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  1. God on the Big Screen
    A History of Hollywood Prayer from the Silent Era to Today
    Autor*in: Lindvall, Terry
    Erschienen: [2019]; © 2019
    Verlag:  New York University Press, New York, NY

    Film history meets church history through the ritual of prayers Moments of prayer have been represented in Hollywood movies since the silent era, appearing unexpectedly in films as diverse as Rebecca of Sunnybrook Farm, Frankenstein, Amistad, Easy... mehr

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Film history meets church history through the ritual of prayers Moments of prayer have been represented in Hollywood movies since the silent era, appearing unexpectedly in films as diverse as Rebecca of Sunnybrook Farm, Frankenstein, Amistad, Easy Rider, Talladega Nights, and Alien 3, as well as in religiously inspired classics such as Ben-Hur and The Ten Commandments. Here, Terry Lindvall examines how films have reflected, and sometimes sought to prescribe, ideas about how one ought to pray. He surveys the landscape of those films that employ prayer in their narratives, beginning with the silent era and moving through the uplifting and inspirational movies of the Great Depression and World War II, the cynical, anti-establishment films of the 60s and 70s, and the sci-fi and fantasy blockbusters of today. Lindvall considers how the presentation of cinematic prayer varies across race, age, and gender, and places the use of prayer in film in historical context, shedding light on the religious currents at play during those time periods.God on the Big Screen demonstrates that the way prayer is presented in film during each historical period tells us a great deal about America’s broader relationship with religion

     
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  2. God on the Big Screen
    A History of Hollywood Prayer from the Silent Era to Today
    Autor*in: Lindvall, Terry
    Erschienen: [2019]; © 2019
    Verlag:  New York University Press, New York, NY

    Film history meets church history through the ritual of prayers Moments of prayer have been represented in Hollywood movies since the silent era, appearing unexpectedly in films as diverse as Rebecca of Sunnybrook Farm, Frankenstein, Amistad, Easy... mehr

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Hochschule Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Coburg, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Kempten, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Film history meets church history through the ritual of prayers Moments of prayer have been represented in Hollywood movies since the silent era, appearing unexpectedly in films as diverse as Rebecca of Sunnybrook Farm, Frankenstein, Amistad, Easy Rider, Talladega Nights, and Alien 3, as well as in religiously inspired classics such as Ben-Hur and The Ten Commandments. Here, Terry Lindvall examines how films have reflected, and sometimes sought to prescribe, ideas about how one ought to pray. He surveys the landscape of those films that employ prayer in their narratives, beginning with the silent era and moving through the uplifting and inspirational movies of the Great Depression and World War II, the cynical, anti-establishment films of the 60s and 70s, and the sci-fi and fantasy blockbusters of today. Lindvall considers how the presentation of cinematic prayer varies across race, age, and gender, and places the use of prayer in film in historical context, shedding light on the religious currents at play during those time periods.God on the Big Screen demonstrates that the way prayer is presented in film during each historical period tells us a great deal about America’s broader relationship with religion

     
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      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
  3. Liberation Theology and Zombies
    Paralysis and Praxis
    Autor*in: Pemberton, Charles Samuel Christie
    Erschienen: [2017]

    In Fredric Jameson's formulation it may now be “easier to imagine the end of the world than to imagine the end of capitalism.” What Jameson suggests is that our current preoccupation with the drama of the apocalyptic belies a deeper paralysis of the... mehr

    Standort:
    Index theologicus der Universitätsbibliothek Tübingen
    Fernleihe:
    keine Fernleihe

     

    In Fredric Jameson's formulation it may now be “easier to imagine the end of the world than to imagine the end of capitalism.” What Jameson suggests is that our current preoccupation with the drama of the apocalyptic belies a deeper paralysis of the imagination, and with this the concomitant loss of actions conducive to a new politics. Jameson's comments here foreground a contradiction in our experience of late capitalism, representations of dramatic rupture which obscure fundamental political stasis. This paper takes Jameson's reflections and the contradiction of action which is also non-action as the point of departure to query the current state of Liberation Theology, particularly the work of Ivan Petrella, to defend the work of Gustavo Gutiérrez, and ask how our contemporary predicament might be illuminated by Danny Boyle's zombie film, 28 Days Later.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Druck
    Weitere Identifier:
    Übergeordneter Titel: Enthalten in: Political theology; Abingdon : Routledge, Taylor and Francis Group, 2001; 18(2017), 8, Seite 730-749

    Schlagworte: Gustavo Gutiérrez; late capitalism culture industry; liberation theology; teratology; zombies
    Bemerkung(en):

    Das Heft ist als Doppelheft erschienen: "Volume 18 Numbers 7-8 November-December 2017"