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  1. British literature in transition, 1920-1940
    futility and anarchy
    Beteiligt: Ferrall, Charles (HerausgeberIn); McNeill, Dougal (HerausgeberIn)
    Erschienen: 2018
    Verlag:  Cambridge University Press, Cambridge, United Kingdom

    "Literature from the 'political' 1930s has often been read in contrast to the 'aesthetic' 1920s. This collection suggests a different approach. Drawing on recent work expanding our sense of the political and aesthetic energies of interwar modernisms,... mehr

    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Jc VII 56 s I
    keine Fernleihe

     

    "Literature from the 'political' 1930s has often been read in contrast to the 'aesthetic' 1920s. This collection suggests a different approach. Drawing on recent work expanding our sense of the political and aesthetic energies of interwar modernisms, these chapters track transitions in British literature. The strains of national break-up, class dissension and political instability provoked a new literary order, and reading across the two decades between the wars exposes the continuing pressure of these transitions. Instead of following familiar markers - 1922, the Crash, the Spanish Civil War - or isolating particular themes from literary study, this collection takes key problems and dilemmas from literature 'in transition' and reads them across familiar and unfamiliar cultural works and productions, in their rich and contradictory context of publication. Themes such as gender, sexuality, nation and class are thus present throughout these essays. Major writers such as Woolf are read alongside forgotten and marginalised voices"-- Machine generated contents note: Introduction Charles Ferrall and Dougal McNeill; Part 1. After the War; 1. Out of Mrs Colefax's Drawing-Room: Poets and Poetry between the Wars Harry Ricketts; 2. Perverting the Postwar: Sexuality and State Violence in Women's Literature Layne Parish Craig; 3. Journeys without Maps: Literature and Spiritual Experience Lara Vetter; Part 2. Literature after Human Nature Changed; 4. Writing the Vote: Suffrage, Gender, and Politics Sowon S Park and Kathryn Laing; 5. Literature and Human Rights Rachel Potter; 6. Psychoanalysis and Modernism John Farrell; Part 3. Immense Panoramas of Futility and Anarchy: Writing and Politics; 7. History: the Past in Transition Gabrielle McIntire; 8. Women's Work? Domestic Labour and Proletarian Fiction Charles Ferrall; 9. Ordinary Places, Intermodern Genres: Documentary, Travel, and Literature Kristin Bluemel; 10. Bloomsbury Conversations that Didn't Happen: Indian Writing between British Modernism and Anti-Colonialism Snehal Shingavi and Charlotte Nunes; Part 4. The First Break-Up of Britain; 11. Between Holyhead and Kingstown: Anglo-Irish Perspectives on the character of British fiction Michael G Cronin; 12. Cancer of Empire: The Glasgow Novel between the Wars Liam McIlvanney; 13. Lewis Jones and the Making of Welsh Identity Shintaro Kono; 14. From Optik to Haptik: Celticism, Symbols and Stones in the 1930s Peter Mackay; Part 5. Transitions High and Low; 15. On the Home Front: Designs for Living in British Drama between the Wars Penny Farfan; 16. Middlemen, Middlebrow, Broadbrow Nicola Wilson; 17. Detective Fiction: Resolutions without Solutions J. C. Bernthal; 18. British Literature in Transmission: Writing and Wireless James Purdon

     

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    Quelle: Verbundkataloge
    Beteiligt: Ferrall, Charles (HerausgeberIn); McNeill, Dougal (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781107145535
    Schriftenreihe: British literature in transition
    Schlagworte: English literature; Literature and society
    Umfang: XV, 368 Seiten
  2. Modernist writing and reactionary politics
    Erschienen: 2001
    Verlag:  Cambridge University Press, Cambridge [u.a.]

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0521793459
    RVK Klassifikation: HM 1031 ; HU 1121 ; HM 3355 ; HM 3255 ; HM 2455 ; HL 4945 ; HM 1134 ; HM 1135 ; EC 5186
    Auflage/Ausgabe: 12. publ.
    Schlagworte: Array; Array; Array; Array; Array; Array; Fascism in literature
    Umfang: VIII, 202 S., 24 cm
    Bemerkung(en):

    Literaturvwerz. S. 186 - 198

  3. Modernist writing and reactionary politics
    Erschienen: 2001
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    "In Modernist Writing and Reactionary Politics, Charles Ferrall argues that the politics of Yeats, Pound, Eliot, Lawrence, and Wyndham Lewis were a response to the increasing separation of art from a society undergoing a second industrial revolution.... mehr

