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  1. Gothic geoculture
    nineteenth-century representations of Cuba in the transamerican imaginary
    Erschienen: [2019]
    Verlag:  The Ohio State University Press, Columbus

    "Examines the ways writers in Cuba and the United States represented the island as "gothic" between 1830 and 1890 through specific tropes of monstrosity, possession, infection, and corruptive hypersexuality, and how some writers coded Cuba as... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Examines the ways writers in Cuba and the United States represented the island as "gothic" between 1830 and 1890 through specific tropes of monstrosity, possession, infection, and corruptive hypersexuality, and how some writers coded Cuba as dangerous and destructive"--

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780814213957
    Schriftenreihe: Global Latin/o Americas
    Schlagworte: Schauerroman; Literatur; Hispanos; Kuba <Motiv>
    Weitere Schlagworte: Literature and society / Cuba / History / 19th century; Cuba / History / 1810-1899; Gothic revival (Literature) / History and criticism; Corruption / Cuba; Corruption; Gothic revival (Literature); Literature and society; Cuba; 1800-1899; Criticism, interpretation, etc; History
    Umfang: x, 170 Seiten, 24 cm
    Bemerkung(en):

    Corruptive gothicscapes: William Cullen Bryant's Letters of a traveller and Nathaniel Parker Willis's Health trip to the Tropics -- Gothicized souths: Martin R. Delany's Blake, or The huts of America and Louisa May Alcott's 'Pauline's passion and punishment' -- Transgressive hauntings: Sophia Peabody's Cuba journal and Mary Peabody Mann's Juanita: a romance of real life in Cuba fifty years ago -- Gothic emplotments: Cirilo Villaverde's Cecilia Vald's and the story of Evangelina Cisneros, told by herself -- 'Inside the monster': José Martí's decolonial transamericanity -- Conclusion: Decolonizing the gothic

  2. Gothic geoculture
    nineteenth-century representations of Cuba in the transamerican imaginary
    Erschienen: [2019]; © 2019
    Verlag:  The Ohio State University Press, Columbus

    Corruptive gothicscapes: William Cullen Bryant's Letters of a traveller and Nathaniel Parker Willis's Health trip to the Tropics -- Gothicized souths: Martin R. Delany's Blake, or The huts of America and Louisa May Alcott's 'Pauline's passion and... mehr

    Staats- und Universitätsbibliothek Bremen
    a ang 850.7 cuba/298
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    EU/250/866
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Thüringer Universitäts- und Landesbibliothek
    AMK:MC:340:Gar::2019
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Corruptive gothicscapes: William Cullen Bryant's Letters of a traveller and Nathaniel Parker Willis's Health trip to the Tropics -- Gothicized souths: Martin R. Delany's Blake, or The huts of America and Louisa May Alcott's 'Pauline's passion and punishment' -- Transgressive hauntings: Sophia Peabody's Cuba journal and Mary Peabody Mann's Juanita: a romance of real life in Cuba fifty years ago -- Gothic emplotments: Cirilo Villaverde's Cecilia Vald's and the story of Evangelina Cisneros, told by herself -- 'Inside the monster': José Martí's decolonial transamericanity -- Conclusion: Decolonizing the gothic. "Examines the ways writers in Cuba and the United States represented the island as "gothic" between 1830 and 1890 through specific tropes of monstrosity, possession, infection, and corruptive hypersexuality, and how some writers coded Cuba as dangerous and destructive"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780814213957; 0814213952
    Schriftenreihe: Global Latin/o Americas
    Schlagworte: Literature and society; Gothic revival (Literature); Corruption
    Umfang: x, 170 Seiten
    Bemerkung(en):

    Literaturverzeichnis: Seite 151-164

  3. Gothic geoculture
    nineteenth-century representations of Cuba in the transamerican imaginary
    Erschienen: [2019]; ©2019
    Verlag:  The Ohio State University Press, Columbus, Ohio

    "Examines the ways writers in Cuba and the United States represented the island as "gothic" between 1830 and 1890 through specific tropes of monstrosity, possession, infection, and corruptive hypersexuality, and how some writers coded Cuba as... mehr

    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / USA-Bibliothek
    972.9105 GAR
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Examines the ways writers in Cuba and the United States represented the island as "gothic" between 1830 and 1890 through specific tropes of monstrosity, possession, infection, and corruptive hypersexuality, and how some writers coded Cuba as dangerous and destructive

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780814213957; 0814213952
    RVK Klassifikation: HT 1740
    Schriftenreihe: Global Latin/o Americas
    Schlagworte: Literatur; Hispanos; Schauerroman
    Umfang: x, 170 Seiten, 24 cm.
    Bemerkung(en):

    Literaturverzeichnis Seite 151-164

    Corruptive gothicscapes: William Cullen Bryant's Letters of a traveller and Nathaniel Parker Willis's Health trip to the Tropics -- Gothicized souths: Martin R. Delany's Blake, or The huts of America and Louisa May Alcott's 'Pauline's passion and punishment' -- Transgressive hauntings: Sophia Peabody's Cuba journal and Mary Peabody Mann's Juanita: a romance of real life in Cuba fifty years ago -- Gothic emplotments: Cirilo Villaverde's Cecilia Vald's and the story of Evangelina Cisneros, told by herself -- 'Inside the monster': José Martí's decolonial transamericanity -- Conclusion: Decolonizing the gothic