Each chapter explores a range of biographical material that highlights the complexity of how readers and viewers imagine the lives of ancient creator-figures. Work in the last decades has emphasized the likely fictionality of nearly all of the ancient evidence about the lives of poets, as well as of other artists and intellectuals; this book now sets out to show what we might nevertheless still do with the rich surviving testimony for 'creative lives' - and the evidence that those traditions still shape how we narrate modern lives too.

     
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    Quelle: Verbundkataloge
    Beteiligt: Fletcher, Richard (Herausgeber); Hanink, Johanna (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781316670651
    RVK Klassifikation: FB 5175 ; NH 5150 ; NH 5250 ; FB 6101
    Schriftenreihe: Cambridge classical studies
    Schlagworte: Antike; Schriftsteller; Künstler; Biografie
    Umfang: 1 Online-Ressource (viii, 373 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 15 Dec 2016)
  2. Lycurgan Athens and the making of classical tragedy
    Autor*in: Hanink, Johanna
    Erschienen: 2014
    Verlag:  Cambridge University Press, Cambridge

    Through a series of interdisciplinary studies this book argues that the Athenians themselves invented the notion of 'classical' tragedy just a few generations after the city's defeat in the Peloponnesian War. In the third quarter of the fourth... mehr

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    Universität Frankfurt, Elektronische Ressourcen
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    Through a series of interdisciplinary studies this book argues that the Athenians themselves invented the notion of 'classical' tragedy just a few generations after the city's defeat in the Peloponnesian War. In the third quarter of the fourth century BC, and specifically during the 'Lycurgan Era' (338–322 BC), a number of measures were taken in Athens to affirm to the Greek world that the achievement of tragedy was owed to the unique character of the city. By means of rhetoric, architecture, inscriptions, statues, archives and even legislation, the 'classical' tragedians (Aeschylus, Sophocles and Euripides) and their plays came to be presented as both the products and vital embodiments of an idealised Athenian past. This study marks the first account of Athens' invention of its own theatrical heritage and sheds new light upon the interaction between the city's literary and political history.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781107449589
    RVK Klassifikation: FE 4351
    Schriftenreihe: [Cambridge classical studies]
    Schlagworte: Griechisch; Drama; Rezeption
    Umfang: 1 Online-Ressource (xiii, 280 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  3. Creative lives in classical antiquity
    poets, artists and biography
    Beteiligt: Fletcher, Richard (HerausgeberIn); Hanink, Johanna (HerausgeberIn)
    Erschienen: 2016
    Verlag:  Cambridge University Press, Cambridge

    What happened when creative biographers took on especially creative subjects (poets, artists and others) in Greek and Roman antiquity? Creative Lives in Classical Antiquity examines how the biographical traditions of ancient poets and artists... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    What happened when creative biographers took on especially creative subjects (poets, artists and others) in Greek and Roman antiquity? Creative Lives in Classical Antiquity examines how the biographical traditions of ancient poets and artists parallel the creative processes of biographers themselves, both within antiquity and beyond. Each chapter explores a range of biographical material that highlights the complexity of how readers and viewers imagine the lives of ancient creator-figures. Work in the last decades has emphasized the likely fictionality of nearly all of the ancient evidence about the lives of poets, as well as of other artists and intellectuals; this book now sets out to show what we might nevertheless still do with the rich surviving testimony for 'creative lives' - and the evidence that those traditions still shape how we narrate modern lives too. Part I. Opening remarks -- Orientation: what we mean by 'Creative lives' / Johanna Hanink and Richard Fletcher -- 'Lives' as parameter: the privileging of ancient lives as a category of research c. 1900 / Constanze Güthenke -- Part II. Dead poets societies -- Close encounters with the ancient poets / Barbara Graziosi -- Recognizing Virgil / Andrew Laird -- Part III. Lives in unexpected places -- A poetic possession: Pindar's Lives of the poets / Anna Uhlig -- What's in a life? Some forgotten faces of Euripides / Johanna Hanink -- Lives from stone: Epigraphy and biography in Classical and Hellenistic Greece / Polly Low -- Part IV. Laughing matters and lives of the mind -- On bees, poets and Plato: Ancient biographers' representations of the creative process / Mary Lefkowitz -- The life and philosophy of Aristippus in the Socratic epistles / Kurt Lampe -- Imagination dead imagine: Diogenes Laertius' work of mourning / Richard Fletcher -- Part V. Portraits of the artist -- 'It is Orpheus when there is singing': The mythical fabric of musical lives / Pauline A. Leven -- The artists as anecdote: Creating creators in ancient texts and modern art history / Verity Platt -- Freud and the biography of antiquity / Miriam Leonard -- Envoi / John Henderson