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Europa-Universität Viadrina, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In Modernist Writing and Reactionary Politics, Charles Ferrall argues that the politics of Yeats, Pound, Eliot, Lawrence, and Wyndham Lewis were a response to the increasing separation of art from a society undergoing a second industrial revolution. Fascism became attractive to these writers because it promised to reintegrate art into society while simultaneously guaranteeing its autonomy. As a kind of parodic avantgarde, it therefore allowed the reactionaries to be both 'primitive' and 'modern' at the same time. Yet with the exception of Pound and Yeats, these writers all finally rejected fascism preferring instead to see the aesthetic as a sphere in permanent opposition to liberal democracy, rather than the basis for a new social order. Individual chapters focus on Yeats and decolonisation, Pound and 'the Jews', Eliot and the uncanny, Lawrence and homosexuality, and Lewis and the Cartesian primitive. Ferrall's account of why some of the greatest writers of the early twentieth century became involved in reactionary politics offers new insights into the relation between modernist aesthetics, technology and avant-gardism."--BOOK JACKET.

     

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  4. Writing the 1926 general strike
    literature, culture, politics
    Erschienen: 2015
    Verlag:  Cambridge University Press, Cambridge

    Charles Ferrall and Dougal McNeill's book analyses the vast literary response to the 1926 General Strike. The Strike not only drew writers into political action but inspired literature that served to shape twentieth-century British views of class,... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Charles Ferrall and Dougal McNeill's book analyses the vast literary response to the 1926 General Strike. The Strike not only drew writers into political action but inspired literature that served to shape twentieth-century British views of class, culture and politics. While major figures active at the time wrote on or responded to this crucial moment, this is the first volume to address their respective works. Ferrall and McNeill show how novels then in progress, such as Virginia Woolf's To the Lighthouse and D. H. Lawrence's Lady Chatterley's Lover, were affected by the Strike, as well as the ways in which it has been remembered from the 1930s to the present. Their study sheds new light on the relationship between politics and literature of the modernist era Machine generated contents note: 1. St George and the beast: conservative responses to the Strike; 2. The aesthetic fix: Wells, Chesterton, Bennett; 3. In the middle way: Bloomsbury and the General Strike; 4. Lady Chatterley and the end of the world; 5. Poshcrats and the orphan class: the Auden circle in the General Strike; 6. The General Strike and Scottish modernism; 7. The education of desire: labour college radicals, the General Strike and the impossible bildungsroman; 8. Remembering 1926: working-class Welsh modernisms

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781316163771
    Weitere Identifier:
    RVK Klassifikation: HM 1071
    Schlagworte: General Strike, Great Britain, 1926, in literature; Politics and literature; English fiction; English fiction ; 20th century ; History and criticism; General Strike, Great Britain, 1926, in literature; Politics and literature ; Great Britain
    Umfang: 1 Online-Ressource (ix, 225 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  5. Modernist writing and reactionary politics
    Erschienen: 2001
    Verlag:  Cambridge University Press, Cambridge, UK [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    Ferrall argues that the politics of Yeats, Pound, Eliot, Lawrence, and Wyndham Lewis were a response to the separation of art from an increasingly industrialised society. Fascism became attractive to these writers because it promised to reintegrate... mehr

    Bibliothek der Hochschule Mainz, Untergeschoss
    keine Fernleihe

     

    Ferrall argues that the politics of Yeats, Pound, Eliot, Lawrence, and Wyndham Lewis were a response to the separation of art from an increasingly industrialised society. Fascism became attractive to these writers because it promised to reintegrate art into society while simultaneously guaranteeing its autonomy.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511017758; 9780511017759; 0521793459; 9780521793452; 9780511047312; 0511047312
    RVK Klassifikation: EC 5186 ; HL 4945 ; HM 1134 ; HM 1135 ; HM 1490 ; HM 2455 ; HM 3255 ; HM 3355
    Schlagworte: Englisch; Literatur; Moderne; Reaktion <Politik>
    Umfang: 1 Online-Ressource (viii, 202 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 186-198) and index

  6. Modernist writing and reactionary politics
    Erschienen: 2001
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    "In Modernist Writing and Reactionary Politics, Charles Ferrall argues that the politics of Yeats, Pound, Eliot, Lawrence, and Wyndham Lewis were a response to the increasing separation of art from a society undergoing a second industrial revolution.... mehr

