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  1. Dream Accounts in the Hebrew Bible and Ancient Jewish Literature
    Autor*in: Quick, Laura
    Erschienen: [2018]

    The study of dreams and their interpretation in the literary remains from antiquity have become increasingly popular access points to the phenomenological study of religious experience in the ancient world, as well as of the literary forms in which... mehr

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    The study of dreams and their interpretation in the literary remains from antiquity have become increasingly popular access points to the phenomenological study of religious experience in the ancient world, as well as of the literary forms in which this experience was couched. This article considers the phenomenon of dreaming in the Hebrew Bible and ancient Jewish literature. I consider treatments of these dream accounts, noting the development in the methodological means by which this material has been approached, moving from source criticism, to tradition history, and finally to form-critical methods. Ultimately, I will argue that form criticism in particular enables scholars to discern shifts and developments across diachronic perspectives. Study of dream accounts is thus illuminating not only for the understanding of dream phenomena, but also for the development of apocalyptic and the method and means of early Jewish biblical interpretation.

     

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    Sprache: Englisch
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    Format: Online
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    Übergeordneter Titel: Enthalten in: Currents in biblical research; London [u.a.] : Sage, 2002; 17(2018), 1, Seite 8-32; Online-Ressource

    Schlagworte: ANTIQUITIES; Apocrypha; BIBLE. Old Testament; Dead Sea Scrolls; HERMENEUTICS; Hebrew Bible; JEWISH literature; Pseudepigrapha; SCHOLARS; apocalyptic; dream interpretation; dream reports; dreams; early Jewish biblical interpretation; form criticism; source criticism
  2. First-Person Narration and the Poetics of Theophany in the Deuteronomic Horeb Account
    Autor*in: Schwartz, Ethan
    Erschienen: 2023

    In recent years, scholars of the Hebrew Bible have increasingly challenged entrenched dichotomies between historical criticism and literary theory. This integrative approach draws on contemporary literary studies to achieve a fuller understanding of... mehr

     

    In recent years, scholars of the Hebrew Bible have increasingly challenged entrenched dichotomies between historical criticism and literary theory. This integrative approach draws on contemporary literary studies to achieve a fuller understanding of biblical texts as fictive works in their ancient historical contexts. Theophany narratives invite especially fruitful application of this approach because they are both culturally specific and literarily complex. In this article, I contribute to this conversation by analyzing the fictive role of narrational voicing in Deut 4:1-40, the opening section of Moses's first-person account of the Horeb theophany in the pentateuchal Deuteronomic source. This passage famously underscores the auditory (as opposed to visual) character of the Horeb theophany in order to provide phenomenological ground for aniconism. While scholars usually treat this as a tenet of Deuteronomic theology, I argue that it is also part of the Deuteronomic poetics of first-person narration: Moses is framing the theophany in terms of his experience of the molten calf, which has already happened within the story world of D. This literary effect emerged both through Deuteronomic engagement with the earlier, Elohistic version of the story and through retrospective sapientialization of earlier material within D itself. Integrating historical-critical and literary-theoretical approaches shows how Deut 4:1-40 uses first-person narration to construct the theophany through the character development of the narrator.

     

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    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    Übergeordneter Titel: Enthalten in: The catholic biblical quarterly; Washington, DC : Catholic Biblical Association of America, 1939; 85(2023), 4, Seite 618-639; Online-Ressource

    Schlagworte: Deuteronomy; Horeb; Moses; literary theory; narration; source criticism; theophany