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  1. Vladimir Sorokin's discourses
    a companion
    Autor*in: Uffelmann, Dirk
    Erschienen: 2020; © 2020
    Verlag:  Academic Studies Press, Brookline, MA

    Vladimir Sorokin is the most prominent and the most controversial contemporary Russian writer. Having emerged as a prose writer in Moscow's artistic underground in the late 1970s and early 80s, he became visible to a broader Russian audience only in... mehr

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    Verlag (lizenzpflichtig)

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Vladimir Sorokin is the most prominent and the most controversial contemporary Russian writer. Having emerged as a prose writer in Moscow's artistic underground in the late 1970s and early 80s, he became visible to a broader Russian audience only in the mid-1990s, with texts shocking the moralistic expectations of traditionally minded readers by violating not only Soviet ideological taboos, but also injecting vulgar language, sex, and violence into plots that the postmodernist Sorokin borrowed from nineteenth-century literature and Socialist Realism. Sorokin became famous when the Putin youth organization burned his books in 2002 and he picked up neo-nationalist and neo-imperialist discourses in his dystopian novels of the 2000s and 2010s, making him one of the fiercest critics of Russia's "new middle ages," while remaining steadfast in his dismantling of foreign discourses

     
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    Volltext (URL des Erstveröffentlichers)
  2. Street Players
    Black Pulp Fiction and the Making of a Literary Underground
    Autor*in: Nishikawa, Kinohi
    Erschienen: [2019]; © 2018
    Verlag:  University of Chicago Press, Chicago

    The uncontested center of the black pulp fiction universe for more than four decades was the Los Angeles publisher Holloway House. From the late 1960s until it closed in 2008, Holloway House specialized in cheap paperbacks with page-turning... mehr

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The uncontested center of the black pulp fiction universe for more than four decades was the Los Angeles publisher Holloway House. From the late 1960s until it closed in 2008, Holloway House specialized in cheap paperbacks with page-turning narratives featuring black protagonists in crime stories, conspiracy thrillers, prison novels, and Westerns. From Iceberg Slim's Pimp to Donald Goines's Never Die Alone, the thread that tied all of these books together-and made them distinct from the majority of American pulp-was an unfailing veneration of black masculinity. Zeroing in on Holloway House, Street Players explores how this world of black pulp fiction was produced, received, and recreated over time and across different communities of readers. Kinohi Nishikawa contends that black pulp fiction was built on white readers' fears of the feminization of society-and the appeal of black masculinity as a way to counter it. In essence, it was the original form of blaxploitation: a strategy of mass-marketing race to suit the reactionary fantasies of a white audience. But while chauvinism and misogyny remained troubling yet constitutive aspects of this literature, from 1973 onward, Holloway House moved away from publishing sleaze for a white audience to publishing solely for black readers. The standard account of this literary phenomenon is based almost entirely on where this literature ended up: in the hands of black, male, working-class readers. When it closed, Holloway House was synonymous with genre fiction written by black authors for black readers-a field of cultural production that Nishikawa terms the black literary underground. But as Street Players demonstrates, this cultural authenticity had to be created, promoted, and in some cases made up, and there is a story of exploitation at the heart of black pulp fiction's origins that cannot be ignored

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780226587073
    Weitere Identifier:
    Schlagworte: Holloway House; blackness; cultural appropriation; literary underground; popular culture; publishing; pulp fiction; race; reading; whiteness; LITERARY CRITICISM / General; African Americans in literature; American fiction; American fiction; Race in literature; Urban fiction, American; Schundliteratur; Schwarze <Motiv>; Literaturproduktion
    Umfang: 1 online resource (288 pages), 30 halftones
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Apr 2020)
  3. Vladimir Sorokin's discourses
    a companion
    Autor*in: Uffelmann, Dirk
    Erschienen: 2020; © 2020
    Verlag:  Academic Studies Press, Brookline, MA

    Vladimir Sorokin is the most prominent and the most controversial contemporary Russian writer. Having emerged as a prose writer in Moscow's artistic underground in the late 1970s and early 80s, he became visible to a broader Russian audience only in... mehr

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Hochschule Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Coburg, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Kempten, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Vladimir Sorokin is the most prominent and the most controversial contemporary Russian writer. Having emerged as a prose writer in Moscow's artistic underground in the late 1970s and early 80s, he became visible to a broader Russian audience only in the mid-1990s, with texts shocking the moralistic expectations of traditionally minded readers by violating not only Soviet ideological taboos, but also injecting vulgar language, sex, and violence into plots that the postmodernist Sorokin borrowed from nineteenth-century literature and Socialist Realism. Sorokin became famous when the Putin youth organization burned his books in 2002 and he picked up neo-nationalist and neo-imperialist discourses in his dystopian novels of the 2000s and 2010s, making him one of the fiercest critics of Russia's "new middle ages," while remaining steadfast in his dismantling of foreign discourses

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
  4. Tales from the Vault!: Canadian Pulp Fiction, 1940-1952
    Autor*in: Driscoll, Ian
    Erschienen: 2010

    Libraries ; lb Archives ; ar Virtual Exhibitions ; at 'Library and Archives Canada (LAC) is proud to present its Canadian pulp art and fiction collection, straight from the special collections vault. The collection featured in this virtual exhibit,... mehr

     

    Libraries ; lb Archives ; ar Virtual Exhibitions ; at 'Library and Archives Canada (LAC) is proud to present its Canadian pulp art and fiction collection, straight from the special collections vault. The collection featured in this virtual exhibit, 'Tales from the Vault!: Canadian Pulp Fiction, 1940-1952', is one of the very few known pulp magazine holdings in Canada, and is available for consultation at LAC. It highlights and exhibits portions (covers and some text) of the English and French sections of the collection while providing an introduction to the pulp fiction industry in general, the beginnings of the Canadian pulp fiction industry, and selected areas of discussion and themes found within the collection.'

     
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    Quelle: Verbundkataloge
    Sprache: Englisch; Französisch
    Medientyp: Buch (Monographie)
    Format: Online
    Schlagworte: Canadian pulp fiction; Canadian pulp literature; pulp literature; pulp fiction; English pulp collection; French pulp collection
    Bemerkung(en):

    Source: SUB