     
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    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Fletcher, Richard (HerausgeberIn); Hanink, Johanna (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781107159082; 9781316612040; 9781316670651
    Weitere Identifier:
    RVK Klassifikation: NH 5150 ; FE 3537 ; FB 5175
    Schriftenreihe: Cambridge classical studies
    Schlagworte: Biography as a literary form; Classical biography; Classical biography ; History and criticism; Biography as a literary form
    Umfang: 1 online resource (viii, 373 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 15 Dec 2016)
  4. Creative lives in classical antiquity
    poets, artists and biography
    Beteiligt: Fletcher, Richard (HerausgeberIn); Hanink, Johanna (HerausgeberIn)
    Erschienen: 2016
    Verlag:  Cambridge University Press, Cambridge

    What happened when creative biographers took on especially creative subjects (poets, artists and others) in Greek and Roman antiquity? Creative Lives in Classical Antiquity examines how the biographical traditions of ancient poets and artists... mehr

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    What happened when creative biographers took on especially creative subjects (poets, artists and others) in Greek and Roman antiquity? Creative Lives in Classical Antiquity examines how the biographical traditions of ancient poets and artists parallel the creative processes of biographers themselves, both within antiquity and beyond. Each chapter explores a range of biographical material that highlights the complexity of how readers and viewers imagine the lives of ancient creator-figures. Work in the last decades has emphasized the likely fictionality of nearly all of the ancient evidence about the lives of poets, as well as of other artists and intellectuals; this book now sets out to show what we might nevertheless still do with the rich surviving testimony for 'creative lives' - and the evidence that those traditions still shape how we narrate modern lives too. Part I. Opening remarks -- Orientation: what we mean by 'Creative lives' / Johanna Hanink and Richard Fletcher -- 'Lives' as parameter: the privileging of ancient lives as a category of research c. 1900 / Constanze Güthenke -- Part II. Dead poets societies -- Close encounters with the ancient poets / Barbara Graziosi -- Recognizing Virgil / Andrew Laird -- Part III. Lives in unexpected places -- A poetic possession: Pindar's Lives of the poets / Anna Uhlig -- What's in a life? Some forgotten faces of Euripides / Johanna Hanink -- Lives from stone: Epigraphy and biography in Classical and Hellenistic Greece / Polly Low -- Part IV. Laughing matters and lives of the mind -- On bees, poets and Plato: Ancient biographers' representations of the creative process / Mary Lefkowitz -- The life and philosophy of Aristippus in the Socratic epistles / Kurt Lampe -- Imagination dead imagine: Diogenes Laertius' work of mourning / Richard Fletcher -- Part V. Portraits of the artist -- 'It is Orpheus when there is singing': The mythical fabric of musical lives / Pauline A. Leven -- The artists as anecdote: Creating creators in ancient texts and modern art history / Verity Platt -- Freud and the biography of antiquity / Miriam Leonard -- Envoi / John Henderson

     
    Export in Literaturverwaltung   RIS-Format
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    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Fletcher, Richard (HerausgeberIn); Hanink, Johanna (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781107159082; 9781316612040; 9781316670651
    Weitere Identifier:
    RVK Klassifikation: NH 5150 ; FE 3537 ; FB 5175
    Schriftenreihe: Cambridge classical studies
    Schlagworte: Biography as a literary form; Classical biography; Classical biography ; History and criticism; Biography as a literary form
    Umfang: 1 online resource (viii, 373 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 15 Dec 2016)
  5. Lycurgan Athens and the making of classical tragedy
    Autor*in: Hanink, Johanna
    Erschienen: 2014
    Verlag:  Cambridge University Press, Cambridge

    "Through a series of interdisciplinary studies this book argues that the Athenians themselves invented the notion of 'classical' tragedy just a few generations after the city's defeat in the Peloponnesian War. In the third quarter of the fourth... mehr

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    Aggregator (lizenzpflichtig)

    Standort:
    Universitätsbibliothek Freiburg
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    keine Fernleihe

     

