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  1. The happy cultural omnivore?
    exploring the relationship between cultural consumption patterns and subjective well-being
    Erschienen: September 2021
    Verlag:  IZA - Institute of Labor Economics, Bonn, Germany

    This paper proposes a novel approach to explore the relationship between cultural participation and subjective well-being. While most empirical research has considered such a connection using cultural and leisure activities individually or in... mehr

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    ZBW - Leibniz-Informationszentrum Wirtschaft, Standort Kiel
    DS 4
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    This paper proposes a novel approach to explore the relationship between cultural participation and subjective well-being. While most empirical research has considered such a connection using cultural and leisure activities individually or in additive terms, drawing from the sociological literature, we adopt cultural consumption profiles emerging from the variety and intensity of engagement in different cultural activities simultaneously. Using data from the 2012 Italian Multipurpose survey on households "Aspects of daily life", we first derive categories of cultural consumers through Latent Class Analysis and investigate how heterogeneity in cultural profiles is associated with overall life satisfaction and relevant domains (health, leisure, friendship relations, job and economic conditions). The results of our empirical analysis indicate a positive relationship between cultural participation and overall life satisfaction. Still, a more complex picture arises when considering all the statistically significant differences in life and domain satisfaction across cultural consumption patterns. These findings contribute to a better understanding of the role of cultural consumption habits on individual well-being and have implications for culture-led welfare policies.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    hdl: 10419/245800
    Schriftenreihe: Discussion paper series / IZA ; no. 14749
    Schlagworte: life satisfaction; subjective well-being; cultural consumption; cultural participation; cultural activities
    Umfang: 1 Online-Ressource (circa 36 Seiten), Illustrationen
  2. Los usos culturales de la casa: Prácticas de escucha domésticas en jóvenes de clases medias y populares en Argentina
    Erschienen: 2021
    Verlag:  Redaktion apropos [Perspektiven auf die Romania], Universität Rostock - Institut für Romanistik

    The paper explores the relationships between musical consumption and home among middle and popular urban classes in Argentina, from an ecological perspective, attentive to the environments in which these cultural practices unfold. The analysis is... mehr

     

    The paper explores the relationships between musical consumption and home among middle and popular urban classes in Argentina, from an ecological perspective, attentive to the environments in which these cultural practices unfold. The analysis is based on the house as a complex space of cultural consumption and investigates different music fans' stories. From this perspective, their musical listening practices are described, considering the housing conditions in which they are conceived and modulated and the moments in the life cycle of those people who engage in them. This research has allowed to capture instances of musical socialization in which various personal strategies regarding music listening at home are presented and varying degrees of attention to the sounds of the house are managed. Thus, the exploration aims to characterize some of the effects of music on people’s daily lives, as well as to present a qualitative analysis of «musical consumption», recovering the practices, logics and contexts in which it emerges and takes on meaning. As a result, the dynamics of individuation and the domestic interdependence frameworks that are shaped with the uses of music in various socio-spatial contexts are characterized. ; El artículo explora las relaciones entre consumo musical y vivienda en jóvenes de clases medias y populares urbanas en Argentina. Esta exploración se realiza desde una perspectiva «ecológica», atenta a los entornos en los que se realiza la instancia de recepción de los consumos musicales. El análisis se sitúa en la casa como espacio complejo del consumo cultural e indaga en relatos de aficionados a la música pertenecientes a distintos segmentos sociales. Desde esta perspectiva, se describen sus prácticas de escucha musical, atendiendo a las condiciones habitacionales en las que las mismas se gestan y modulan y a los momentos del ciclo de vida de las personas que las despliegan. Dicha indagación ha permitido captar instancias de socialización musical en las que se presentan diversas estrategias ...

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Spanisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    Übergeordneter Titel: apropos [Perspektiven auf die Romania]; Nr. 7 (2021): Producir y consumir cultura en la América Latina del siglo XXI; 20-37 ; apropos [Perspektiven auf die Romania]; No. 7 (2021): Producir y consumir cultura en la América Latina del siglo XXI; 20-37 ; apropos [Perspektiven auf die Romania]; Núm. 7 (2021): Producir y consumir en Latinoamerica; 20-37 ; apropos [Perspektiven auf die Romania]; No 7 (2021): Producir y consumir cultura en la América Latina del siglo XXI; 20-37 ; 2627-3446 ; 10.15460/apropos.7
    DDC Klassifikation: Bräuche, Etikette, Folklore (390); Spanisch, Portugiesisch (460); Künste; Bildende und angewandte Kunst (700); Musik (780); Freizeitgestaltung, darstellende Künste, Sport (790); Literaturen romanischer Sprachen; Französische Literatur (840); Spanische, portugiesische Literaturen (860)
    Schlagworte: house; home; music listening; cultural consumption; cultural taste; individualization; casa; escucha musical; consumo cultural; gusto cultural; individuación
    Lizenz:

    Copyright (c) 2021 Nicolás Aliano ; creativecommons.org/licenses/by/4.0/

  3. Presentación: Producir y consumir cultura en la América Latina del siglo XXI
    Erschienen: 2021
    Verlag:  Redaktion apropos [Perspektiven auf die Romania], Universität Rostock - Institut für Romanistik

    Presentation of the special issue "Producir y consumir cultura en la América Latina del siglo XXI" ; Presentación del dosier "Producir y consumir cultura en la América Latina del siglo XXI" mehr

     

    Presentation of the special issue "Producir y consumir cultura en la América Latina del siglo XXI" ; Presentación del dosier "Producir y consumir cultura en la América Latina del siglo XXI"

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: BASE Fachausschnitt AVL
    Sprache: Spanisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    Übergeordneter Titel: apropos [Perspektiven auf die Romania]; Nr. 7 (2021): Producir y consumir cultura en la América Latina del siglo XXI; 12-19 ; apropos [Perspektiven auf die Romania]; No. 7 (2021): Producir y consumir cultura en la América Latina del siglo XXI; 12-19 ; apropos [Perspektiven auf die Romania]; Núm. 7 (2021): Producir y consumir en Latinoamerica; 12-19 ; apropos [Perspektiven auf die Romania]; No 7 (2021): Producir y consumir cultura en la América Latina del siglo XXI; 12-19 ; 2627-3446 ; 10.15460/apropos.7
    DDC Klassifikation: Publizistische Medien, Journalismus, Verlagswesen (070); Bräuche, Etikette, Folklore (390); Sprache (400); Spanisch, Portugiesisch (460); Künste; Bildende und angewandte Kunst (700); Zeichnung, Zeichnungen (741); Musik (780); Freizeitgestaltung, darstellende Künste, Sport (790); Spiele und Freizeitaktivitäten für drinnen (793); Literatur und Rhetorik (800); Literaturen romanischer Sprachen; Französische Literatur (840); Spanische, portugiesische Literaturen (860); Literaturen anderer Sprachen (890)
    Schlagworte: mass culture; popular culture; cultural industry; internet; cultural consumption; cultura masiva; cultura popular; industria cultural; consumo cultural
    Lizenz:

    Copyright (c) 2021 Diego Labra, Javier Guiamet ; creativecommons.org/licenses/by/4.0/