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  1. Visually Oriented Rhetoric and Visionary Experience in Hebrews 12:1-4
    Autor*in: Mackie, Scott D.
    Erschienen: [2017]

    Though a "vision-centered" perspective is apparent in a variety of contexts in Greco-Roman life and literature, of particular interest to this essay are the visually oriented rhetorical techniques that Greco-Roman authors and orators used to appeal... mehr

    Standort:
    Index theologicus der Universitätsbibliothek Tübingen
    Fernleihe:
    keine Fernleihe
    Signatur:
    FTHNT097714/79/MES
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Though a "vision-centered" perspective is apparent in a variety of contexts in Greco-Roman life and literature, of particular interest to this essay are the visually oriented rhetorical techniques that Greco-Roman authors and orators used to appeal to the visual imaginations of their audiences. Through these well-theorized techniques, authors and orators hoped not only to engage their audiences' visual imaginations but also to transport them emotionally into the described scene. The author of the Epistle to the Hebrews was to all appearances well versed in these techniques, and perhaps this is nowhere more evident than in Heb 12:1-4. Enlisting the language and imagery of agonistic sport and spectacle, this visually evocative text helps the community reenvision their current situation. Their sufferings are thus reconfigured as normative to the athletic sphere, while their commitment to Christ and his community is translated into a test of endurance in a footrace. Integral to this agonistically shaped exhortation is the vivid portrayal of Jesus as the "forerunner" and victorious "finisher" of the same contest of faith in which the community is presently competing. Ekphrasis and epiphany coalesce in this mimetic portrayal, signaled by the author's exhortation to "fix our gaze" on the one who has triumphed over adversity and adversaries.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Druck
    Übergeordneter Titel: Enthalten in: The catholic biblical quarterly; Washington, DC : Catholic University of America Press, 1939; 79(2017), 3, Seite 476-497

    Schlagworte: Rhetorik; Vision; agon; CHRISTIAN mysticism; ekphrasis; EMOTIONS (Psychology); enargeia; epiphany; EPIPHANY; Epistle to the Hebrews; EVOCATION; Hebrews 12:1-4; mimesis; MIMESIS; mysticism; RELIGIOUS aspects
  2. The Structure of Mythological Old Comedy
    Autor*in: Marsh, Loren D.
    Erschienen: 2020
    Verlag:  Humboldt-Universität zu Berlin

    This publication is with permission of the rights owner freely accessible due to an Alliance licence and a national licence (funded by the DFG, German Research Foundation) respectively. ; Scholars often assume that Old Comedies based on mythological... mehr

     

    This publication is with permission of the rights owner freely accessible due to an Alliance licence and a national licence (funded by the DFG, German Research Foundation) respectively. ; Scholars often assume that Old Comedies based on mythological stories differed from other Old Comedies primarily by their mythological plot material, and that therefore they shared the structural features of the surviving plays of Aristophanes. I show that the evidence may instead indicate that these Old Comedies did not as a rule have a parabasis or an agon. The structure of mythological Old Comedy could then have resembled the satyr play more closely than Aristophanic Old Comedy, meaning genre did not necessarily determine form. ; Peer Reviewed

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Hellenische Literaturen; Klassische griechische Literatur (880)
    Schlagworte: Aristophanes; mythological comedy; parabasis; agon; satyr play
    Lizenz:

    rightsstatements.org/vocab/InC/1.0/