    Universitätsbibliothek Bayreuth
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In Modernist Writing and Reactionary Politics, Charles Ferrall argues that the politics of Yeats, Pound, Eliot, Lawrence, and Wyndham Lewis were a response to the increasing separation of art from a society undergoing a second industrial revolution. Fascism became attractive to these writers because it promised to reintegrate art into society while simultaneously guaranteeing its autonomy. As a kind of parodic avantgarde, it therefore allowed the reactionaries to be both 'primitive' and 'modern' at the same time. Yet with the exception of Pound and Yeats, these writers all finally rejected fascism preferring instead to see the aesthetic as a sphere in permanent opposition to liberal democracy, rather than the basis for a new social order. Individual chapters focus on Yeats and decolonisation, Pound and 'the Jews', Eliot and the uncanny, Lawrence and homosexuality, and Lewis and the Cartesian primitive. Ferrall's account of why some of the greatest writers of the early twentieth century became involved in reactionary politics offers new insights into the relation between modernist aesthetics, technology and avant-gardism."--BOOK JACKET.

     

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  7. Modernist writing and reactionary politics
    Erschienen: 2001
    Verlag:  Cambridge University Press, Cambridge, UK

    Ferrall argues that the politics of Yeats, Pound, Eliot, Lawrence, and Wyndham Lewis were a response to the separation of art from an increasingly industrialised society. Fascism became attractive to these writers because it promised to reintegrate... mehr

    Hochschulbibliothek Friedensau
    Online-Ressource
    keine Fernleihe

     

    Ferrall argues that the politics of Yeats, Pound, Eliot, Lawrence, and Wyndham Lewis were a response to the separation of art from an increasingly industrialised society. Fascism became attractive to these writers because it promised to reintegrate art into society while simultaneously guaranteeing its autonomy

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511017758; 9780511017759
    Schlagworte: Politics and literature; Literature and society; Fascism in literature; English literature; American literature; Modernism (Literature); Politics and literature
    Umfang: Online-Ressource (viii, 202 p)
    Bemerkung(en):

    Includes bibliographical references (p. 186-198) and index

    ""Cover""; ""Half-title""; ""Title""; ""Copyright""; ""Dedication""; ""Contents""; ""Acknowledgements""; ""Introduction""; ""I""; ""II""; ""CHAPTER 1 W. B. Yeats and the family romance of Irish nationalism""; ""CHAPTER 2 Ezra Pound and the poetics of literalism""; ""I""; ""II""; ""III""; ""IV""; ""CHAPTER 3 'Neither Living nor Dead': T. S. Eliot and the uncanny""; ""I""; ""II""; ""CHAPTER 4 The homosocial and fascism in D. H. Lawrence""; ""CHAPTER 5 'Always à Deux': Wyndham Lewis and his doubles""; ""Notes""; ""INTRODUCTION""; ""1. W. B. YEATES AND THE FAMILY ROMANCE OF IRISH NATIONALISM""

    ""2. EZRA POUND AND THE POETICS OF LITERALISM""""3. 'NEITHER LIVING NOR DEAD': T. S. ELIOT AND THE UNCANNY""; ""4. THE HOMOSOCIAL AND FASCISM IN D. H. LAWRENCE""; ""5. �ALWAYS À DEUX�: WYNDHAM LEWIS AND HIS DOUBLES""; ""Works cited""; ""Index""

  8. Juvenile Literature and British Society
    The Age of Adolescence
    Erschienen: 2009
    Verlag:  Taylor and Francis, Hoboken

    In this study, Charles Ferrall and Anna Jackson argue that the Victorians created a concept of adolescence that lasted into the twentieth century and yet is strikingly at odds with post-Second World War notions of adolescence as a period of ""storm... mehr

    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    keine Fernleihe
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    keine Fernleihe
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    keine Fernleihe
    Universitätsbibliothek Kiel, Zentralbibliothek
    keine Fernleihe
    Hochschulbibliothek Friedensau
    Online-Ressource
    keine Fernleihe

     

    In this study, Charles Ferrall and Anna Jackson argue that the Victorians created a concept of adolescence that lasted into the twentieth century and yet is strikingly at odds with post-Second World War notions of adolescence as a period of ""storm and stress."" In the enormously popular ""juvenile"" literature of the period, primarily boys' and girls' own adventure and school stories, adolescence is acknowledged as a time of sexual awareness and yet also of a romantic idealism that is lost with marriage, a time when boys and girls acquire adult duties and responsibilities and yet have not had

