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  1. Visually Oriented Rhetoric and Visionary Experience in Hebrews 12:1-4
    Autor*in: Mackie, Scott D.
    Erschienen: [2017]

    Though a "vision-centered" perspective is apparent in a variety of contexts in Greco-Roman life and literature, of particular interest to this essay are the visually oriented rhetorical techniques that Greco-Roman authors and orators used to appeal... mehr

    Standort:
    Index theologicus der Universitätsbibliothek Tübingen
    Fernleihe:
    keine Fernleihe
    Signatur:
    FTHNT097714/79/MES
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Though a "vision-centered" perspective is apparent in a variety of contexts in Greco-Roman life and literature, of particular interest to this essay are the visually oriented rhetorical techniques that Greco-Roman authors and orators used to appeal to the visual imaginations of their audiences. Through these well-theorized techniques, authors and orators hoped not only to engage their audiences' visual imaginations but also to transport them emotionally into the described scene. The author of the Epistle to the Hebrews was to all appearances well versed in these techniques, and perhaps this is nowhere more evident than in Heb 12:1-4. Enlisting the language and imagery of agonistic sport and spectacle, this visually evocative text helps the community reenvision their current situation. Their sufferings are thus reconfigured as normative to the athletic sphere, while their commitment to Christ and his community is translated into a test of endurance in a footrace. Integral to this agonistically shaped exhortation is the vivid portrayal of Jesus as the "forerunner" and victorious "finisher" of the same contest of faith in which the community is presently competing. Ekphrasis and epiphany coalesce in this mimetic portrayal, signaled by the author's exhortation to "fix our gaze" on the one who has triumphed over adversity and adversaries.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Druck
    Übergeordneter Titel: Enthalten in: The catholic biblical quarterly; Washington, DC : Catholic University of America Press, 1939; 79(2017), 3, Seite 476-497

    Schlagworte: Rhetorik; Vision; agon; CHRISTIAN mysticism; ekphrasis; EMOTIONS (Psychology); enargeia; epiphany; EPIPHANY; Epistle to the Hebrews; EVOCATION; Hebrews 12:1-4; mimesis; MIMESIS; mysticism; RELIGIOUS aspects
  2. “We are all constructors”. Milorad Pavić’s Zapis u znaku device as epiphanic retro-(post-) modernism
    Autor*in: Ghilarducci, Manuel
    Erschienen: 2022
    Verlag:  Humboldt-Universität zu Berlin

    This publication is with permission of the rights owner (De Gruyter) freely accessible. ; Milorad Pavić’s An Inscription in the Sign of the Virgin (1973) has not been the subject of scholarly investigation yet, although this story manifests a... mehr

     

    This publication is with permission of the rights owner (De Gruyter) freely accessible. ; Milorad Pavić’s An Inscription in the Sign of the Virgin (1973) has not been the subject of scholarly investigation yet, although this story manifests a peculiar poetics of epiphany which aims to counter Yugoslavian (post-)modernity immanently by using its own hybrid and fragmented strategies and to restore an allegedly lost totality and transcendentality by focusing on a mythological past. The text is structured as a postmodern play with language and literary conventions; but its ontological, phenomenological, linguistic and geopoetic implications carry a conservative character. Every movement the text makes towards fragmentation is followed by an opposite movement towards a restoration of traditional structures. For these reasons, I propose to label this poetics of epiphany as ‘retro-(post-)modernism’. In this article, I will focus on the mentioned issues by illustrating these opposite movements with the help of the philosophical concepts of Jean-Luc Marion, Martin Heidegger, Jacques Derrida and Gilles Deleuze and Félix Guattari. ; Peer Reviewed

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Literaturen anderer Sprachen (890)
    Schlagworte: epiphany; retro-(post-)modernism; (post)modernity; icon
    Lizenz:

    rightsstatements.org/vocab/InC/1.0/
  3. Ahnungen an der Peripherie. Fülle und Leere in Jacques Rédas Les Ruines de Paris
    Autor*in: Nagel, Frank
    Erschienen: 2022
    Verlag:  Walter de Gruyter GmbH

    Jacques Réda’s collection of prose poems Les Ruines de Paris (1977) can be related to a long tradition of literary works about the French capital evoking its transformation, setting out the contradictions between new industrial and still remaining... mehr

     

    Jacques Réda’s collection of prose poems Les Ruines de Paris (1977) can be related to a long tradition of literary works about the French capital evoking its transformation, setting out the contradictions between new industrial and still remaining older areas. These are also the urban topographies where the lonely stroller explores the ‚ruins of Paris‘, discovering less known streets and indeterminate wastelands on the edge of a rapidly changing city. However, precisely these strange zones produce often a vague feeling of epiphanies for the observer, the periphery thus acquires its own suggestive aura as it already did in surrealist writers like Aragon and Leiris, but also in the early Borges. Putting it in a more theoretical way in Les cinq points cardinaux (2003), Réda distinguishes between the different ways places may appear to an attentive mind, finding a sort of transcendental surplus in the specific atmosphere of the outskirts. Our essay shows this aesthetic fascination as a medium of poetic energy in Les Ruines de Paris, linking it to a historical moment after modernism when intuition and imminence have become supplements of plenitude.

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Deutsch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: 4; Sprache (400); Romanische Sprachen; Französisch (440); 8; Literatur und Rhetorik (800)
    Schlagworte: article; ScholarlyArticle; Published Version; prose poem; Paris; epiphany; flâneur; Prosagedicht; Epiphanie; Flaneur
    Lizenz:

    creativecommons.org/licenses/by/4.0/ ; info:eu-repo/semantics/openAccess