    "Through a series of interdisciplinary studies this book argues that the Athenians themselves invented the notion of 'classical' tragedy just a few generations after the city's defeat in the Peloponnesian War. In the third quarter of the fourth century BC, and specifically during the 'Lycurgan Era' (338-322 BC), a number of measures were taken in Athens to affirm to the Greek world that the achievement of tragedy was owed to the unique character of the city. By means of rhetoric, architecture, inscriptions, statues, archives and even legislation, the 'classical' tragedians (Aeschylus, Sophocles and Euripides) and their plays came to be presented as both the products and vital embodiments of an idealised Athenian past. This study marks the first account of Athens' invention of its own theatrical heritage and sheds new light upon the interaction between the city's literary and political history"-- Introduction: through the Lycurgan looking glass -- Part I. Classical tragedy and the Lycurgan programme. 1. Civic poetry in Lycurgus' Against Leocrates ; 2. Scripts and statues, or a law of Lycurgus' own ; 3. Site of change, site of memory: the 'Lycurgan' Theatre of Dionysus -- Part II. Reading the theatrical heritage. 4. Courtroom drama: Aeschines and Demosthenes ; 5. Classical tragedy and its comic lovers ; 6. Aristotle and the theatre of Athens -- Epilogue: classical tragedy in the age of Macedon.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1316004724; 131600922X; 1107449588; 9781316009222; 9781107449589; 9781316004722
    Schriftenreihe: [Cambridge classical studies]
    Schlagworte: Greek drama (Tragedy); Tragedy; Literature and society; Literature and society; Tragedy; Drama; Griechisch; Rezeption; Greek drama (Tragedy); HISTORY ; Ancient ; General; DRAMA ; Ancient, Classical & Medieval; Civilization; Criticism, interpretation, etc; History
    Weitere Schlagworte: Lycurgus (approximately 390 B.C.-approximately 324 B.C); Lycurgus
    Umfang: 1 Online-Ressource (xiii, 280 pages)
    Bemerkung(en):

    Includes bibliographical references and index
  6. Lycurgan Athens and the making of classical tragedy
    Autor*in: Hanink, Johanna
    Erschienen: 2014
    Verlag:  Cambridge University Press, Cambridge

    Through a series of interdisciplinary studies this book argues that the Athenians themselves invented the notion of 'classical' tragedy just a few generations after the city's defeat in the Peloponnesian War. In the third quarter of the fourth... mehr

    Standort:
    Universitätsbibliothek Bamberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Through a series of interdisciplinary studies this book argues that the Athenians themselves invented the notion of 'classical' tragedy just a few generations after the city's defeat in the Peloponnesian War. In the third quarter of the fourth century BC, and specifically during the 'Lycurgan Era' (338–322 BC), a number of measures were taken in Athens to affirm to the Greek world that the achievement of tragedy was owed to the unique character of the city. By means of rhetoric, architecture, inscriptions, statues, archives and even legislation, the 'classical' tragedians (Aeschylus, Sophocles and Euripides) and their plays came to be presented as both the products and vital embodiments of an idealised Athenian past. This study marks the first account of Athens' invention of its own theatrical heritage and sheds new light upon the interaction between the city's literary and political history

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781107449589
    Weitere Identifier:
    RVK Klassifikation: NH 6880
    Schriftenreihe: [Cambridge classical studies]
    Schlagworte: Geschichte; Greek drama (Tragedy) / History and criticism; Tragedy; Literature and society / Greece / Athens; Griechisch; Drama; Rezeption
    Weitere Schlagworte: Lycurgus / approximately 390 B.C.-approximately 324 B.C.
    Umfang: 1 online resource (xiii, 280 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction: through the Lycurgan looking glass -- 1. Civic poetry in Lycurgus' Against Leocrates -- 2. Scripts and statues, or a law of Lycurgus' own -- Site of change, site of memory: the 'Lycurgan' Theatre of Dionysus -- 4. Courtroom drama: Aeschines and Demosthenes -- 5. Classical tragedy and its comic lovers -- 6. Aristotle and the theatre of Athens -- Epilogue: classical tragedy in the age of Macedon
  7. Lycurgan Athens and the making of classical tragedy
    Autor*in: Hanink, Johanna
    Erschienen: 2014
    Verlag:  Cambridge University Press, Cambridge

    Through a series of interdisciplinary studies this book argues that the Athenians themselves invented the notion of 'classical' tragedy just a few generations after the city's defeat in the Peloponnesian War. In the third quarter of the fourth... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Through a series of interdisciplinary studies this book argues that the Athenians themselves invented the notion of 'classical' tragedy just a few generations after the city's defeat in the Peloponnesian War. In the third quarter of the fourth century BC, and specifically during the 'Lycurgan Era' (338–322 BC), a number of measures were taken in Athens to affirm to the Greek world that the achievement of tragedy was owed to the unique character of the city. By means of rhetoric, architecture, inscriptions, statues, archives and even legislation, the 'classical' tragedians (Aeschylus, Sophocles and Euripides) and their plays came to be presented as both the products and vital embodiments of an idealised Athenian past. This study marks the first account of Athens' invention of its own theatrical heritage and sheds new light upon the interaction between the city's literary and political history Introduction: through the Lycurgan looking glass -- 1. Civic poetry in Lycurgus' Against Leocrates -- 2. Scripts and statues, or a law of Lycurgus' own -- Site of change, site of memory: the 'Lycurgan' Theatre of Dionysus -- 4. Courtroom drama: Aeschines and Demosthenes -- 5. Classical tragedy and its comic lovers -- 6. Aristotle and the theatre of Athens -- Epilogue: classical tragedy in the age of Macedon

