Pop literature of the 1990s enjoyed bestselling success, as well as an extensive and sometimes derogatory reception in the press. Since then, scholarship on pop has emerged to challenge its flash-in-the-pan status by situating the genre within a...
mehr
Pop literature of the 1990s enjoyed bestselling success, as well as an extensive and sometimes derogatory reception in the press. Since then, scholarship on pop has emerged to challenge its flash-in-the-pan status by situating the genre within a longer history of aesthetic practices. The essays in the volume examine works by well-known pop writers like Christian Kracht, Benjamin Lebert, Florian Illies, Feridun Zaimoğlu and Charlotte Roche. --
Margaret McCarthyIntroduction -- Historical roots and official stories -- Enno Stahl -- An alternative history of pop -- Sabine von Dirke -- Under construction: Andreas Neumeister's pop modern historiographies -- Alternative voices and vantage points -- Hester Baer -- The pop-nostalgia of Sven Regener and Leander Haussmann -- Claudia Breger -- Pop-cultural camera interventions: Kanak TV -- Pop and gender -- Molly Knight -- Bodily harm: pop masculinity in Benjamin Lebert's Crazy and Der Vogel ist ein Rabe -- Emily Spiers -- "There's no lobby for girls in pop": writing the performative popfeminist subject -- Corinna Kahnke -- Generation golf meets Zonenkinder: Gender, (N)ostalgia and the Berlin Republic -- Pop in the new millennium -- Gillian Pye -- The party's over: PeterLicht and the end of capitalism -- Gary Schmidt -- Fear of the queer?: on homosexuality, masculinity and the Auratic in Christian Kracht's anti-pop pop novels -- Carrie Smith-Prei -- "Pop eats itself": crisis discourse, the literary market and pop performance in Joachim Lottmann's novels -- Thomas Ernst -- Pop vs. plagiarism: popliterary intertextuality, staged authorship and the disappearance of originality in Helene Hegemann -- Pop literature: a bibliography
Pop literature of the 1990s enjoyed bestselling success, as well as an extensive and sometimes derogatory reception in the press. Since then, scholarship on pop has emerged to challenge its flash-in-the-pan status by situating the genre within a...
mehr
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Pop literature of the 1990s enjoyed bestselling success, as well as an extensive and sometimes derogatory reception in the press. Since then, scholarship on pop has emerged to challenge its flash-in-the-pan status by situating the genre within a longer history of aesthetic practices. The essays in the volume examine works by well-known pop writers like Christian Kracht, Benjamin Lebert, Florian Illies, Feridun Zaimoğlu and Charlotte Roche. --
Margaret McCarthyIntroduction -- Historical roots and official stories -- Enno Stahl -- An alternative history of pop -- Sabine von Dirke -- Under construction: Andreas Neumeister's pop modern historiographies -- Alternative voices and vantage points -- Hester Baer -- The pop-nostalgia of Sven Regener and Leander Haussmann -- Claudia Breger -- Pop-cultural camera interventions: Kanak TV -- Pop and gender -- Molly Knight -- Bodily harm: pop masculinity in Benjamin Lebert's Crazy and Der Vogel ist ein Rabe -- Emily Spiers -- "There's no lobby for girls in pop": writing the performative popfeminist subject -- Corinna Kahnke -- Generation golf meets Zonenkinder: Gender, (N)ostalgia and the Berlin Republic -- Pop in the new millennium -- Gillian Pye -- The party's over: PeterLicht and the end of capitalism -- Gary Schmidt -- Fear of the queer?: on homosexuality, masculinity and the Auratic in Christian Kracht's anti-pop pop novels -- Carrie Smith-Prei -- "Pop eats itself": crisis discourse, the literary market and pop performance in Joachim Lottmann's novels -- Thomas Ernst -- Pop vs. plagiarism: popliterary intertextuality, staged authorship and the disappearance of originality in Helene Hegemann -- Pop literature: a bibliography
