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  1. Freuds Poetik des Unheimlichen oder Von einem, der auszog, das Fürchten zu lernen
    Autor*in: Geinsenhanslüke, Achim
    Erschienen: 2019

  2. Gog and Magog in literary reception history
    the persistence of the fantastic
    Autor*in: Swindell, Anthony C.
    Erschienen: 2016

    Of all biblical topoi within the repertoire of Western culture, the Gog and Magog narratives have a presence in literary reception history that far outweighs their slender beginnings. They tend also to be an alien element in the metanarratives in... mehr

     

    Of all biblical topoi within the repertoire of Western culture, the Gog and Magog narratives have a presence in literary reception history that far outweighs their slender beginnings. They tend also to be an alien element in the metanarratives in which they occur. Even in their earliest biblical manifestation, the ‘Go’ narratives seem to have been grafted onto an existing text. Almost always, their use implies the recovery of the archaic as a means of replenishing or revitalizing present culture. At the same time they persistently signal the phenomenon of the unassimilable in human experience. The topos of Gog of the land of Magog in Ezekiel 38–39 modulates into the twin apocalyptic figures of Gog and Magog of Revelation 20:8–9. Later they become part of the conceptualization of the cultural Other, the uncivilized hordes which must be kept at bay. In European literature they assume a plastic form as representations of what is excluded from culture. In British literature (with which we will be chiefly concerned) they occupy an ambiguous position as figures of the defeated paganism which Christianity has replaced and yet as symbols of a hopeful or whimsical alterity which resists the language, the hegemonic discourse, of the status quo.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
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    Übergeordneter Titel: Enthalten in: Journal of the bible and its reception; Berlin : De Gruyter, 2014; 3(2016), 1, Seite 27-53; Online-Ressource

    Schlagworte: metanarrative; the fantastic; hypotext; hypertext; the uncanny; fissures; recapitulation
  3. Uncertainty as a Poetic Principle: A Reading of the Opening Scene in Joseph Ben Zabara’s The Book of Delight
    Autor*in: Einat-Nov, Idit
    Erschienen: 2021

    Abstract This article proposes a new reading of the opening scene of Joseph Ben Meir Ibn Zabara’s twelfth century (at the latest: 1209) The Book of Delight . This reading derives from the hypothesis that this art of storytelling is based on a poetic... mehr

    Standort:
    Index theologicus der Universitätsbibliothek Tübingen
    Fernleihe:
    keine Fernleihe

     

    Abstract This article proposes a new reading of the opening scene of Joseph Ben Meir Ibn Zabara’s twelfth century (at the latest: 1209) The Book of Delight . This reading derives from the hypothesis that this art of storytelling is based on a poetic principle of uncertainty, and is therefore associated with the various forms of the ambiguous and the ambivalent (the grotesque, the uncanny, the ironic, etc.). As I have argued elsewhere about other rhymed Hebrew stories, this approach is appropriate, in my view, to the character of some of the most fascinating rhymed stories produced in medieval Hebrew literature. In the present study I suggest yet another demonstration of the poetic benefit that can accrue from the adoption of this approach.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    Weitere Identifier:
    Übergeordneter Titel: Enthalten in: European journal of jewish studies; Biggleswade : Brill, 2007; 15(2021), 1, Seite 153-168; Online-Ressource

    Schlagworte: the uncanny; uncertainty; The Book of Delight; Joseph Ben Meir Ibn Zabara