     

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780415964760
    Schriftenreihe: Children's Literature and Culture
    Umfang: Online-Ressource (210 p)
    Bemerkung(en):

    Description based upon print version of record

    Book Cover; Title; Copyright; Contents; Illustrations; Series Editor's Foreword; Acknowledgments; Introduction; Chapter One: Sexuality and Sacrifice in the Boys' Stories before the War; Chapter Two: Romance and the Boys' Story; Chapter Three: Sexuality and Romance in the Girls' Stories; Illustrations; Chapter Four: Sacrifice and Independence in the Girls' Stories; Chapter Five: Boys' Stories between the Wars; Chapter Six: Girls' Stories between the Wars; Conclusion; Notes; Bibliography; Index

  9. Juvenile Literature and British Society, 1850-1950
    The Age of Adolescence
    Erschienen: 2012
    Verlag:  Taylor and Francis, Hoboken

    <P>In this study, Ferrall and Jackson argue that the Victorians created a concept of adolescence that lasted into the twentieth century and yet is strikingly at odds with post-Second World War notions of adolescence as a period of ""storm and... mehr

    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    keine Fernleihe
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    keine Fernleihe
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    keine Fernleihe
    Universitätsbibliothek Kiel, Zentralbibliothek
    keine Fernleihe
    Hochschulbibliothek Friedensau
    Online-Ressource
    keine Fernleihe

     

    In this study, Ferrall and Jackson argue that the Victorians created a concept of adolescence that lasted into the twentieth century and yet is strikingly at odds with post-Second World War notions of adolescence as a period of ""storm and stress.""

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780415964760
    Schriftenreihe: Children's Literature and Culture
    Umfang: Online-Ressource (210 p)
    Bemerkung(en):

    Description based upon print version of record

    Book Cover; Title; Copyright; Contents; Illustrations; Series Editor's Foreword; Acknowledgments; Introduction; Chapter One: Sexuality and Sacrifice in the Boys' Stories before the War; Chapter Two: Romance and the Boys' Story; Chapter Three: Sexuality and Romance in the Girls' Stories; Illustrations; Chapter Four: Sacrifice and Independence in the Girls' Stories; Chapter Five: Boys' Stories between the Wars; Chapter Six: Girls' Stories between the Wars; Conclusion; Notes; Bibliography; Index

  10. Review: American Women Writers and the Nazis: Ethics and Politics in Boyle, Porter, Stafford, and Hellman (review)
    Erschienen: 2002

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    Übergeordneter Titel: Modernism, modernity; Baltimore, Maryland : Johns Hopkins Univ. Press, 1994-; Band 9, Heft 3 (2002), Seite 514-515

  11. Writing the 1926 general strike
    literature, culture, politics
    Erschienen: 2015
    Verlag:  Cambridge University Press, Cambridge

    Charles Ferrall and Dougal McNeill's book analyses the vast literary response to the 1926 General Strike. The Strike not only drew writers into political action but inspired literature that served to shape twentieth-century British views of class,... mehr

    Fachinformationsverbund Internationale Beziehungen und Länderkunde
    E-Book CUP HSFK
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Technische Universität Chemnitz, Universitätsbibliothek
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    eBook Cambridge
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Charles Ferrall and Dougal McNeill's book analyses the vast literary response to the 1926 General Strike. The Strike not only drew writers into political action but inspired literature that served to shape twentieth-century British views of class, culture and politics. While major figures active at the time wrote on or responded to this crucial moment, this is the first volume to address their respective works. Ferrall and McNeill show how novels then in progress, such as Virginia Woolf's To the Lighthouse and D. H. Lawrence's Lady Chatterley's Lover, were affected by the Strike, as well as the ways in which it has been remembered from the 1930s to the present. Their study sheds new light on the relationship between politics and literature of the modernist era Machine generated contents note: 1. St George and the beast: conservative responses to the Strike; 2. The aesthetic fix: Wells, Chesterton, Bennett; 3. In the middle way: Bloomsbury and the General Strike; 4. Lady Chatterley and the end of the world; 5. Poshcrats and the orphan class: the Auden circle in the General Strike; 6. The General Strike and Scottish modernism; 7. The education of desire: labour college radicals, the General Strike and the impossible bildungsroman; 8. Remembering 1926: working-class Welsh modernisms