     
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    Quelle: Staatsbibliothek zu Berlin
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    Medientyp: Ebook
    Format: Online
    ISBN: 9781107449589
    Weitere Identifier:
    RVK Klassifikation: NH 6880
    Schriftenreihe: [Cambridge classical studies]
    Schlagworte: Tragedy; Literature and society; Greek drama (Tragedy); Lycurgus ; approximately 390 B.C.-approximately 324 B.C; Greek drama (Tragedy) ; History and criticism; Tragedy; Literature and society ; Greece ; Athens; Athens (Greece) ; History; Greece ; Civilization ; To 146 B.C
    Weitere Schlagworte: Lycurgus (approximately 390 B.C.-approximately 324 B.C)
    Umfang: 1 Online-Ressource (xiii, 280 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  8. Lycurgan Athens and the Making of Classical Tragedy
    Autor*in: Hanink, Johanna
    Erschienen: 2014
    Verlag:  Cambridge University Press, Cambridge

    The first account of how Athens invented the notion of 'classical' tragedy during the later fourth century BC mehr

    Standort:
    Hochschulbibliothek Friedensau
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    Online-Ressource
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    The first account of how Athens invented the notion of 'classical' tragedy during the later fourth century BC

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
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    Format: Online
    ISBN: 9781107062023
    Schriftenreihe: Cambridge Classical Studies
    Umfang: Online-Ressource (296 p)
    Bemerkung(en):

    Description based upon print version of record

    Cover; Half title; Title; Copyright; Contents; List of illustrations; Acknowledgements; Short titles and abbreviations; Reference chronology; Introduction: Through the Lycurgan looking glass; Part I Classical Tragedy and the Lycurgan Programme; 1 Civic Poetry in Lycurgus' Against Leocrates; 2 Scripts and statues, or a law of Lycurgus' own; 3 Site of change, site of memory: The 'Lycurgan' Theatre of Dionysus; Part II Reading the Theatrical Heritage; 4 Courtroom Drama: Aeschines and Demosthenes; 5 Classical tragedy and its comic lovers; 6 Aristotle and the Theatre of Athens

    Epilogue: Classical tragedy in the Age of MacedonBibliography; Index
  9. Lycurgan Athens and the making of classical tragedy
    Autor*in: Hanink, Johanna
    Erschienen: 2014
    Verlag:  Cambridge University Press, Cambridge

    Through a series of interdisciplinary studies this book argues that the Athenians themselves invented the notion of 'classical' tragedy just a few generations after the city's defeat in the Peloponnesian War. In the third quarter of the fourth... mehr

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    Through a series of interdisciplinary studies this book argues that the Athenians themselves invented the notion of 'classical' tragedy just a few generations after the city's defeat in the Peloponnesian War. In the third quarter of the fourth century BC, and specifically during the 'Lycurgan Era' (338–322 BC), a number of measures were taken in Athens to affirm to the Greek world that the achievement of tragedy was owed to the unique character of the city. By means of rhetoric, architecture, inscriptions, statues, archives and even legislation, the 'classical' tragedians (Aeschylus, Sophocles and Euripides) and their plays came to be presented as both the products and vital embodiments of an idealised Athenian past. This study marks the first account of Athens' invention of its own theatrical heritage and sheds new light upon the interaction between the city's literary and political history Introduction: through the Lycurgan looking glass -- 1. Civic poetry in Lycurgus' Against Leocrates -- 2. Scripts and statues, or a law of Lycurgus' own -- Site of change, site of memory: the 'Lycurgan' Theatre of Dionysus -- 4. Courtroom drama: Aeschines and Demosthenes -- 5. Classical tragedy and its comic lovers -- 6. Aristotle and the theatre of Athens -- Epilogue: classical tragedy in the age of Macedon

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781107449589
    Weitere Identifier:
    RVK Klassifikation: NH 6880
    Schriftenreihe: [Cambridge classical studies]
    Schlagworte: Tragedy; Literature and society; Greek drama (Tragedy); Lycurgus ; approximately 390 B.C.-approximately 324 B.C; Greek drama (Tragedy) ; History and criticism; Tragedy; Literature and society ; Greece ; Athens; Athens (Greece) ; History; Greece ; Civilization ; To 146 B.C
    Weitere Schlagworte: Lycurgus (approximately 390 B.C.-approximately 324 B.C)
    Umfang: 1 Online-Ressource (xiii, 280 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)