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  1. Readers of the ‘Lost’ Purana: mythopolitics and Suthar caste identity in Gujarat
    Autor*in: George, Kenneth M.; Narayan, Kirin
    Erschienen: 2022

    The Hindu texts known as caste puranas (jāti purāṇas) provide the mythopolitical foundation for many of India’s castes. These puranas may be said to ‘gather’ a community audience, and such castes themselves may be thought of as object-oriented... mehr

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    Index theologicus der Universitätsbibliothek Tübingen
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    The Hindu texts known as caste puranas (jāti purāṇas) provide the mythopolitical foundation for many of India’s castes. These puranas may be said to ‘gather’ a community audience, and such castes themselves may be thought of as object-oriented gatherings whose affective, ideological, and custodial attachments to their respective jati puranas also include the deification of these texts as revered objects. A caste does more than interpret such a puranic text; the text is continuously made, re-made, and circulated in conjunction with the community’s sociopolitical circumstances. The Suthars (hereditary carpenters) of Gujarat afford a special look at the mythopolitics of caste: Claiming to have ‘lost’ their ancient and ‘original’ foundational text, the Vishwakarma Purana, many in the Suthar community seek to recuperate it in new compilations, performances, and media. Tracing the mediations of this and other puranas, we argue, can deepen the politico-historical analysis of caste mobilizations and their mythopolitics.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
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    Übergeordneter Titel: Enthalten in: Religion; London [u.a.] : Routledge, 1971; 52(2022), 4, Seite 576-594; Online-Ressource

    Schlagworte: Vishwakarma; textuality; puranas; mythopolitics; material religion; Gujarat; caste mobilization; Artisans
  2. Between the Sacred and Secular
    The Role of Chinese Popular Deities in Creating Thirdspaces in Chinese Restaurants of Santiago de Chile
    Autor*in: Chan, Carol; Elvira, Ríos María
    Erschienen: [2020]

    Material manifestations of the Chinese popular deities, Guanyin and Guan Gong, are ubiquitous in Cantonese-Chinese restaurants globally. Yet studies of Chinese popular religion among overseas Chinese have seldom focused on the diverse significance of... mehr

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    Index theologicus der Universitätsbibliothek Tübingen
    Fernleihe:
    keine Fernleihe

     

    Material manifestations of the Chinese popular deities, Guanyin and Guan Gong, are ubiquitous in Cantonese-Chinese restaurants globally. Yet studies of Chinese popular religion among overseas Chinese have seldom focused on the diverse significance of these deities to Chinese migrants, nor the use of restaurant-spaces to house these deities. This article examines the presence and powers of such deities in Chinese restaurants of Santiago de Chile. We seek to understand how the presence or absence of Guanyin and Guan Gong figures specifically shapes migrant Chinese restauranteurs and workers' experience of the restaurants as particular kinds of protected, sacred/secular spaces, and how these deities might also affectively shape the restauranteurs' ways of being and inhabiting the restaurants. Based on semi-structured interviews with Chinese shopkeepers and workers, observation and photography of the spatial organization of 26 restaurants and the aesthetics of their deities, we argue that these restaurants are more than just their primary sources of livelihood. We argue that they approximate Soja's "thirdspaces" (1996), which on the one hand mediate their interactions with the city and its other residents, and on the other hand mediate relationships between humans in the earthly world and deities in the "other" parallel world.

     
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    Sprache: Englisch
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    Format: Online
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    Übergeordneter Titel: Enthalten in: Material religion; Abingdon : Taylor & Francis, 2005; 16(2020), 2, Seite 162-186; Online-Ressource

    Schlagworte: Chinese popular religion; Latin America; material religion; migrants; space
  3. Seeing the other in cinema
    interreligious connections through the senses
    Autor*in: Plate, S. Brent
    Erschienen: [2017]

    This article asks about the processes of "seeing the other" using the medium of cinema. Films discussed include Baraka, West Bank Story, Eve and the Fire Horse, and Babette's Feast. Each demonstrates unique perspectives on distinct religious... mehr

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    Index theologicus der Universitätsbibliothek Tübingen
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    This article asks about the processes of "seeing the other" using the medium of cinema. Films discussed include Baraka, West Bank Story, Eve and the Fire Horse, and Babette's Feast. Each demonstrates unique perspectives on distinct religious traditions, exploring differences as well as resemblances. Two consequences emerge. First, films are not merely "escape" that people watch and then forget about. Instead, what we see "on screen" changes our relationships with other people "off screen". Watching movies becomes part of the social construction of reality, constructing our understandings of race, religion, gender, nationality, and ethnicity. Thus, films that demonstrate strong interreligious connections may affect our perceptions of seeing each other. Second, comparing these films allows us to see how interreligious connections are not merely about "dialogue", but about shared food, smells, sights, and spatial locations. The sensate body stands at the heart of religious life, as well as the heart of interreligious connections.

     
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    Sprache: Englisch
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    Übergeordneter Titel: Enthalten in: Journal of beliefs and values; Abingdon : Routledge, 1980; 38(2017), 3, Seite 296-304; Online-Ressource

    Schlagworte: interreligious dialogue; material religion; Religion and film; senses; visual culture; visuality; world cinema
  4. Collaborative scholarly communities and access in the study of material and visual cultures of religion
    Autor*in: Floyd, Emily C.; Promey, Sally M.
    Erschienen: [2018]

    The Center for the Study of Material and Visual Cultures of Religion at Yale University (MAVCOR) does not simply, or even most fundamentally, shape a physical center at Yale University. Although MAVCOR organizes events at Yale and coordinates project... mehr

    Standort:
    Index theologicus der Universitätsbibliothek Tübingen
    Fernleihe:
    keine Fernleihe

     

    The Center for the Study of Material and Visual Cultures of Religion at Yale University (MAVCOR) does not simply, or even most fundamentally, shape a physical center at Yale University. Although MAVCOR organizes events at Yale and coordinates project cycles involving Yale affiliates as well as scholars from other universities in the United States and around the world, much of MAVCOR's activity is conducted online. MAVCOR publishes a born-digital, open-access double-blind peer-reviewed journal, MAVCOR Journal. It also features a born-digital exhibition space, the Material Objects Archive. In at least two ways, MAVCOR is deliberately interstitial, invested in the connective spaces between both disciplines and technologies. First, the Center emerged from a desire to promote interdisciplinary conversation among scholars of religion, art history, anthropology, and others engaged with our subjects of inquiry. We have aimed to accomplish this goal by shaping a forum for conversation and an archive for mutual use. Second, MAVCOR engages the need to form a space for peer-reviewed content online in a manner that emphasizes the mutually beneficial relationship of print and digital modes of inquiry. In this work, MAVCOR's overarching commitment is to promote innovative, substantively researched, thoughtfully constructed scholarship, with robust interdisciplinarity as a fundamental element of form and content.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    Weitere Identifier:
    Übergeordneter Titel: Enthalten in: Religion; London [u.a.] : Routledge, 1971; 48(2018), 2, Seite 262-275; Online-Ressource

    Schlagworte: born digital; Collaborative; digital humanities; material religion