     

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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781316163771
    Weitere Identifier:
    RVK Klassifikation: HM 1071
    Schlagworte: General Strike, Great Britain, 1926, in literature; Politics and literature; English fiction; English fiction ; 20th century ; History and criticism; General Strike, Great Britain, 1926, in literature; Politics and literature ; Great Britain
    Umfang: 1 Online-Ressource (ix, 225 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  12. Writing the 1926 General Strike
    Literature, Culture, Politics
    Erschienen: 2015
    Verlag:  Cambridge University Press, New York

    This book analyses the literary response to the 1926 General Strike and sheds light on the relationship between modernist politics and literature mehr

    Hochschulbibliothek Friedensau
    Online-Ressource
    keine Fernleihe

     

    This book analyses the literary response to the 1926 General Strike and sheds light on the relationship between modernist politics and literature

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781107100039
    Umfang: Online-Ressource (238 p)
    Bemerkung(en):

    Description based upon print version of record

    Cover; Half-title; Title page; Copyright information; Dedication; Table of contents; Acknowledgements; Introduction: The Great Strike and Modern Memory; The Nine Days; Writing in the Strike; Writers in the Strike; Devolving English Literature; Working-Class Modernisms; Outside In and Inside Out; The Great Strike and Modern Memory; Part I Writing from the Outside In; Chapter 1 St George and the Beast; The National Stage: The General Strike at the Theatre; The Sleeping Sword; Young Anarchy; The Strike as a Family Drama; Waugh: House Parties in Sociological Novels; Post-War Conservatism

    Chapter 2 The Aesthetic FixMeanwhile; For a Liberal Fascism; Striking the Middle Ages; Accident; Chapter 3 In the Middle Way; Keynes and the Middle Way; This Horror: Virginia Woolf's Strike; Charles Tansley; Oedipal Drama and Class Struggle; The Apes of God; Chapter 4 Lady Chatterley and the End of the World; Sexual Triangles; The End of the World; Connie and the Class Vision; English Standards; Sexual Politics; Chapter 5 Poshocrats and the Orphan Class; Taking the Test; Starting Point; He Had a Date, or What Bearing?; Within and Against the Poshocracy; Part II Writing from the Inside Out

    Chapter 6 The General Strike and Scottish ModernismChristopher Murray Grieve in Montrose; MacDiarmid: The Aestheticizing of Politics; From Politics to Leadership and Myth; A Scots Quair; The Miscarriage of the Strike; Gibbon Politicises Aesthetics; How Slow the March of Right!; Chapter 7 The Education of Desire; Bildungsroman Ohne Bildung?; The Gate of a Strange Field; Angry Notes of Interrogation; Working-Class Epistemology?; The Furys: Narrate or Describe?; Strike as Interruption; The Strike as History; Clash; Educating Desire; The Pleasures of Thinking; Chapter 8 Remembering 1926

    Women: 'By Damn, Those Gels Is Good Boys, Muniferni'Lions After Slumber: Strike as Carnival; Where Was the General Strike?; A Racial Weakness for Reminiscence; Tradition: Until Our Blood Is Dry; Conclusion: The General Strike's Afterlives; Confiscations of the Past; From Days of Hope to Loss Without Limit; Never Again, Again; Notes; Introduction: The Great Strike and Modern Memory; 1 St George and the Beast: Conservative Responses to the Strike; 2 The Aesthetic Fix: Wells, Chesterton, Bennett; 3 In the Middle Way: Bloomsbury and the General Strike; 4 Lady Chatterley and the End of the World

    5 Poshocrats and the Orphan Class: The Auden Circle in the General Strike6 The General Strike and Scottish Modernism; 7 The Education of Desire: Labour College Radicals, the General Strike and the Impossible Bildungsroman; 8 Remembering 1926: Working-Class Welsh Modernisms; Conclusion: The General Strike's Afterlives; Bibliography; Primary Sources; Books, Articles and Pamphlets; Manuscript Collections; Index

  13. Jack London's Hobo Writing and Some Previously Unnoted Slang Words, Usages and Expressions
    Erschienen: 2013

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    Übergeordneter Titel: Notes and queries for readers and writers, collectors and librarians; London : Oxford Univ. Press, 1849-; Band 60, Heft 2 (2013), Seite 275